The size of Bowl 6 5/8" Dia x 2" High. Japanese Ko Imari Porcelain Bowl. The bowl is bit larger than regular Namasu bowl. The bowl has the unusual design of archer sitting at the front of Japanese house with wave design. Arrow hit dead eye center. There are two sections divided by gold decoration of dragon with flower design around. The condition of bowl excellent, no chip, no crack and no hairline...

The size of vase: 8 5/8" High x 3 1/8" Dia top x 3 5/16" Dia bottom. This Shigaraki Flower vase is made by master ceramist Kusube Yaichi ( 1897-1984). It has very unusual and interesting Keshiki by Ash covered finish. It came with Kiriwood Tomobako. The top cover has Japanese writing, "Keijyu" (Celebrating long life, translation). "Kabin" (flower vase). Inside cover has Signature of "Yaichi Saku" (Yaichi made) with his chop seal. It also came with Tomonuno with Yaichi's "Ya" seal on it...

The size of Vase : 9 1/4" High x 8 1/2" Dia.
23.5 cm x 21.5 cm, 11 cm top dia.
This very nice Japanese Shigaraki Vase.
There is signature of artist on the bottom looks
like キ Ki in katakana.
Artist name is not known...

The size of Large Platter: 14 1/2”L x 10 7/8” W x 1 5/8” H. This is very attractive Japanese White Ceramic Large Platter with Sumi, Black writing Kotobuki or called Jyu (Long life, Happiness) Kanji letter with nice brush stroke. Kotobuki letter is under the glaze. The body of Platter is thinly made like ivory China. It has artist name "Touson" and his chop seal in the glaze. The condition of Platter is excellent. Platter has large crackle glazing finish as my photo close up showing...

Not to be confused with the Olympic medalist, this Tomita Hiroyuki (b. 1977) is a talented potter pushing the bounds of an otherwise conservative field where many ceramic forms are carried forward for centuries and sometimes millennia. Beginning his artistic endeavors in the field of metal casting, he soon met and became a student to Ijuin Mariko who introduced him to the world of ceramics...

Thick feldspar glaze highlighted by reddish ore seeping from the iron-rich clay, this is a very attractive Shino vessel that may have originally been a yunomi but was later fitted with a silver globe and repurposed as an incense burner (koro). In Japan extending the useful life of a piece—by converting it to another use or perhaps by mending broken pieces (kintsugi)—is a common practice which demonstrates a deep consideration and respect for ceramic works of art...

A Mizusashi Water Jar for use in the Japanese Tea Ceremony by Otani Shiro enclosed in the original signed wooden box. The artist has chosen to rely solely on the flavor of the clay, truly barren earth colored only with shadow and light resulting from the flame and kiln position. This beautifully showcases the nature of the distinct Shiseki filled Shigaraki clay. Top an austere black lacquered wooden lid like a pool of dark shadow...

Graffito is scratched into the white crackled glaze of this bowl by world renowned artist Kumakura Junkichi (1920-1985) enclosed in the original signed wooden box. The piece is 6 inches (15.5 cm) tall, 4-1/2 inches (11 cm) diameter and in perfect condition. See also the previously listed bowl by the same artist...

White splashes into the pale terracotta of this large basin by world renowned artist Suzuki Osamu enclosed in the original signed kiri-wood box. The bowl measures almost 12 inches (28.5 cm) diameter, 3-1/2 inches (9 cm) tall and is in excellent condition, stamped on the base with the character Su in a square cartouche...

A large bowl by important contemporary porcelain artist Yagi Akira enclosed in the original signed wooden box. The shape is very elegant, with stiffly rising sides leading to an abrupt undulating rim in soft celadon green...

From our Japanese Collection, a very fine and very early imari charger, late 17th - early 18th century (circa 1690-1730), decorated with a flower pot, a scholar’s rock, and a large tree in full bloom upon a terraced pavilion, all executed in the typical early imari palette of blue, orange-red, and gilt, with the border done in a rich brocade of flower motifs.

Ordinarily, we do not gravitate much towards early Japanese imari simply on aesthetic grounds. These earlier pieces, while of cou...

From our Japanese Collection, a very fine and early Gosu Blue satsuma vase, late Edo Period circa 1840-1860, signed Gyozan. There are four separate gilt-framed panels: Two depict shi-shi, one depicts scholar's table objects, and one depicts a flowering plant. Each panel is surmounted by birds in flight on the upper shoulder, probably phoenix. As with all of our satsuma offerings, this piece is of the highest quality, and is a particularly fine example of early Gosu Blue satsuma.

Size and ...

From our Japanese Collection, a very fine assembled pair of Fukagawa imari porcelain chargers, Meiji Period (1868-1912). The blue Koransha mark on the reverse dates these more specifically to circa 1875-1880. One charger depicts figures set against a field of tall bamboo grass executed in mostly gilt and blue, along with very subtle use of green, orange and pink, while the second charger depicts just the bamboo grass. Both have scrolling floral sprays / karakusa in blue and orange on the revers...

From our Japanese Collection, a very fine satsuma vase, Meiji Period (1868-1912), most likely circa 1900 -1910, marvelously potted in an unusual but very elegant flared trumpet shape exhibiting definite Art Nouveau Period influences, and yet decorated in what would be considered restrained Japanese taste with simple and classic floral motifs. Signed Kizan with a Satsuma Kiln mark.

For collectors with a genuine appreciation for art history, this piece is a wonderful example of the blend of...

Important dish, very decorative, in porcelain enamelled in polychrome, underglaze blue and gold, Imari, decorated with chrysanthemums and peonies in reserves of different shapes. Period: Meiji (1868-1912). Diameter: 63cm.

An example of some of the finest porcelain modern Japan has to offer. According to Wakao Kei, the artist who crafted this piece, it took him years of trial and error to perfect these stunning translucent glazes and associated techniques such as getting the right flowing consistency and pooling effect around the base. The unglazed portions at the foot of the bowl seen here in pictures was created by the artist's fingers as he plunged the vessel into the glaze while holding firmly to the porcelain...

This Meiji period vase is made of fine white porcelain fashioned after classic Chinese motifs.. The potter, first generation Miura Chikusen, is the same generation as many of the better known Imperial Court artists (Kozan, Siefu, Tozan, etc…) and just as accomplished in terms of mastery of technique, level of artistic expression, and volume of pieces produced.

An exceptionally skilled Meiji potter, Chikusen (1854 – 1915) specialized in high-quality Kiyomizu-yaki and...

Brown banko ware teapot, Japan, late Meiji / early Showa. Unglazed, with the exception of the rim and the top of the handle hooks, some gilt to the molded decoration of a dragon and a lion dog. All handmade, with thumb marks to base and rim of lid. Height including lid "4 ½ / 11.5 cm. Condition: no bamboo handle, otherwise fine.