An unusual Japanese Awaji vase hand thrown with applied floral pieces. Though designed for ikebana, the basic bottle point form and the beautiful glaze makes this vase a very striking piece that could be displayed as an art object. The artist used his creative talents to make the vase stand out by applying pieces that appear to be a log or branch with a vine and a large flower...

This is an early Japanese Imari vase from the last quarter of the 1800's. The leaves and flowers are painted in thick colorful enamels. There are also some gold highlights. The vase is very heavy and stoutly made. It is 10 inches tall and 8 1/2 inches wide. Condition is very good with some expected wear. Still a very fine old display piece.

This is a very refined studio vase from the Meiji era. The subtle colors and detail are truly beautiful. It is signed by one of the Japanese porcelain masters, Nishiura Enji. The work on Mt Fuji is raised relief and give off a three dimensional look. The shape is elegant and the changing colors are vry elusive. The vase stands just over 6 inches tall and is in excellent condition.

A rare octagonal porcelain dish decorated in underglaze blue with a flowering bush by a rock, along the border stylized Chinese characters. The rim glazed brown, the base with three spur marks and a "fuku" mark within a double square. Dating to the early Edo period. Condition: well with little scratches, rim with 3 tiny frits and two chips, and one chip under the glaze (photo 8). Dimension: diameter: 20 cm, 3.2 cm high.

DESCRIPTION: A Japanese Imari porcelain dish, shaped in “double fish” form and decorated in traditional Imari colors with floral designs in rust red, and fish scales and fins in royal blue. The reverse has painted florals and grasses on the four sides. Late 19th/early 20th century, and in excellent condition with no chips or restorations. DIMENSIONS: 10 ½” long (26.6 cm) x 9” wide (23 cm).

DESCRIPTION: A large and attractive Sumida Gawa tankard with a red ribbed body, graceful handle, and high relief figures of two children. A traditional flowing flambe' glaze in dark brown and beige coats the top third of the mouth and handle. Fine attention to detail has been paid to the handmade figures of children standing on ledges against the ribbed, cold painted body...

The largest piece I have ever seen by Miyanaga Tozan I, a fine baluster form celadon on a superb rosewood stand. It is 21-1/2 inches (55 cm) tall, 15-1/2 inches (40 cm) diameter and in excellent condition. There is a custom made copper insert for use with flower arranging. Due to size the cost of shipping will be accrued separately. Miyanaga Tozan I (1868-1941) is one of the most important names in Kyoto ceramics...

An exquisitely formed Koro incense burner of a young oxherd astride his beast in raw clay and celadon glaze by Miyanaga Tozan I enclosed in the original signed wooden box dated 1925. The childs face is filled with serenity and wonder, as if he is looking up at the moon rising on a spring afternoon. Every detail is superb. It is 10-1/2 inches (26.5 cm) long and in excellent condition. Miyanaga Tozan I (1868-1941) is one of the most important names in Kyoto ceramics...

Chinese Shiwan (Shekwan) pottery model of a Daoist Immortal, holding a fan and seated on a large gourd. The figure resembles Li Tieguai, who ordinarily is depicted with his staff and often carrying a gourd which was believed to contain medicine powerful enough to revive the dead. The figure holds a fan, the main attribute of the immortal Zhongli Quan (Han Zhongli). The fan is believed to have the power to revive the dead. Perhaps the figure is an amalgam of the two immortals...

A wily fox stands, head cocked to one side wrapped in the robes of a nun, something to be wary of this ceramic Okimono by Takahashi Dohachi enclosed in the original wooden box titled outside Dohachi Zo Hakuzoso, and signed within Kachutei Dohachi Zo followed by the artists stamp. It is 8 inches (21 cm) tall and in fine condition...

An early piece from the Mudai series by Takiguchi Kazuo enclosed in the original signed wooden box. Unlike his later works which featured stone-like glazes, this glaze is soft and crinkled on the surface, like an undersea life form. It is 15-1/2 x 8 x 10 inches (39 x 20.5 x 25 cm) and is in excellent condition. Kazuo is an exceedingly sought after Kyoto artist, one of the heirs of the original Sodeisha movement...

An old Japanese saki storage bottle in good condition except for some manufacturing flaws which only add to its character and charm. They include firing cracks on the rim, a spot where it touched another bottle in the kiln, and some loss at the base which may have also happened during firing. These type of saki bottles were used as everyday ware by Japanese people and were not made for export. Desired by collectors they also make excellent vases...

This is a great little Japanese satsuma vase. It is highly detailed and the 40 or so children are all very expressive. Amazingly the vase stands only 3 inches tall. This is truly a wonderful micro-detailed piece and I believe it was made with the beautiful and tough mercury fired gold. You will need glasses to appreciate all the fine detail. It is partially signed on the bottom and minutely signed in a banner held by one of the children...

This is a very fine Japanese Satsuma shallow footed bowl. As can be seen in the images the workmanship is top level. It is 4 5/8 inches across and 1 1/2 inches tall. The piece is in excellent condition.

Lovely set of 5 Oribe ceramic tea ceremony sweets plates (set of 10 available). This famed stoneware with the trademark olive green glazes and feldspar iron geometric glazes makes a wonderful art deco impression. C.1915 earlier Taisho Period. 8" long x 4" wide. Seal on back. Ask for shipping quote.

Japanese satsuma vase with a textured bark underglaze, with the image of a large, striking dragon in green and red enamel, outlined in gilt wire. The bottom is outlined with geometric enamel patterns, and the top near the mouth has cherry blossoms and vines in enamel.

Meiji Period (1868-1912)

Size: 12.25" height, 7" width

Antique Japanese pair of hirado porcelain puppy dogs, with round floppy ears, curly tails, and a ribbon around each of their necks. Each puppy has unglazed, pierced eyes, with a gas hole molded on the bottoms. 19th century Size: 3.75" height, 2.75" width

A pair of superb Tokkuri by Raku Kichizaemon enclosed in the original signed wooden box, each stamped on the base, each unique with one in dark Raku glaze, the other swiped with ash leaving large areas of raw clay exposed. Each one is 16 cm (6 inches) tall and in fine condition. These are by the Kichizaemon X, according to the book Sado Bijutsu Teccho, it is the earliest of his four known stamps...