A Fukagawa porcelain 9 1/2 inch dinner plate. Iris decoration from Chuji Fukagawa's own 19th century design book. Blue underglaze and red, yellow and gold overglaze enamel decoration including random butterflys. Mt. Fuji mark inside the foot ring. Late Meiji or early Taisho. Good condition. Priced for each dinner plate, there were five available in good condition when listed. We are happy to quote a group price or entertain an offer for all available pieces we have in this pattern.

A Fukagawa nine inch sauce boat and underplate fired on in the kiln. Iris decoration from Chuji Fukagawa's own 19th century design book. Blue underglaze and red, yellow and gold overglaze enamel decoration. Mt. Fuji mark in oxidized cobalt blue on the unglazed, flat foot of the undertray. Late Meiji or early Taisho. Good condition. We are happy to quote a group price or entertain an offer for all available pieces we have in this pattern.

A Fukagawa porcelain creamer and large sugar. Iris decoration from Chuji Fukagawa's own 19th century design book. Blue underglaze and red, yellow and gold overglaze enamel decoration. Mt. Fuji mark inside the foot ring and Mt. Fuji with Fukagawa Sei in underglaze blue inside the cover of the sugar and creamer. About 4 1/4 inches to the finial of the sugar and about 4 inches to the finial of the creamer. Late Meiji or early Taisho. Good condition...

A large Fukagawa porcelain 9 1/2 inch diameter centerpiece serving bowl. Iris decoration from Chuji Fukagawa's own 19th century design book. Blue underglaze and red, yellow and gold overglaze enamel decoration. Mt. Fuji mark inside the foot ring. This bowl, together with two other sizes of bowls we are offering separately in the same pattern, formed the traditional Japanese graduated bowl set. Late Meiji or early Taisho. Good condition...

A Fukagawa tea cup and 5 3/8 inch tea saucer dish. Iris decoration from Chuji Fukagawa's own 19th century design book. Blue underglaze and red, yellow and gold overglaze enamel decoration. Mt. Fuji mark in underglaze blue inside the foot rings. Late Meiji or early Taisho. Good condition. Priced for each cup and saucer, there are now three cups and saucers available. We are happy to quote a group price or entertain an offer for all available pieces we have in this pattern.

A Fukagawa tea pot. Iris decoration from Chuji Fukagawa's own 19th century design book. Blue underglaze and red, yellow and gold overglaze enamel decoration. Mt. Fuji mark inside the foot ring and Mt. Fuji with Fukagawa Sei in underglaze blue inside the cover. 4 1/8 inches to finial. 7 inches from handle to spout tip. Late Meiji or early Taisho. Good condition save smallest glaze frits on spout tip...

Hard porcelain bowl, produced in the Fukagawa kilns in Arita. Very artistic decor, typically Japanese, separated into two clearly distinct parts. On the one hand, two cranes in flight pass in front of misty Mount Fuji. The mountain and the sky are painted in underglaze cobalt blue and it is the absence of color which draws the clouds. The birds are in white, black and red enamels, they are meticulously drawn...

Beautiful hand painted Fukagawa Vase from Arita, Japan. It has a landscape of rural scenary of Japan on a matte finish. Fukagawa company is well known for translucent white porcelain. The under glazed blue signature at the bottom reads "made by Fukagawa" and there is an artist's signature on the lower half of the vase. Mint condition, circa mid 1900, 9 1/4" in diameter and 6 3/4" tall.

An elegant basin by Fukami Sueharu enclosed in the original signed wooden box titled Seihakuji Sanso Hachi. It is 21 cm (8-1/4 inches) diameter, 8.5 cm (3-1/4 inches) tall and in excellent condition. Fukami Sueharu is synonymous with seihakuji celadon. Born in Kyoto in 1947, he graduated the Kyoto Ceramics Research School in 1965. It was in 1981 that he was first recognized followed by grand prize at the Chunichi International Ceramics Exhibition the following year...

A small flaring sake cup by Fukami Sueharu enclosed in the original signed wooden box titled Seihakuji Guinomi. It is 7.7 cm (3 inches) diameter and in perfect condition.
Fukami Sueharu is synonymous with seihakuji celadon. He has been displayed numerous times at the prestigious Nitten, Nihon Togei Ten (National Japanese Ceramic Exhibition) and Nihon Gendai Kogei Ten (National Japanese Modern Crafts Exhibition) among others. He is held in the Yale University Museum among others...

Flame shapes fan up on the sides of this trumpeting bottle by Funaki Kenji enclosed in the original signed wooden box. It is 6-1/2 x 7-1/2 x 9-1/2 inches (16.5 x 19 x 24 cm) and is in fine condition. Funaki Kenji (b. 1927) was born the son of potter Funaki Michitada (1900-1963) in Matsue, Shimane Prefecture. Michitada had been a follower of the Mingei movement closely associated with its founders Kanjiro, Shoji and Leach. Kenji trained under his father in both the traditional styles of Fujin...

It is a privilege to introduce this incredible sculpture by the young female ceramicist Furui Akiko enclosed in the original signed wooden box titled Tsubomi (bud) dating from 2017. It is made up of hundreds of rolled sheafs of shaved clay covered in a white slip and fused together. The amount of work which goes into each sculpture is obvious, making her work great value.
Furui Akiko was born in Aichi prefecture in 1987. She graduated the Aichi University of Education in 2010, and had h...

An organic form like some wavering anemone built from tiny curls of rolled ceramic bound together with slip by female artist Furui Akiko enclosed in the original signed wooden box titled Sou Katachi (Following the shape) dating from 2017. It is built of hundreds of rolled sheafs of shaved clay covered in a white slip and fused together. The amount of work which goes into each sculpture is obvious, making her work great value. It is 12-1/2 inches (32 cm) long and in new condition.
Furui...

There is a lot of drama and tension between the various facets of this ash encrusted Shigaraki outcrop by Furutani Kazuya enclosed in the original signed wooden box titled Shigaraki Mentori Hanaire. (Faceted Vase). Every angle offers a unique view, texture, glazing, form, a vase which you can never grow tired of. I see it with an angular branch of plum blossoms, or perhaps Nandina loaded with red berries. It is 33 cm (13 inches) tall and in excellent condition, directly from the artist.
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A Shigaraki vase by Furutani Kazuya enclosed in the original signed wooden box titled Shigaraki Konsei Hanaire. The Konsei blended clay creates a unique texture. The coloration on thi piece makes it stand apart from its contemporaries. Very unusual and striking combination of raw clay, orange, black and a few crystaline beads of green glazz around two white eyes. It is 29 cm (11-1/2 inches) tall, 15 cm (6 inches) diameter and in excellent condition, directly from the artist.
Furutani K...

A Shigaraki vessel of by Furutani Kazuya enclosed in the original signed wooden box titled Shigaraki Konsei Hanaire. The Konsei blended clay creates a unique texture. The form, slightly off kilter, bursts open as if from within, a fabulous piece for a one of a kind flower display. It is 35 cm (14 inches) diameter and in excellent condition, from the artist this Autumn
Furutani Kazuya was born the son of Anagama legend Furutani Michio in 1976. He graduated the Yamaguchi College of Art in...

A masterpiece by Furutani Taketoshi enclosed in the original signed wooden box titled Shigaraki Shizen-yu Shinogi Tsubo. Shinogi is this method of cutting away portions of the surface, in this case in waving patterns. This both allows the natural ash glaze a foot hold as it blows through the kiln, and as it cools, allows the molten ash to flow and create striking patterns on the surface. This vessel is 25 x 16.5 x 30 cm (10 x 6-1/2 x 12 inches) and is in excellent condition, directly from the...

The fire is still alive on this striking Shigaraki Tsubo by Furutani Taketoshi enclosed in the original signed wooden box titled Shigaraki Shizen-yu Yohen Tsubo. Yohen, literally translated Kiln-altered, is a word for the unexpected results, or fortuitous accidents of firing. In this case, they are likely speaking of the unusual coloration of the running ash wrapping around the blackened surface. Kiln effects are what this family is known for, and this does not disappoint. It is 27.5 x 27.5...