Ancient Japanese Neolithic Jōmon Culture large ceramic vessel. The dramatically flared rim and other raised decorations indicate that this vessel was likely created for ritual use rather than as a food or cooking container. Clay was mixed with materials such as fibers, micha and crushed shells to give it an adhering quality. The walls of vessels were built up using a coil technique...

Width: 10.5 cm (4.2 in)
Height: 9.3 cm (3.7 in)

Japanese Satsuma sake pot with woven cane handle; heavily gilt diaper work surrounds small vignetts of florals and individuals in rural settings; fine work; signed; good condition

A prominent vessel in iconic silver and Mo-ai blue glaze by important Kyoto artist Morino Hiroaki (Taimei) enclosed in the original signed wooden box. The blue glaze is flat and matte, while the silver rises volcanic creating waves both visually and physically, expressed through texture, light and shadow. It is 25 x 14 x 17 cm (10 x 5-1/2 x 10-1/2 inches) and in perfect condition...

A set of five porcelain tea cups by Ninnami Dohachi decorated with bamboo and poetry by Nukina Kaioku (Suo) enclosed in a superb custom period kiri-wood box with rosewood edges. Each cup is 2 inches (5 cm) tall, 2-1/2 inches (6 cm) diameter. There are old gold repairs to two of the cups, otherwise are in fine condition.
Nukina Kaioku (1778-1863) was born into a samurai family in Awa, on the island of Shikoku a patron of the Hachisuka clan...

A great stoneware vessel of oblong shape on an elevated foot decorated with all-over tetsu-yu, mottled iron-rust glaze with irregular brush lines in black red and green. This is absolutely one of the best Buichi's piece! H. 17 x L 17 x W 11 cm. Showa Period. Very good condition. **** Kawai Buichi (1890–1989), was a nephew of Kawai Kanjiro, Japan’s most famous potter of the 20th century. He began his training as a potter under his uncle in 1928 in Kyoto...

This is a of a Japanese antique, a small porcelain doll calligraphy tool suiteki figurine. It is a calligraphy tool suiteki from 1868 to 1911． This is a very technical antique suiteki calligraphy tool. It is a female design with a kitten on a very charming shoulder. suiteki is used to make ink for calligraphy. suiteki is a container for pouring water into the inkstone. There are two small holes (wind hole and water hole), and a small amount of water drops...

This is a Japanese antiques, a small Porcelain figurine For calligraphy tool suiteki around 1868-1900, a very nice wall clock design . suiteki is used to make ink for calligraphy. suiteki is a container for pouring water into the inkstone. There are two small holes (wind hole and water hole), and a small amount of drips are dropped. You can fine-tune the density of the ink with the water that flows out little by little...

1900's Japanese Arita Imari Porcelain Bowl with Dragon & Plum Flower

It is 3.6 inches (9.2 cm) tall by 9.05 inches (23 cm) wide. It is 1.5 Lb.

It has mild skip glazes, dark spots, uneven base, surface wears and scratches (as seen in the photos).

Our Guarantee: We stand behind all of the items that we sell. That is to say, if you purchase an item from us and are unhappy with it for any reason, return it for a 100% refund of the amount you originally paid...

Sadamitsu Sugimoto, a great master of the ceramic art scene in Japan, was led by Tachibana Daiki the great Zen teacher and has been producing a lot of masterpieces through over 40 years .He has been studying the world of “wabi, sabi, and yugen” as his life's theme. This piece has reduced oribe glaze, it also could be used as a vase. Size: 11.4cm(B) 10.3cm (L) 16.1cm(H) Accessary: wooden box signed by potter

A Japanese Porcelain food bowl and cover, 19th century.

The delicate porcelain bowl decorated with breaking waves, autumnal maple leaves and chrysanthemum flowers. Within the foot-rim is a coloured ‘clove’ mark. The lid, of similar design, sports a splendid flowerhead knop.

Approximately 15.2 cm diameter. Generally in good state but with some stained crazing. The rim of the bowl has small flakes filled with white...

An unusual Arita wall-vase, kakehana, circa 1750. The seed-shaped hollow body is moulded with trailing vines supporting a dragonfly. The painter has used two different greens, aubergine, yellow and black. The unglazed back is pierced for suspension. It is probable that this kakehana was made for the home market.

In 52 years of business I have found only two of these unusual vases, this one I kept for my collection.

Approximately 16.7cm long...

A large deep bowl decorated in abstract underglaze blue imagery by Shibata Ryozo enclosed in the original signed wooden box titled Sometsuke Hachi and dating cica 1995. It is 28 cm (11 inches) diameter, 14 cm (5-1/2 inches) deep and in excellent condition.
Shibata Ryozo (b. 1952) completed advanced studies at the Kyoto Municipal University of Arts in 1978 (his work was purchased by the university the previous year for its permanent collection). In 1993 he first exhibited with the Niho...

An unusual Arita porcelain tea pot styled after a cast-iron example. The textured surface is described as “nail head” when it appears on an iron tetsubin. Late 18th ~ early 19th century.

The Shibata Museum compendium has a pot of similar shape and cartouche, no nail head texture or iron dressing  but with additional cobalt decoration, item#3782.  1780~1820.

This example is approximately 17.5 cm high. The handle has a very obvious stress crack but no other problem. Fine ...

A Kutani “Yoshidaya Revival” dish, early 19th century.

The Yoshidaya kiln was a short-lived venture, situated in Yamashiro, intended to revive earlier Kutani-style wares. The founding investor was Toyota Denuemon IV (aka Sekio, lived 1751-1827), a businessman who used the professional name Yoshidaya. He chose not to situate his kiln in Kutani because of the site's remote location, but his wares emulate the earlier Kutani wares in a variety of ways.

Approximately 15...

A pair of Japanese Export porcelain models of Karashishi, the fabled Buddhist lion-dogs of Japan. Arita, early 18th century. White porcelain with iron-red enamel decoration.

Each is approximately 6.5cm high, 6cm long. The first is in fine condition with some firing lines as issued. The second has a largish chip to the tail and leans slightly.

Please study the photographs.

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1930's Japanese Satsuma Earthenware Millefleur Jar Marked

It is 11 inches (27.9 cm) tall by 12.6 inches (32 cm) wide. It is 10.9 Lb.

It has minor rubbing golds and paints, skip glaze, a hairline crack at the bottom and surface wears and scratches (as seen in the photos).

Our Guarantee: We stand behind all of the items that we sell. That is to say, if you purchase an item from us and are unhappy with it for any reason, return it for a 100% refund of the amount you originally...

An eccentric crusty bowl, very different, by Hashimoto Tomonari enclosed in the original signed wooden box titled Raku Yaki Yohen Chawan. Unlike his normal burnished and color ridden surfaces, this bowl is ominous, matte, shot through with pin-hole-textures and rivulets streaming from the rim. It is like something from deep within the universe, an ancient traveler which has been charred and scarred on its way through the atmosphere. Not only that but it is slightly deeper than his normal bowl...

Crackled green glass pools in the center of this humble tea bowl by Ezaki Issei enclosed in the original signed wooden box titled simply Chawan. The works of Issei personify the humble virtues of the tea ceremony. They are imbued with a sense of Musakui (Lack of intention), a bowl that has come to be, rather than a bowl that was created. It is 15.5 cm (6 inches) diameter, 5.5 cm (2-1/4 inches) tall and in excellent condition.
Ezaki Issei (also Esaki, 1918-1992) was born in Tokoname, bu...