Japanese 20th - 21st century floral design plate. The floral design starts at the bottom front of the plate and continues over the lip and up the inside of the plate, separated by black slip. Signed by artist on bottom. The plate comes with TOMOBAKO, original artist signed wooden storage box. The plate measures 10 3/4" in diameter and 3 3/16" tall.

A set of five yunomi cups and five matching plates enclosed in the original signed wooden boxes, each uniquely decorated with cobalt designs and striking gold patterns. The cups are 4 inches (10 cm) tall, the plates 5-1/2 inches (14 cm) diameter and all are in excellent condition.
Ando Hidetake was born third generation into a Mino pottery family in Gifu prefecture in 1938. He began an apprenticeship under Kato Tokuro in 1960...

Japanese Stoneware hanging Vase with green and purple color drip glaze over dark brown unglazed surface, 4 3/4" high, 3 1/4" x 3 3/4" wide, the condition is good, no damages.

An Oribe Dai-hachi footed basin by Koie Ryoji enclosed in the original signed wooden box. It is 11 x 7-1/2 x 3-1/2 inches (28 x 19 x 9 cm) and is in excellent condition. A few pre-firing chips are shown in the close-ups, glaze over-running theedges proof that they happened before the piece was fired.
Born in Tokoname, 1938, Koie Ryoji graduated the Tokoname industrial school and moved on to work at the City Ceramic Research Facility. In 1966 he established his own studio...

A set of five sencha steeped tea tea cups by the first Suwa Sozan decorated with three seasonal or auspidcious fruits and a poem by famed literatus Tomioka Tessai enclosed in the original signed wooden box. Each cup is 2-1/4 x 2 inches (5.7 x 5 cm) and is in fine condition.
Sozan I (1852-1922) was born in Kutani country, present day Ishikawa prefecture, where he initially studied before moving to Tokyo in 1875...

This rare and interesting ceramic work was done by one of the most renowned and loved waka poets of the 19th century, Ōtagaki Rengetsu (1791-1875). In fact, if you look closely at the attached images, you will see her finger imprints clearly preserved in the molded clay.

Born into a Samurai family but soon after adopted by the Ōtagaki family, from the age of seven to sixteen Rengetsu was a lady in waiting at Kameoka castle where she was trained in the arts and courtly graces...

Massive Japanese Meiji period Kyoto Satsuma earthenware deep scalloped rim bowl with 17 lobes densely painted on the interior and exterior with a profusion of gilt and enamel flowers. Four-character Kinkozan tsukuru mark with Shimazu crest to the base. Very heavily potted (weighs over 8 lbs.). Dates circa 1890 - 1910. 11 7/8” diameter by 7” high. Nicely carved wood stand included. Very good overall condition with no chips, cracks, or repairs...

This extraordinary piece depicting what appears to be a learned scholar (possibly of foreign origin?) being escorted by a young vassal, is done in fine white porcelain from the Hirado region of Japan. Hirado wares—alternately known as Mikawachi wares in some contexts—are known throughout Japan and also abroad for their high quality and fine craftsmanship and date back at least as far as the mid-18th century when they were produced exclusively for powerful lords and their families...

A wonderful translucent blue celadon vase decorated with a low-relief vine and grape motif. This piece was made by one of the few great female Japanese potters of the 20th century—Suwa Sozan II, daughter of Meiji Imperial Court Artist Sozan I.

Suwa Sozan I (1852—1922) was born in an area of what is known today as Ishikawa prefecture. After a short stint in the military he took up pottery design and painting under Touda Tokuji in 1873...

Truly beautiful Japanese antique small earthenware jar from the Shigaraki kiln. Made from the red clay of Lake Biwa, this jar is covered with a thick mineral glaze which has dripped and pooled. It has a lip which has been dimpled for pouring and a wonderful indented area that has been blackened in the firing process. The ash glaze on the lip and on the inside is a lovely green color...

Japanese ceramic square dish by famed artist Otagaki Rengetsu (1791-1875) with lovely grass calligraphy, tan milky translucent crackle glaze, curled edges, four oval feet, bottom incised with floral pattern and signature. Four rounded feet raise bottom surface...

Japanese Meiji period (1868-1912) Satsuma earthenware compressed bombe form tripod koro (incense burner) or vessel with wide, inward curling cobalt mouth, decorated with two opposing figural panels, one featuring samurai and the second with women and children of the nobility engaged in leisure activities. The panels are set against a cobalt blue background with dense gilt geometric and floral motifs. 6 1/2” diameter, 4 1/4” high. Late 19th to early 20th century...

A pair of Japanese ceramic Hibachi vessels.

Hibachi is a traditional Japanese heating device.

Age: Japan, Showa Period, Mid-20th Century
Size: Height 20.3 C.M. / Width 20.3 C.M.
Condition: Nice condition overall. Please refer to the enlargement photos for more details.
Shipment: Worldwide shipping from Bangkok, Thailand at actual cost. Please e-mail us for the shipping fee.

A healthy round-faced, plump figured, seated boy wearing a typical high hat of boy doll figures of the period...

A French porcelain octagonal vase and cover after a Kakiemon original by Samson of Paris, 19th century. This is very close to the original as can be seen when compared to a pair of vases on ormolu stands in the Tokyo National Museum.

Approximately 21.5cm high. The top of the neck has been damaged and pieces glued into place. The stopper is also glued into the neck. Slight loss to enamels here and there.

Please study the photographs.

~~~ IF YOU WISH TO...

Manufactured specifically for export to Europe sometime during the first half of the 18th century. The cutout, rather small in this case, is to allow the bowl to fit comfortably under the chin when the barber is wielding the razor. Barbers at that time also provided a service to the medical profession by bleeding patients and these bowls are sometimes called 'Bleeding Bowls'. The two holes in the rim, pierced before firing in the kiln, are for suspension cords so tht the bowl could be displayed ...

Japanese Hirado Porcelain Okimono-Daikoku, god figure, Ca. Meiji period, 3 3/4" high, 2 3/4" wide, 2 3/4" deep, with underglaze blue design in some area. The condition is good, no damages, kiln firing mark on the side of barrel.

A book of Yagi Kazuo works (number 203 of 800) dated 1969 with the cover inlaid with a ceramic work signed and dated Feb. 1967. Dozens of photographs of his work dating from the height of his fame as an avante Garde sculptor fill this 100 page book titled Simply “Yagi Kazuo”. The book comes in the original cover which is held inside a cardboard sleeve. The ends of the cover not encased in cardboard have yellowed some with age, but this does not affect the book within.