Inrô with five compartments with lake landscape decoration in continuity on both sides, in gold lacquer hira maki-e, taka maki-e, kirigane and brown lacquer on a fundame gold background. The interior is in nashi-ji lacquer.

Wooden Netsuke representing the Japanese wonder shell (Thatcheria mirabilis).

Ojime of tubular form in gilded copper and incised with peach decoration. In Japanese popular culture, fishing has the power to drive away evil spirits...

Japanese lacquered gold and silver hira maki-e biwa shape box (kobako).

Japan, Edo period

Length 7,67 in – Width 3,14 in – Heigth 0,7 in

The biwa is a japanese short-necked fretted luth, often used in narrative storrytelling. The biwa is chosen instrument of Benten, goddess of music, eloquence and poetry.

Ikebana basket made of dark brown varnished bamboo wickerwork, square shape with rounded edges. Thicker bamboo braids on both sides and on two of the four sides in the extension of the handle. Removable handle in five segments. Round pot to hold flowers.
Transport box included.

Weaving similar technique to a ikebana basket conserved at the Musée du quai Branly - Jacques Chirac, Paris : Anonymous, Hanakago Karamono - Utsushi, Edo-Meiji period, 19th century...

Lacquer kobako box with two compartments in the shape of a fan. Decorated with pine trees near a stream on all sides in takamaki-e, hiramaki-e techniques with a nashi-ji background. On the upper side, a couple of cranes are looking for food on the ground, while three baby cranes are waiting in the nest located in the pine tree. Interior in nashi-ji lacquer.

Japan - Edo period (1603-1868)

Height: 1.8 in...

An antique Japanese Zushi (portable altar) with standing Amida Buddha within. Urushi lacquer over wood. Original bronze ornamentation features a large clasp with stylized arabesque Lotus blossoms on either side and the Dharma wheel above and below. Makie lacquer crossed feathers Mon (family crest). Opening the doors of the altar reveals the Buddha in its original patina and a hand painted upper apron with lotus blossoms...

A lacquered cabinet for storing Tea accoutrements by Koyama Kogetsu enclosed in the original signed wooden box dated 1931 and titled Tsukiyama Maki-e Kikkyoku (Mon and Hills Maki-e Tea Cabinet). On the door deer stand on the edge of a glade, gold, lead and Raden (mother of pearl) trees with branches of gold and silver maki-e above. The door lifts off to reveal the silver disc of a full moon rising over evening hills. It is signed in gold Kogetsu...

A splendid set of five Chataku Tea Cup Saucers of turned wood decorated in ridiculously thick lacquer floral decoration by Ikkokusai enclosed in a fine wooden box signed by the artist and dated Meiji 39 (1906). Accompanying is a note stating the set was received as a gift upon visiting the Naganuma Ryokan during a trip to Hiroshima in the fifth month of Meiji 43, accompanied by the name Kayanomiyasama. Kaya-no-miya were a collateral branch of the Japanese Imperial family...

Rare and pretty Inro opening with four compartments and a lid in urushi lacquer with a black background decorated in hiramaki-e with gold lacquer, mitsuda, kirigane and mother-of-pearl inlays, of a traditional cottage above which a bird flies; on the other side, a set of objects including a large basket, branches and a cup. Height: 5.8 cm. Japan Edo (1603-1868) 17th century. Provenance: Maurice Feuillet collection. Label with inscription “Maurice Feuillet collection” and N°138

Tempestuous waves in fine gold lines splash between lightning shapes decorated with reed curtains on the sides of this singular lacquered wooden koro with woven silver lid dating from the Momoyama to opening of the Edo period, Later 16th to early 17th century. It is 8.5 cm (3-1/4 inches) high, 7.5 cm (3 inches) diameter. The worn base has been re-lacquered to protect the wood core from splitting or cracking otherwise is entirely original to the period.

Five matching boxes covered in black lacquer decorated with togidashi feathers in silver and gold enclosed in the original wooden box signed Shunji (active Meiji-Taisho period) and titled Hane-no-zu Maki-tabaco Shoshi (Feather decorated tabaco chest). Each faceted wood box has been covered in polished ink-black ro-iro lacquer, the diaphanous feathers then created on the surface with powdered gold and silver; then all is covered again in lacquer and polished through to reveal the design...

Box in black lacquered wood inlaid with mother-of-pearl, golden details. The decor is composed of birds among plants and shrubs. The birds are very active, the one in the center tends to what appears to be a stylized egg in a nest? Probably a meaning. The designs are simple but harmonious and very elegant. The inlay work is empirical but the materials used are solide and they have stood the test of time well indeed the lacquer has not peeled off and the mother-of-pearl is still well maintained...

Rare Antique Japanese Negoro red lacquer tiered stand. Five arched cabriole legs below the hand carved apron, the feet ending at a floral step base. Overall condition is very good and consistent with age.

Edo Period (circa mid 1800's)

Dimensions: 12" w x 14 3/4" h

A rare antique Japanese Gyosho Bako (Peddler's Chest) in a three stacking section set made entirely of Kirinoki (Paulownia) wood. In its original finish it features iron and bronze fittings . Through rope holes at the bottom to allow the stacked sections to be securely fitted allowing the peddler to carry the chest like a backpack...

A stunning fine antique Japanese makie lacquer box decorated with a tataki-nuri style black background with makie of vines and gourd and folding fans on the exterior. The interior is decorated in nashiji with a still life of a flower arrangement set in a basket with a charming lifelike rabbit and autumn grass for the inner tray. The vibrant colors and designs are often seen in lacquer works from the Edo and Meiji periods...

Circular kobako in gold lacquer, decorated with cranes and pines on a nashiji background. The interior is in nashiji lacquer. On the lid, we can see the mon of the Tsugaru family (津軽).
This family is a samurai clan from the province of Mutsu, in the north of Japan. It was originally a branch of the Nambu clan, which became free during the Azuchi Momoyama period (1573-1603). It sided with the victorious sides in the battle of Sekigahara in 1600, and became in the Edo period a family of ...

Four-compartments inrô in black lacquer with a hirameiji background with peonies and butterflies in gilded maki-e. Rocky promontory in takamaki-e and kirigane. Interior in nashi-ji lacquer.

Boxwood netsuke in the shape of a toad on a leaf. Signe with the name of “Masanao from Yamada”. Ojime made of hard stone.

Inrô are small compartmentalized boxes hanging from the belt that are part of sagemono (hanging objects). Indeed th...

Kodansu in gold lacquer and mother of pearl, with silver hinges and decorated with naturalistic motifs. The surface is covered with a delicate and shiny golden lacquer on a nashiji background which gives the box set brilliance. Decoration with naturalistic motifs in lacquer with mother-of-pearl inlays depicting stylized peonies and phoenixes in flight, creating an evocative contrast of colors and a fascinating texture. The inside of the kodansu hides three drawers decorated with silver kno...

A classic Nanban style Japanese lacquer tray decorated with mother of pearl inlay featuring four panels of birds among floral patterns separated by bands and frets dating from the 17th century later Momoyama to early Edo era. It is 43 × 28.5 x 2cm (17 x 11 x 1 inches). It has been fully restored, with repairs to the original lacquer and inlay, and the underside has been re-lacquered. It comes in a custom fitted Chinese style cloth bound box lined with red silk.
According to the Met: The...