With meticulously sculpted vines and fantastic Peony blossoms in low relief on the kinuta celadon powdery blue background, this extraordinary vase is a truly Japanese expression of classical Chinese motifs...

Described on the wood box as a tokkuri (sake flask) with kin-kousai (metallic Iris) glaze, the size and form would allow this piece to function just as well as a small flower vase...

A pair of Chinese antique monochrome Clair de Lune glaze porcelain vases set on a decorative hardwood stands. A small gold leaf repair is done to the lip of the vases in the Kintsugi style. The vases are a pale blue with tall rounded shoulders and the unglazed bases and recessed footing with Kangxi inscription.

Provenance: NY Collection Bradley

Date: Kangxi 1661-1722

Dimensions: 9" tall w/stand, 7.25" w/o stand X 2.73 wide

This small vessel, similar in a shape to a tokkuri, is a fine example of Oni Shino (carbon trap and natural ash glazing) that Tsukigata is so well-known for. Coining the term in the mid-50’s after countless failed experiments—which ultimately culminated in the discovery of this unique style of pottery—“Oni” translates roughly to demon or ogre...

Spectacular Authentic Antique 19th century Meiji Period circa 1885 A.D. Japanese Satsuma Earthenware large planter-fish bowl.

The exterior is finely hand painted in raised enamels and gilded with two opposing large lobed panels depicting samurais, dressed in elaborated brocade kimonos, highlighted with gold and flanked by two vertical panels adorned with intricate geometric designs, and finished in raised enamel and gold...

This Bajo Hai style Sake cup made in Japan about 120 years ago. Size H: 60mm x W:58mm (2.4"H x 2.30" W) Condition Overall good, no cracks and no chips Original box is provided

An Annan pottery tea bowl for use in the Japanese tea ceremony from the kilns of 15th-16th century Vietnam enclosed in an age-blackened kiri-wood box. The crackled pale glaze is decorated with a band of blue frets about the rim inside, a decidedly modern design of droplets descending in beads down the outside typical of early Vietnamese decoration...

Chinese antique celadon vase, carved with flowers and scrolling leaves. Lovely traditional celadon color glaze. Later addition of decorative silver overlay around mouth and shoulders and also a silver ring around the foot of the vase.

Age: Republic period (with early 20th century silver work)

Dimensions: 5 1/2" high x 3" wide diameter

DESCRIPTION: Long acknowledged as masters of porcelain, the Chinese also excelled at pottery making. Qing Dynasty domestic pottery used regional clays and showed distinctive regional styles. This pottery, used for the storage of oil and other household goods, exhibited tremendous, quiet beauty as well as utility...

A crow at rest upon a rock raises its head in a gruff cry by Suwa Sozan I enclosed in the original signed wooden box titled Karasu Okimono. It is pierced in the back, allowing it to be an oki-koro incense burner. It is 34 cm (13-1/2 inches) tall and in excellent condition. A nearly identical piece was published in the 1923 book Sozan Toko, attributed to his late period...

A set of 7 fluted plates decorated with various plants symbolic to Japanese culture and motifs often seen in Japanese porcelains known as Imari ware. The plates contain an inscription, kigyoukuhoutei no chin, that often is associated with a specific type of Imari ware known as Daiseiji Imari ware. The motifs, designs, and at times the inscriptions take inspiration from Chinese Qing dynasty porcelain wares. Age: 19th century. Size: height 1.25" diameter 8"

A unique Ko-sumetsuke tea ceremony plate with an unusual motif of a raging bull. The center of the plate is divided into 5 sections with scrolling vines and chrysanthemums. The central figure is a raging bull in a pine forest with rounded fronds. The perimeter of the dish is ringed with a classic cloud image. Ko-sometsuke (old blue and white) porcelain was produced specifically for the Japanese market during the final decades of the Ming dynasty (1368-1644)...

A beautifully crafted image of a cormorant seeking fish by Ishida Rainosuke enclosed in the original signed wooden box dating from the early 20th century. The bird is 38 cm (15 inches) long and both bird and fish are in excellent condition. A very interesting treatment of the position of the back foot shows the bird kicking, as if speeding up, eye on the prize...

A set of five Meiji period dishes hand painted by Suzuki Hyakunen in commemoration of the Gosho-Nai Dai-Hakurankai (Exposition in the Imperial Palace, Kyoto) stamped on the underside with the event name and each individually signed by the artist. The literati scenes include a scholar contemplating a waterfall, Mountain retreat lost in rugged hills, sails on the lake, traveler in the hills and horses on the lakeshore under weeping willows...

A beautiful antique Japanese Imari ware bowl. The bowl is decorated with motifs of phoenixes, plum flowers, scrolling vines, peony like patterns, and other geometric patterns. The bowl contains a pomegranate symbol on the bottom. Age: Taisho-Showa Period Size: Diameter 10.25" Height 4.2"

An antique Japanese imari ware covered basin. The basin is decorated with traditional auspicious Japanese motifs such as pine, bamboo, plum, and cranes. Along with the auspicious motifs are designs often seen with imari wares such as scrolling vines and chrysanthemum-like patterns. Often, these patterns are known as kinrande, where the motifs are emulating gold brocades. Age: Meiji Period Size: Diameter 11.5" Height 7"

This child with a pleasant face happily rides his toy horse, the horse looking just as pleased. The entirety is a porcelain sake server from the Saga region on the southern Island of Kyushu, home to Imari, Hirado and other porcelain ware. A bung of black persimmon wood has been added as a lid in the shape of a Chinese hat. It is 21 x 12 x 21 cm (8 x 4-3/4 x 8 inches) and in overall fine, original condition, dating from the 19th century.

An antique blue and white Imari porcelain decorated with landscapes and ginko leaves. The landscape is portraying the view of the noted Song Dynasty literati scholar, Su Dongpo having a boat ride at Red Cliff. The motif is based on a hand scroll written by Su Dongpo reminiscing of the fun he had with his friends and the poems that were composed. The inscription is a summary of the landscape and the party he held on the boat. Age: Meiji Period Size: diameter 8" height 4"