An incredible lacquered screen decorated with a Bugaku Dancer wearing an angry devil mask opposing a snake in incredibly thick relief opposite three gentlemen heating sake over a fire under the changing leaves of a maple, their oxcart off to the side. An inlaid cartouche near the snake reads Kan. The two-sided panel is set into a frame with matt black iron texture over a raw kiri-wood panel inset with three windows...

Edo Period Early 19th Century Japanese Gold Lacquered Box. An extraordinary master work inspired by the Rimpa style of Ogata Korin. This stunning box features a pair of Peacocks by a stream with auspicious Flowers and Butterflies rendered in high relief of gold lacquer and accents of mother of pearl. The beautifully rendered auspicious motif continues in the interior of this magnificent work of art. 16 x 12 x 5 inches, 40.5 x 30.5 x 12.5 cm. Excellent Condition.

From the collection of the Museum of Fine Arts in Boston comes this fine Edo Period late 18th/early 19th Century Japanese Black Lacquered Box with Mother-of-Pearl Inlaid and Gold Lacquered Boats in a classic wave pattern with exceptionally well rendered mother of pearl motifs. A rare masterpiece from all sides. 8 x 5.5 x 5.5 inches, 20 14 x 14 cm. Excellent Condition.

This is one of the more intriguing lacquer objects we have owned. Adorned with maki-e Aoe (hollyhock) Ka-mon on nashiji ground (also known as the Kamo Aoi as it was sacred to the Kamo shrine), family crest for prominent daimyo families including the Tokugawa and the Matsudaira during the Momoyama and Edo periods. Even the drawer pull is fashioned as an open worked shibuichi Aoe Ka-mon with the surprise of a textured, kinko (soft metal) raised backing only if you look for it...

Small gold lacquer tray, magnificent example of kirikane and multiple lacquer technical and multiple lacquering techniques. Absolutely exceptional quality, very rarely encountered. Presence of small details in mother of pearl. I think it must have been part of a set, most probably inside a box? But it is possible that it was created alone. Perfect state of conservation. Difficult to date exactly, I would say around 1800. Dimensions 105x80mm.

A pair of circular make-up boxes in nashi-ji lacquer adorned with a floral pattern and an aoi go mon motif (three mallow leaves in a ring) on the lid. This motif is well-known for being the mon (family crest) of the famous dynasty of the Tokugawa shoguns. The bottom of the lid and the top of the box are lined with silver...

Circular kobako in gold lacquer, decorated with cranes and pines on a nashiji background. The interior is in nashiji lacquer. On the lid, we can see the mon of the Tsugaru family (津軽).
This family is a samurai clan from the province of Mutsu, in the north of Japan. It was originally a branch of the Nambu clan, which became free during the Azuchi Momoyama period (1573-1603)...

Additional Photos for Amazingly Fine Japanese Makie Kobako w/Box, Please see the price at item #1448351.

19th Century Japanese Gold Makie Lacquer Kobako Kogo Box with Horse

The box is 0.63 inch (1.6 cm) tall by 2.3 inches (5.85 cm) in length and 2.2 inches (5.5 cm) wide. It is 13 gram.

It has small chips, peeling of lacquer, hairline crack, stains, rubbing of lacquer and gold and surfaces wears and scratches (as seen in the photos).

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Long suzuribako (calligraphy box) with nashiji lacquer background, plum tree decoration in a lake landscape in takamaki-e, kôrin maki-e and kirigane. The plum tree (ume), which blooms at the beginning of the year, announces spring. Its flower is a symbol of protection against demons. On the inner lid, decoration with seven flying birds near a coast with clouds...

Small box of drawers in gold and silver lacquer background imitating tortoise shell. The decor is composed of volutes and phoenixes in light relief (Taka Maki-e) of gold and silver powders, mosaic detail of inlaid solid gold and silver tiny squares (kirikane). By transparency one distinguishes under the tortoiseshell the reflections of gold leaf. The fittings are finely chiseled with volutes...

Large suzuribako showing on its cover a mountainous landscape, crossed by a river, bordered by two houses and trees such as pine trees and cherry trees in bloom. It could be Okabe, the twenty-first of the fifty-three stations of the Tôkaidô. The bottom is gilded in the fundame technique, decorated with takamaki-e, hiramaki-e, hirameji and kirigane...

Suzuribako in roiro lacquer decor of a setting sun behind the waves in red and gold lacquer. Inside a couple of gold lacquer cranes on a nashiji background. Edo period 19th century or before. Good condition, no repairs. Normal use wear for this period. Very interesting subject. Dimensions about 21x21 cm

Four-square inrô in hiramaki-e lacquer, maki-bokashii and mother-of-pearl inlay (raden) in the form of a man sailing on a boat, against a mountain background. On the back side, bamboos are in the foreground.

Horn netsuke of a man resting against a stone, a fan in his right hand.
Ojime in stone painted with white carnations.
Sold in a box which is not original.
Small boxes formed of interlocking compartments, inrō (印籠) are traditional Japanese clothing items...

Three boxes inrô in black lacquer and gold hiramaki-e, maki bokashi, kirigane and mother-of-pearl (raden) inlay depicting peasants planting rice seedlings in a rice field.
Nashi-ji lacquer interior with the inscription ソカウアン (sokauan) at the top of each boxe.
Rice is the staple food in Japan...

Gold lacquer suzuribako (writing set) representing a pine tree in a rocky mass in takamaki-e on a kirigane background.

The inside of the lid and the writing case is decorated with an interlacing of hiramaki-e foliage on a dense nashi-ji background.

Accompanied by its original box with partially identified inscription, "Suzuribako with lid - gold nashi-ji [...]" (金梨地 [1 unidentified kanji]画 [2 unidentified kanji] 硯筥覆).

Japan – Edo era (160...