An excellent pictorial reference book specializing entirely in Japanese Imari wares. The pieces span the gamut from the earliest Imari wares of the late 17th century, all the way through the Meiji Period Imari wares of the late 19th century. There are over 100 high quality color photos. In our candid opinion, it's not enough of a reason to purchase an antique merely for the sake of a free book, but any client already seriously contemplating a purchase can enjoy this as a free extra...

An excellent pictorial reference book with an interesting specialty focusing exclusively on figures: The book covers figures from virtually all the Japanese ceramic disciplines including Imari, Kutani, Sastuma, Hirado, Banko, and Sumida, with a very nice and useful final section on Japanese marks. There are over 200 color photos all of which are quite excellent...

A very good pictorial reference book focusing specifically on Imari and Kakiemon wares featuring about 95 color photos and some good overview text. In our candid opinion, it's not enough of a reason to purchase an antique merely for the sake of a free book, but any client already seriously contemplating a purchase can enjoy this as a free extra...

This is a beautiful Japanese Porcelain Charger or shallow bowl. It just glows. The work is very similar to the work we have seen done by the Fukagawa or Koransha factory but it is not signed. Condition is excellent. There is a minor factory smear of gold on the front center. It can bee seen in the images. This might why the piece is not signed. It can bee seen in the images. The charger is 12 5/8 inches across and has deep sides making it 2 1/4 inches tall.

From our Japanese Collection, a fine and large eight-sided imari charger, Meiji Period 1868-1912, depicting a flower basket beautifully executed in traditional palette of iron red, orange, blue, and gilt on a white porcelain body, and as a lovely extra on this particular piece, the addition of Kakiemon-style greenish turquoise enamel highlights in the corners and tastefully interspersed throughout the design...

Charming set of 5 small porcelain Kutani ware plates, two with black and gold rims and scenes of birds and flowers, three with black, gold and orange rims have scenes of noble man and attendant sitting by waterfall, mark of backs, circa 1930's. Size: 5" high x 3 1/4" wide.

Matching pair of Japanese Imari porcelain jars of inverted pear form covered with a high domed lid topped with a round chrysanthemum bud form finial. The vertically ribbed body is decorated in underglaze cobalt blue and overglaze rust-red enamel and gilt highlights. A large panel on the front features two shishi on opposing sides of a prominent floral pattern while the back holds a smaller cartouche with a bird and flower motif...

A beautiful robins’-egg-blue gu-shaped vase with ring handles and engraved decoration by Ito Tozan with the original rosewood stand dating from the early 20th century (c. 1920). The pale blue bleeds to white over the high points of the decoration, the florals raised about the bulbous center and highlighting the rim and edges of the beast head handles. Meanwhile pools of dark shadow the fretwork emanating up and down the body...

A boldly decorated Japanese Imari blue and white porcelain dish used for the serving of raw Fish. The dish measures 2" tall x 10 3/4" square, and dates to the late 19th Century. Condition: The condition is very good with a firing flaw on the top side edge. Free shipping within the USA.

A matching set of 10 Imari porcelain bowls with panels of birds and cranes surrounded by a brocade border. There is a blue and white peach design in the center interior with gold highlights, and a blue marking on the bottom. The bowls measure 2" high and 6" in diameter. The bowls date to the Meiji period, Circa 1880. Condition: The condition of all bowls is excellent with some small kiln flaws, and the gold covered edges show some rubbing. Free shipping within the USA.

This is a special old Japanese Imari bowl. The crane design and use of enamels is very attractive. The piece looks similar to some of the early Fukagawa pieces. Condition is very good and there is mainly wear to the gold trim on the top rim. This heavy bowl measures 7 inches across and stands 3 1/4 tall.

A lucky ammer in red decorates the inside of this large bowl by Mamiya Eishu enclosed in a period wooden box. It appears to read Kishoho or Kishohon (the method to satisfaction or the root of satisfaction respectively). The bowl is 7-1/2 inches (19 cm) diameter and in excellent condition. Eishu (1871-1945)entered the priesthood at the age of nine at Ryutakuji Temple under the training of the priest Tengan...

This is a fine old Japanese Porcelain vase from a rare Artist. The vase is very heavy and it stands 12 inches tall. The vase is decorated in underglaze blues and reds much like some of the Makuzu Kozan Pieces. There is an unknown impressed signature on the bottom. Maybe someone in Japan will recognize the signature of this fine studio artist. The vase was once a lamp and the hole has been nicely restored.

From our Japanese Collection, a very fine satsuma vase, Meiji Period (1868-1912), most likely circa 1900 -1910, marvelously potted in an unusual but very elegant flared trumpet shape exhibiting definite Art Nouveau Period influences, and yet decorated in what would be considered restrained Japanese taste with simple and classic floral motifs...

From our Japanese Collection, a truly superb satsuma vase, Meiji period (1868-1912), of robust globular form, depicting seven separate circular reserves of figures set against a most unusual and very appealing variegated ground that morphs from emerald green, to celadon, to cream, and finally to brown, all heavily overlaid with a rich brocade of chrysanthemum heads and other floral and geometric motifs executed in gilt...

Antique 17th century (circa 1650-1680) Japanese Arita porcelain ewer of oval form with a waisted neck and loop handles, painted in underglaze-blue with panels of peonies reserved on karakusa, the neck is with stylized peonies...

Japanese Satsuma foliate form bowl decorated in overglaze pigments and gilt highlights with a large bird in a cherry tree at the foreground set against a landscape scene with beauties in a pavilion at the right and a waterfall at the left. The exterior features three flying female mythological figures. The base bears a gold on black square “Satsuma Hotoda” mark and circular Satsuma family crest. 4 1/4” diameter x 1 3/4” high. Meiji period (late 19th century)...

From our Japanese Collection, a superb Kinkozan satsuma vase of tapered ovoid form, Meiji Period 1868-1912, most likely 1880-1890, depicting a finely painted bijin on one panel along with finely painted roosters and flying birds in a garden setting on the other panel. Both main panels are separated by reserves of elaborate gilt work set against a rich cobalt blue ground. Kinkozan signature and impressed mark on the bottom...