An exquisite platter on two legs by Aoyama Tetsuro enclosed in the original signed wooden box. The rush of white and and soft blue across the surface is reminiscent of the “Ma”, or blank space of an ink waterfall painting. It measures 41 x 40.5 x 10 cm (16 x 16 x 4 inches) and is in excellent condition.
Aoyama Tetsuro was born in Gifu, home of the Mino potteries, in 1946. He apprenticed under Kato Jin in 1961, moving out on his own in 1973...

A pair Japanese porcelain plates decorated with a mountain hermitage and some roundels one containing a rabbit in the Ko-Kutani palette. Base with "fuku" mark, the rim with brown dressing and the underside with pine needles. Condition: fine, base with partial brownish stains and dull glaze. Dimension: diameter: 18.8 cm x 3 cm high.

A pair of small Satsuma earthenware vases. Painted and gilt with panels depicting processional figures between different patterns in gold on cobalt-blue ground. Base signed Satsuma and Hotoda. Condition: few gilt rubbing. Dimension: 12.4 cm high, weight: 404 g.

A beautiful pair of chosen-karatsu glaze plate with stem. They were fired with pine fire wood. They would be suitable for western style. Size: 15.6cm(D) 5.3cm(H)

A pair of Japanese Export porcelain models of Karashishi, the fabled Buddhist lion-dogs of Japan. Arita, early 18th century. White porcelain with iron-red enamel decoration.

Each is approximately 6.5cm high, 6cm long. The first is in fine condition with some firing lines as issued...

A Pair of Imari Beakers. Decorated in the typical palette on either side with a large vase of flowers. Japanese C1700-20. Height; 3 1/4" (8.3 cm). Condition; excellent, one beaker with shallow flake in the unglazed foot

A Pair of Kutani Vases. Each decorated with a scene of a figure and two attendants on a terrace. The reverse with floral panels on a red ground. Nine character mark to base. Meiji period 19/20thC Height; 13.2 cm; Condition; excellent

This extraordinary vase is a truly Japanese expression of a classical Chinese form. Fashioned after cylindrical Song Dynasty pieces that are thought to have been introduced in the 9th century from Syria, the handles are of Chinese origin and represent the mythical "Fenghuang" (Hōu in Japanese). This deity, typically depicted with the body of a bird with characteristics of a dragon, is believed to have originated in the sun and is thought to symbolize virtue, wisdom, and grace...

The poem etched on the side of this exceptional piece reads: In the future — happiness — and long life — two sprouting leaves —to grow a thousand years...

Here we see a Chinese style celadon floral bowl by one of the 5 Imperial Court Artists of Meiji. The potter, Sozan, spent his life perfecting techniques for celadon production first used in the Southern Song Dynasty as evidenced here with his powdery blue “kinuta” glaze...

This eye-catching porcelain composition covered in red-glaze and highlighted with sensational gold-leaf inlay is an iconic design often employed by Ono Hakuko.

Ono Hakuko (1915 -1996) is an important figure in the world of Japanese ceramics and one of the only women in the field to gain wide acclaim and recognition for her work...

Currently in its 5th generation, the Miura Chikusen line of potters has continued to produce high-quality Kiyomizu-yaki and Kyo-yaki porcelains used in sencha for well over 150 years. The piece seen here is by the third generation potter and has the rare distinction of being endorsed by Sokuchusai, a former Head Tea Master of Omotesenke in Kyoto. Simple and elegant, a section of bamboo stands out in contrast to the white crackled porcelain glaze...

One of the most prominent potters of the Meiji period and one of only five to ever be appointed as Imperial Court Artist, the name Tozan is synonymous with fine porcelains including: Kyo-style tea and sake-wares, pieces for the western export market, distinctively home-grown Japanese motifs, and expertly crafted Chinese-style pieces such as the one seen here...

A powerful Bizen sculptural vessel by Motoharu Kurokawa Of a trapezoidal shape, with irregular cut away parts on both sides. Kurokawa Motoharu ( Tokyo, 1957 - ) is an innovative craftsman from Okayama, who works with Bizen, he has won numerous prizes for the originality of his works. Member of Japan Kogei Association. Impressed artist’s mark in the bottom and information of the artist. Size: H 30 cm, W 30 cm, bottom: L 18 x 7 cm. Perfect condition

A Japanese porcelain dish depicting two figures in a garden. The moulded dish has a shaped edge dressed with an iron slip. Late 18th century or beginning of the 19th. A shaped dish with a similar subject is illustrated in 'Japanese Porcelain” by Soame Jenyns, Faber & Faber, 1965.

Approximately 12cm diameter. Near perfect condition, there is a tiny fleabite to one of the points on the rim, noted in the photographs...

A Japanese porcelain dish depicting two figures in a garden. The moulded dish has a shaped edge dressed with an iron slip. Late 18th century or beginning of the 19th. A shaped dish with a similar subject is illustrated in 'Japanese Porcelain” by Soame Jenyns, Faber & Faber, 1965.

Approximately 12cm diameter. Perfect condition...

From our Japanese Collection, a truly spectacular, massive, and published pair of imari double gourd vases, late Edo to early Meiji Period circa 1855 -1875, executed in the typical imari palette of iron-red, blue, orange, and gilt, with birds and dragons set against the "Three Friends of Winter" design of pine, prunus, and bamboo.

The double gourd shape is a very desirable form for imari collectors, but rarely is it encountered in such monumental proportions like this massive pair...

From our Japanese Collection, a published and very fine satsuma charger, Meiji Period (1868-1912), most likely between 1870-1880, depicting Kannon the Goddess of Mercy and Compassion surrounded by deities and adorants, executed in typical satsuma palette but with an especially rich, heavy, and quite skilful gold application...