A beautifully turned bowl lacquered burnt orange-red over a black foot dating from the late 19th to early 20th century enclosed in an old kiri wood box titled Negoro-nuri Kashiki followed by a signature. The faintest brush strokes in perfect lines swirl around the outside, and cross the bowl inside. The bowl itself is also signed in red on the base. It is 18 cm (7 inches) diameter and in excellent condition.

Japanese carved wood Natsume tea caddy, with high relief lacquer imagery of ripened peaches growing on a branch, and a flying hornet on the top of the lid in lacquer. The side of the box is signed with red lacquer cartouche.

Meiji period (1868-1912) c. 1900

Dimensions: 2 1/2" W x 2 3/4" H

An antique Japanese Chobako (merchant box) made of Hinoki (Cypress) and Kiri (Paulownia) woods. All original hand forged iron hardware. Upper carrying handle and hinged door that hides 4 drawers of varying sizes used by a merchant to store writing paper, receipts, money and calligraphy brushes.

Age: Meiji Period (1880-1890)

Dimensions: 10" Wide by 12 1/4" High by 14 3/4" Deep

Important 'Omizutori' festival lacquer plate from the late Meiji Period. Omizutori (お水取り), or the annual, sacred water-drawing festival, is a Japanese Buddhist festival that takes place in the Nigatsu-dō of Tōdai-ji, Nara, Japan. This ceremony is to cleanse the people of their sins as well as to usher in the spring of the new year. Once the Omizutori is completed, the cherry blossoms have started blooming and spring has arrived...

Beautiful Meiji Period C.1890 maki-e raised gold lacquer Tachibana citrus tree with silver inlay cherry blossoms floating around the Tachibana tree. Some of the Tachibana citrus fruit also have silver inlay. Lacquer on rest of mirror case is Nashiji or speckled gold lacquer. The pad the mirror rests on is hand dyed sarasa with natural vegitable dyes from India. On the back of the miror is " Made by Takashima Sagaminokami Mitsutada". 12" tall by 8" wide. Ask for shipping quote.

Exquisite pair of lacquered wood temple lotus offering stands in lotus motif. The Lotus is the penultimate buddhist symbal of purity. The base is a lotus with lotus flowers on the stem and lotus cup at the top. Minor lacquer wear but in fabulous condition for its Meiji Period C.1890 age. 12" tall and 6" wide.

This antique Japanese Marquetry box is a good example of the meticulous craftsmanship and attention to detail that marked the Japanese Meiji Period. The sides of the lid have scalloped opening which ease the removal opening of the box which was probably designed for glove storage. 10.5 x 3.5 x 3.75 inches

A bridge and weeping-cherry (shidare sakura) draped over swirling eddies on this silver lidded Meiji period Koro incense burner on its original matching table. On the table a waterwheel is visible downstream from the same scene, tiny silver beads floating on the crests of the ripples. The incense burner has a silver lid and removable liner, with a nashiji gold-flaked bottom. It is 4-1/2 inches (11.5 cm) diameter and in fine condition...

Japanese kogo, or incense container for tea ceremonies, in the form of a small bird with very fine maki-e or sprinkled gold lacquer exterior. Each feather of the bird is highly detailed in low relief maki-e lacquer. The pupils of the bird are done with very fine red lacquer for contrast. The interior of the box is finished in gold nashiji, sometimes called pear skin due to the resemblance to the Asian pear...

An exquisite Lacquer Tray decorated with a spray of flowering Azalea in gold powder with mother of pearl, ceramic and lead inlays. Large kirigane flakes of solid gold decorate the petals. It is enclosed in a wooden box titled Tsutsuji Maki-e Nagatebon (Azalea Makie-e Tray). It is quite large at 19-1/2 x 14-1/2 x 2 inches (49.5 x 37 x 4.5 cm) and is in fine condition, dating from teh later Meiji to early Taisho period (1895-1915).

Antique Japanese lacquer vanity box with a nishiji (sprinkled gold) background, gold lacquer painted flora including peonies and chrysanthemums, recessed side handles, four front drawers with hirute style handles. The top of the box has a lacquer stand and mirror box, with painted butterfly. Inside the box is the Original bronze mirror with flying cranes and trees. Meiji Period (1868 - 1912) Size: 26.5" H, 14" W, 10.5" D

An antique Japaese tray in the form of a banana leaf in green natural Urushi lacquer with its original Tomobako. Beautiful artist rendition of a folded top to the leaf that has an edge which naturally cuts up. Fully carved and lacquered both top and bottom. Age: Meiji/Taisho (1900-1920)

Dimensions: 23 1/2" Long by 10 1/2" Wide

This is an old Japanese towel rack, sometimes called a children’s kimono stand. The metal work is in traditional style and the mounts have been used on many different kinds of lacquer pieces throughout the Edo period. The chrysanthemum mons (family crests) on each end of the mount, were used by the Emperor, royal princes and others outside the Imperial family, in a variety of forms. Although the 16 petal mon was designated for use by the Imperial family, others were entitled to use it...

The full moon glowing in shimmering gold illuminates the silver blossoms adorning the ragged plum tree growing along the river bank, a superb lacquer box dating from the 19th century enclosed in a period wooden box titled Plum & Moon Maki-e Suzuri Bako. Inside the lid the stream continues, running past golden rocks and young flora reaching for the moon...

Japanese lacquer suzuribako or calligraphy writing box. The box is wood with lacquer, gold gilt sprinkled lacquer, and inlaid shell on the lid, adorned with scrolling leaves, floral medallions and motifs of sparrows. The box interior is red lacquer with gold lacquer patterns. The inside box contains an attached inkstone, a brush, and a small brass water dropper. Underneath is a shallow compartment for the storage of calligraphy papers...

A pair of red lacquered sake cups with chrysanthemum and pampas grass (respectively) on ornate stands decorated with golden landscapes enclosed in the original compartmentalized wooden box titled Sansui Maki-e Hai-ki ittsui (One Set of Sake Stands with Lacquer Landscapes). They are 4-1/4 inches (11 cm) square at the feet, and in excellent condition dating from the early 20th century.

A sake set in the shape of a cha-usu tea powder grinding stone consisting of 7 pieces, each uniquely decorated with various creatures. The widest is a large sake cup decorated with cranes upon which rests the hai-dai stand, forming the base of the grinding stone. The cover is in the shape of the grinding stone itself, and forms a deep cup decorated inside with a hawk. Inside this are found three concentric cups decorated with crows, a carp and sparrows...

A pair of antique Japanese lacquer presentation processional boxes finished in original Urushi. Constructed of Hinoki (Cypress) wood it was made for both strength and to make it light in weight. The tops each have a hook style hinge on one side and a clasp on the opposite side where a cord or a lock would have kept the contents secure. The interior is lacquered and the floor contains two rings which were used in conjunction with a cord to secure the valuable content from shifting about...