Japanese late 19th or early 20th Century porcelain vase. Made by artist SUWA SOZAN. Stamp of artist on bottom of vase. Comes with TOMOBAKO, original artist's box. The side of the vase has small raised rectangular areas which have design of fish, snail, chrysanthemums, peaches, shellfish, butterfly, phoenix and Japanese shishi lion. The vase is 10" tall and 9 1/2" in diameter.

A representative large Yuteki tsubo vase by Tenmoku specialist Kimura Morikazu (b. 1922) enclosed in the original signed and stamped wooden box. The vase is 9-1/4 inches (23.5 cm) diameter, the same height and in perfect condition. Born to the house of a Kyo-yaki potter, he established his first kiln in the Gojo Zaka area of Kyoto in 1947, moving to Fukui in 1976...

A superb pair of Tokkuri sake flasks by LNT Tokuda Yasokichi III (Masahiko, b. 1933) enclosed in the original signed and stamped wooden box. The slightly belted form seems to imitate a gourd, with glaze fading up from rich purple to green to deeply crackled white. Each piece is 6-3/4 inches (17 cm) tall, signed on the base in a traditional Kutani cartouche Masahiko. Masahiko was trained under both his grandfather and father, succeeding the family name in 1988...

Very thin eggshell miniature Hirado saucer with decoration of samurais and banners, 19th c. Possibly Hichosan, c f marks in app. six nr 98 in Lawrence: Hirado, Prince of Porcelains Diam: “3 ½ /9 cm Condition: Minimal nicks and small chip to rim

Very thin Hirado saucer, decorated in Kakiemon style with birds and flowers in orange, red, blue, green and puce, 19th century. C f marks in app. six in Lawrence: Hirado, Prince of Porcelains Diam:”4 ¾ /12 cm Condition: Fine hairline at blue flower and star crack, not possible to render visible on photos

One of the most interesting vases I have seen by this potter, quite striking in appearance, with brick colored dashes struck briskly through the dark molasses of the vase. Under the glaze we can see the artists signature Jomon rope impressions pressed into the clay. The Jomon pattern (the Jomon were ancient peoples of Japan whose pottery was typified by rope impressions) is what Tatsuzo is most famous for...

Here is a fine squat jar form vase, the deep red clay covered in fish-eyed tenmoku glaze by Living National Treasure (Ningen Kokuho) Shimizu Uichi (1926-2004), enclosed in the original signed wooden box. Iron red shows through with startling effect like meteorites in a dark night sky of blue and brown. It measures 6-1/2 inches (16.5 cm) tall, the same diameter. Shimizu is known for the soft persimmon red temmoku (iron oxide) glaze, as well as crackled white and celadon glazes...

An unusual modern art vase in robbins-egg-blue dating circa 1970 enclosed in the original signed wooden box by Kyoto artist Kumakura Junkichi (1920-1985).. The blue metallic glaze flows down the sides leaving a distinct pattern in the smooth surface, collecting in oil drop pools around the thickened base. Notches cut in the surface are turned out at various points to allow the insertion of flowers and twigs on all surfaces...

A lovely late Edo to early Meiji period square footed dish decorated with autumn grass and crosshatching in underglaze iron with a charming lacquer repair in one corner featuring a crescent moon expertly rendered. The dish has been formed on a cloth covered pattern; impressions remain visible in the surface through blanks in the thick white glaze. It was made with fluted corners, with 4 pressed on loop feet...

A square bottle vase by one of the most sought after and influential of all Japanese ceramic artists, Kawai Kanjiro (b. 1890), enclosed in the original kiri box signed by the master, which we have had authenticated at the Kawai Kanjiro Memorial Museum (now endorsed on the top by his daughter, Kyoha). The pale crackle glazed vase dates circa 1935, and is decorated with flower like dabs of rust and cobalt typical of this period, with dark iron fading out from the square mouth and base...

Serving plate. Over a grayish brown stoneware a geometrical design in blue, brown and green glazes, partly with fine crackle. Unsigned, but clay, color and design remind one of Mashiko ware. Diameter 10 ¼ inches, height 2 inches. Japan, 2nd half 20th century. Slight traces of usage (tiny scratches and water stains), otherwise very good condition.

Storage jar with beautiful dark brown glaze drippings from the neck and shoulder down, over a dark brown stone ware with countless inclusions. Around the neck engraved with cross pattern. Shape somewhat distorted. Height 11 inches, width 10 inches. Two short cracks at the rim, one small chip at the rim, glaze partly rubbed due to extensive usage. Overall condition good. Japan 18/19th century.

The size of Plate: 7 1/4" Dia x 1 1/8". Pretty Japanese Ko Imari Plate. The plate has blue underglaze design with red, gold design in the center. There is two design around with total three windows and three strip decoration. One with Crane and Pine tree with gold karakusa design. Other stripe design with red Karakusa and green geometric design. All of design are done with very good detail work. The condiiton of plate very good, no chip, no crack and no hairline...

The size of Bowl: 8 3/4" Dia x 4"High. Japanese Ko Imari Porcelain Deep Bowl. The bowl has very good enamel works surface as well as on the backside. Surface has the design of Eagle with Pine tree, clouds and bamboo grass. Inside rim area with blue underglaze and chrysanthemum design. Outside has a lots of enamel work with Peony flower and clouds. Very good works of blue underglaze design around foot rim...

The size of Bowl: 7 1/2" Dia x 3 3/8"High. Japanese Ko Imari Porcelain Bowl. The bowl has very good enamel works surface as well as on the backside. Surface side has the design of Eagle with Pine tree, clouds and bamboo grass. Insid rim area with blue underglaze and chrysanthemum design. Outside has a lots of enamel work with Peony flower and clouds. Very good works of blue underglaze design around foot rim. The condition of bowl is excellent, no chip, no crack and no hairline. Some wear on the ...

An incredibly detailed mid to late 19th century Izushi-yaki Hakuji (white porcelain) image of a samurai and his lover enjoying a moment together; the robes, accessories and musculature being extremely well shaped. The pair are made of solid white clay, sculpted in the style and with the attention to detail typical of Hirado ware however the glaze is more textured than work expected of that region, indicative of Izushi. There are several chips: the mans left foot, tobacco pouch and right finger...

A fantastic large tsubo vase by ceramic artist Teramoto Mamoru (1949-present) enclosed in the original signed wooden box. In spite of its size (almost 15 inches (37cm) tall), it is surprisingly light, and the colors are phenomenal. The slightly grooved surface is scored with primitive lines arching upward, filled with slip before firing. The artists signature is on the base of the piece, which is about 15 years old. Mamoru was a student of Matsumoto Saichi of Kutani, and has received numerou...

This is a fine Japanese Imari blue and white transfer porcelain plate with cobalt blue scattered floral and brocade panels inside a stylized fan design on chrysanthemum ground, the base having three spur marks with cobalt floral decoration on rim. Meiji Period Condition: excellent. Measurement: 9 in.