Two platinum spikes erupt from the black glazed surface of this Kurinuki vase hollowed out from a black of black clay by Masatomo Toi, the first Kurinuki vase he has created (we think he is on to something). It is 21 cm tall, 25 x 23 cm (10 x 9 inches including the spikes. It comes with a signed wooden placard, directly from the artist.
Masatomo Toi was born in Aichi Prefecture in 1992, and graduated the Design course at the Tajimi Ceramics Research Facility in 2019...

Golden spikes stud the black bulb of this grungy chawan Tea bowl by Masatomo Toi. One of two unique works in this style we have nicknamed Sid and Vicious. The bowl is 13 cm (5 inches) diameter, 9.5 cm (just under 4 inches) tall and in perfect condition, directly from the artist. The price includes a signed wooden box.
Masatomo Toi was born in Aichi Prefecture in 1992, and graduated the Design course at the Tajimi Ceramics Research Facility in 2019...

Golden spikes stud the dark viscous glaze of this rugged deep Sake Cup by Masatomo Toi, one of two unique works in this style we have nicknamed Sid and Vicious (Viscous). The cup is 12 cm (5 inches) tall, 9 cm (3-1/2 inches) tall and in perfect condition, directly from the artist. The price includes a signed wooden box.
Masatomo Toi was born in Aichi Prefecture in 1992, and graduated the Design course at the Tajimi Ceramics Research Facility in 2019...

Stunning, bold art deco Shigaraki wood-fired ceramic plate. Full of feldspar or long life stones unique to Shigaraki clays. Some kiln scars made during firing but the glaze has oozed out of the crack in the back indicating a natural firing scar. Diameter: 20". Great condition. Ca. 1970

It's Alive! Metal staples hold together this Frankenstein vessel in elegant white with patches of glimmering gold and platinum by Masatomo Toi enclosed in an artist signed wooden box. The rough looking sutures contrast wtih the white porcelain with its transparent skin. The vase is just less than 30 cm (12 inches) tall and in perfect condition, directly from the artist...

Matte colors in olive and silver coat the fiddle head fronds sprouting from this clump of clay studded with mysterious orbs by Masatomo Toi from his germination series of ceramic sculptures. The treatment of the rising horns is unusual in this piece, ordinarily more direct and threatening, these appear to be shy. The sculpture is 39 cm (15-1/2 inches) tall, 16.5 cm (6-1/2 inches) diameter and in excellent condition...

A pair of hexagonal deep cups, choko, or mukuzuke each decorated with two Tojin figures in gilt set against an underglaze blue ground, with panels of brocade patterns alternating with cylindrical rolls of silk brocade (orimono) bound with auspicious kara kusa. The rim decorated with lappets containing partially obscured brocades, rolls of brocade (orimono), and hat of invisibility (kakuregasa), representing the eight precious objects, takara-mono...

Ko Imari Oranda-jin Hexagonal Hakukaku Mukuzuke c.1800 A deep octagonal bowl, mukuzuke, or choku, decorated with eight panels containing figures of orand-jin Dutchmen in various poses and involved in a number of activities. Some carry canes or cudgels and are perhaps involved in some sort of martial activity, whilst others carry a dove, a chatusbo (tea-jar) and a ruyi sceptre, auspicious objects...

The artist fingers have dragged furrows into the crystalline porcelain of this Chawan studded with platinum thorns by Masatomo Toi enclosed in the original signed wooden box. Elegant, it would be perfectly at home in the confines of the tea room. It is 8 x 12.5 x 10 cm (3 x 5 x 4 inches) and is in excellent condition, directly from the artist.
Masatomo Toi was born in Aichi Prefecture in 1992, and graduated the Design course at the Tajimi Ceramics Research Facility in 2019...

Satzuma fine earthenware tea bowl by Nakamura Baikei (1868-1912). Decor of a palace or a temple rising in a snow-covered lake landscape and animated by numerous characters. Drawings very finely executed by Baikei who was one of the best artists in Satzuma. His works were widely copied. Its production was of irregular quality, sometimes weak, rarely excellent. The bowl presented here is one of his best creations, if not the best, because it is perfect...

DOREI

Japanese 'dorei' (ceramic bell) of abstract figure straddling cow-like tiger-like creature that is handy in size, like a lovely but sacred portable amulet. Engravement at the back. Showa period, mid 20th century...

A fine Arita sometsuke fish shaped dish carefully modelled in the form of a Carp, koi-gata o-sara dating to the late 17C. See “The Trakatori Collection” Kyushu Museum 2020 for a set of similar dishes there dated 1670-1690’s...

A fine Arita sometsuke fish shaped dish carefully modelled in the form of a Carp, koi-gata o-sara dating to the late 17C. See “The Trakatori Collection” Kyushu Museum 2020 for a set of similar dishes there dated 1670-1690’s. This example probably dates from the 1690’s, the Genroku era. Fish shaped dishes were a popular accompaniment of the tea ceremony, Chinese ko sometsuke examples made specifically for the Japanese market date from the early 17th century, Tianqi era. The Koi was ...

A gosu blue Satsuma sculpture depicting Jurōjin 寿老人, one of the seven lucky God (shichifukujin 七福神) holding a fan with his right hand and finely decorated with red, turquoise and blue polychrome enamels enriched with gold motifs. The Kimono is finely decorated with floral and phoenix motifs. The sculpture is signed Satsuma Senjudō’ 薩摩宣壽堂 on the back within a rectangular gold reserve with Shimazu Mon (Emblem of the Shimazu family). God of Wisdom. Jurōjin 寿 �...

Ko Imari Arita Koi-gata Fish Shaped Dish Nagazara Genroku 17C A fine Arita sometsuke fish shaped dish carefully modelled in the form of a Carp, koi-gata o-sara dating to the late 17C. See “The Trakatori Collection” Kyushu Museum 2020 for a set of similar dishes there dated 1670-1690’s. This example probably dates from the 1690’s, the Genroku era. Fish shaped dishes were a popular accompaniment of the tea ceremony, Chinese ko sometsuke examples made specifically for the Japanese market ...

White and blue porcelain incense burner. The boat is led by a young boy. The decoration of birds, flowers and waves is painted in cobalt blue hight-fired under glassure. No mark, Japanese Kyushu kilns work probably from Mikawachi (Hirado kilns, late 19th century.Meiji. Length.375mm. Good condition, some slight fired defects. An identical model but without the boatman (missing or broken?) is housed at the Los Angeles Museum (L.A.C.M.A).

Large Imari style hard porcelain dish. Landscape and flower decoration in underglaze grand feu cobalt blue and low-fired irond red enamels, gold details. Japanese work from the end of the 17th century, Arita kiln. Below are traces of typical porcelain shards marks. Good condition, no restoration. Some wear from use visible on photos. Diameter: 36cm.

THE STORY OF SHIBA ONKO

Lovely old Japanese clay okimono as the iconography with boys and a large jar, depicting *the famous story of Shiba Onko, so-called 'kamewari' (jar crushing). Meiji-Taisho period, early 20th century, Tohoku region. H 14.8 x 15.2 x 7.2cm (5.82 x 5.98 x 2.83in). Some paint-peelings as is due to aging.

*The Story of Shiba Onko --- Shiba Onko (Chian/Sima Qian in Chinese) was a famous statesman and historian of the Han Dynasty, ...