Overlapping crescents in pale colors decorate the textured white clay of this tall vase by Kamoda Taro enclosed in the original signed wooden box dated 1989 and titled Kaku (With Corners). It is 12 x 15.5 x 32 cm (5 x 6 x 12-1/2 inches) and in excellent condition, hand signed on the base in a colorful cartouche.
Kamoda Taro was born in Mashiko the eldest son of legendary ceramic artist Kamoda Shoji...

A draping curtain of dark torn Bizen clay folds over the enigmatic form of this vase by Kaneshige Kosuke enclosed in the original signed wooden box. Texture varies from chattered extrusion to long, combed lines. Soft shades of color glow on the sides of the dark clay. The vase is 9 inches (23 cm) tall, 13 inches (33 cm) wide and in excellent condition, dating circa 1990.
Kaneshige Kosuke was born in 1943, third son of Bizen pillar Kaneshige Toyo...

Kaneta Masanao's work is in major museums throughout the world. He is widely recognized as the foremost Hagi ceramic artist, and one look at this wonderful cup and saucer will tell you why. Saucer: 7 inches (18cm); Cup 3h x 4.5w inches (7.5h x 11.5w cm).

Spectacular keshiki resulting from the combination of multiple kiln affects and textures defines this large footed slab by Kanzaki Shiho enclosed in the original signed wooden box. It is 14 x 20 inches (36 x 51 cm) and in excellent condition.
Kanzaki (b. 1942) prefers firing his kiln for ten days, resulting in the rich textures and heavy ash deposits apparent on this Tsubo...

The ultimate in crusty, a radical charred vessel by Kanzaki Shiho enclosed in the original signed wooden box titled Iga Hanaire. Two sides are completely blackened and coated in Koge-charring. Opposite the darkness gives way to tombo-no-me (Dragonfly eyes) with thick encrustations around the base, a stream of yellow cascading down one clefted face. It is 21.5 cm (8-1/2 inches) tall and in excellent condition...

A slightly more austere work completing this tea set by Kanzaki Shiho enclosed in the original signed wooden box titled Shigaraki Chawan and named inside the lid Amidha-Do (Hall of Amitabha). Here the artist has refrained from over-decoration, allowing the natural color and texture of the terracotta clay to dominate. It is 5-1/4 inches (13.3 cm) diameter, 3-1/2 inches (9 cm) tall and in excellent condition, dating circa 1990...

An ash encrusted vase by Kanzaki Shio enclosed in the original signed wooden box titled Shigaraki Hanaire. Perfect for the tea room, it exudes that sense of quietude and degradation (Wabisabi) central to that aesthetic. It is 27 cm (10-1/2 inches) tall and in excellent condition.
Kanzaki Shiho (1942-2018) preferred firing his kiln for ten days, resulting in the rich textures and heavy ash deposits apparent on his work...

Japanese kanzashi hair accessory, Kogai hair pin. The quality of decoration is very good. It looks more antique than shown in photos. The material is, bone, hard and heavy as ceramics. 6 7/8 inches long.

This piece was grilled with burning red pine fire woods for 10days in "Anagama" kiln. Melted ashes turned beautiful green glass. Size 6.0cm(W) 4.1cm(H) Accessary wooden box with signature

This piece was grilled with burning red pine fire woods for 10days in "Anagama" kiln. Melted ashes turned beautiful green glass. It could be used as small vase. Size 7.8cm(W) 14.0cm(H) Accessary wooden box with signature

This piece was grilled with burning red pine fire woods for 10days in "Anagama" kiln. Covered ashes make beautiful pattern. It could be used as small vase. Size 7.7cm(W) 12.8cm(H) Accessary wooden box with signature

This piece was grilled with burning red pine fire woods for 10days in "Anagama" kiln. Melted ashes turned beautiful green glass. Size 6.5cm(W) 4.5cm(H) Accessary wooden box with signature

This piece was grilled with burning red pine fire woods for 10days in "Anagama" kiln. Melted ashes turned beautiful green glass. Size 6.5cm(W) 4.5cm(H) Accessary wooden box with signature

Two lug handles leap from the sides of this traditional form by Karatsu Legend Nakagawa Jinenbo enclosed in the original signed wooden box titled Chossen Karatsu Mimitsuki Hanaire. Mottled glaze covers the rough clay darkened by flame with flashes of white and blue and crispy chunks of ash and debris clinging to the sides. It is a work which embodies the best of this highly sought artist. The vessel is 9 inches (23 cm) tall and in excellent condition...

Namako mottled dark blue glaze covers the fractured surface of this guinomi sake cup by Kashima Aya enclosed in the original signed wooden box. The technique is deceptively complex. In fact the initial form is created, then a thin layer of ceramic is made separately, dried, then cracked, and the individual pieces are applied like mosaic to the prepared form. Each the space in between the tiles is then abraded, the tiles glazed with color and the space n between glazed with iron...

A spectacular large vase by Kashima Aya featured at the “Ceramic Synergy Exhibition” held at the Kyoto Kyocera Museum of Art in late 2023. In fact, the initial form is created, then a thin layer of ceramic is made separately, dried, then cracked, and the individual pieces are applied like mosaic to the prepared form. The space in between the tiles is then abraded, the tiles glazed with color and the space n between glazed with iron...

A large white Tea Bowl by Kashima Aya enclosed in the original signed wooden box. The technique is deceptively complex. In fact, the initial form is created, then a thin layer of ceramic is made separately, dried, then cracked, and the individual pieces are applied like mosaic to the prepared form. The space in between the tiles is then abraded, the tiles glazed with color and the space n between glazed with iron. Each piece requires a great amount of painstaking dedication to complete...

Rare antique Seto ware teabowl made by Japanese potter Kato Bakutai (1861-1943) decorated with elegant horse and the calligraphy describing the First Firing of the year. The mark of the potter is stamped at the bottom.

Kato Bakutai was a prominent potter who initially worked under Kato Shuntai (1802-1877) being responsible for revival of Seto ware techniques in Japan in the 19th century.
He is also known to work with a variety of traditional pottery styles including Shino, Tenmoku...