The fire is still alive on this striking Shigaraki Tsubo by Furutani Taketoshi enclosed in the original signed wooden box titled Shigaraki Shizen-yu Yohen Tsubo. Yohen, literally translated Kiln-altered, is a word for the unexpected results, or fortuitous accidents of firing. In this case, they are likely speaking of the unusual coloration of the running ash wrapping around the blackened surface. Kiln effects are what this family is known for, and this does not disappoint...

A cylinder has been removed from this cylindrical vase, quite a striking shape by Furutani Taketoshi enclosed in the original signed wooden box titled Shigaraki Shizen-yu Ohen Ichirin Hanaire. The hollow created has filled with a heavy deposit of ash with fingers of color reaching out from the dark interior wrapping around the vessel to the red eyelets. The top too is heavily coated in glistening molten ash in grays and greens, olives and ochers...

Hard porcelain dish decorated in underglaze cobalt blue. The scene represents a pavilion in a garden raised on the edge of a lake, several characters animate it. Probably scholars. The designs are artistically stylized in a very Japanese spirit. In the sky the clouds are drawn in a style typical of this period. The edge is glazed in brown. On the reverse appears the mark "Fuku". The quality is excellent, the blue is bright, the designs precise and the firing perfect...

Hard porcelain dish from the Arita kilns. Decor painted in cobalt blue underglaze high-fire. A couple of fallow deer are represented in an autumnal landscape. It would seem that the female is reluctant to fall mating because she is lying down while the male at her side rears up desperately to attract attention. In the background clouds (erotic symbol of the "game of clouds and rain") and a maple tree for autumn. On the right a weeping willow tree symbol of lovers...

An historically important work by Furutani Hiromu (Churoku I) from the initial firing of their newly established Nobori-gama climbing kiln in 1974. This type of work is called Hatsugama, or first from the kiln. It is the only piece in the show from the climbing kiln (which has not been fired in over 20 years) and the earliest piece in the show as well. It is 32 x 8 x 35 cm (13 x 3 x 14 inches) and in excellent condition, directly from the family...

Remarkable Shino sake cup featuring exquisite glazing made by Mino legend Ando Hidetake.

Size
Height 4.6cm
Width 6.2cm

Condition
Unused
Supplied with signed box

Ando Hidetake, born in 1938, hails from the esteemed Mino pottery family of Gifu prefecture. In 1960, he embarked on a remarkable journey as an apprentice under the guidance of Kato Tokuro...

Oribe Style Dish by renowned Koie Ryoji (1938-2020)

Size
Width 23.2cm
Height 6cm

In excellent condition
Supplied with signed wooden box

Koie Ryoji
Born in the historic city of Tokoname, Japan, in 1938, Koie Ryoji emerged as a prominent figure in the world of ceramics. Tokoname, renowned for its rich ceramic heritage, served as an ideal backdrop for Koie's artistic journey...

Meiji (1868-1912) Japanese Silvered Ground Satsuma Earthenware Vase with Geisha and Samurai by Kinkozan

It is 7 inches (17.78 cm) tall by 4 inches (10.1 cm) wide. It is 0.7 Lb.

It has tarnished silver and has rubbing of paint and gold, a hairline crack, and surface wears and scratches (as seen in the photos).

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Carved Stoneware Demon Bowl made by internationally acknowledged muralist Fujiwara Ikuzo (b. 1946).

Size
Height 10cm
Width 15cm

In excellent condition
Supplied with signed wooden box and leaflet.

Born in Osaka, Ikuzo Fujiwara completed his education in the Japanese Painting department at Tokyo University of the Arts in 1970. He had the privilege of studying under Kawai Tadashi in Kyoto...

An interesting and modern vase of raw, hard-fired clay with natural fire pattern by Terada Teppei (b. 1975). The gaping, irregular sprout stricking outline some sort of volcanic vent. Shaped as a bamboo root, it is one of the “Carbon trapped” series. Signed on the bottom: Fe (Teppei’s signature on his carbon-fired pieces)...

With an uncanny ability to emulate features of the natural environment, the creator of this sake vessel,Tsujimura Yui, is one of Japan’s most skilled potters working in the field today. With a breathtaking ash glaze that appears half planned and half left to the dictates of the kiln, we can see a number of textures and colors that one might encounter in a Zen garden or while hiking along a mountain brook. The front of the vessel is adorned with an “enso,” however, unlike the tr...

A classic angular silhouette in vivid Oribe coloration pierced by a jagged handle by Takauchi Shugo enclosed in the original signed wooden box titled Oribe Te-oke. This artist does have a surprisingly wide range, and this piece certainly proves that. Adept at Shino, Oribe, Mashiko styles and others, he is a tough one to nail down and even more difficult to acquire, his pieces proving very popular at exhibition. This is a rare opportunity to acquire one of his masterpieces. It is 36 x 15 x 32.5 ...

A Chinese Yue Celadon Glazed Chicken-Head Ewer. Circa, 220-589, Six Dynasties. This jar features a compressed globular body with a short neck that flares to a thick upper flange which is slightly depressed in the center. Opposite its thick curved handle is a chicken-head spout. Two lug handles set on its shoulders and is covered with a green celadon glaze. Its base is unglazed exposing a compact grey stoneware clay. Found in the Philippines. Measurements: height (6.5”inches). ...

The size of Shigaraki Vase: 13 3/4" High x 9 5/8" Dia 350 mm x 245 mm
This is very old and rare Japanese Shigaraki Vase from Early Edo (Edo Zenki) 17th Century. Please see the history of Shigaraki and what is Shigaraki at separate paragraph. The condition of Vase, please note there are two Kizu (damage spot) at the top rim area as photo showing.The lower body of line indentation is Hera (spatula) marking.and Kama kizu (kiln flaw). Otherwise great shape for the age from 17th century. We guar...

Small octagonal hard porcelain vase. Decor enamelled with a landscape fenced with hedges of dry branches, there are a prunus, a pine and on the ground young bamboo shoots which would signify the symbolic presence of the "three friends", on the collar is represented a Ho-ho (phoenix) which in Japan symbolizes the Empress. Some details are gold. The style is kakiemon but this small vase is atypical. It is difficult to date and also to locate with precision. It is certainly Japanese, we think it wa...

The size of Vase: 7 1/2" High x 5 1/8" Wide x 3" Deep
Top 1 1/2" x 1 3/8". Bottom 2 3/8” x 2 1/8”
This is very lovely Japanese Porcelain Vase in the shape of square vase. The decoration are all under glazing in blue Sometsuke as well as iron Work. Front and back has flower design in the center. Top are with crescent like White area design. All works done in Hakeme (brush) work. It is well excuting Hakeme works. The condition of vase excellent, no chip, no crack and no hairline...

Blue and white Hirado porcelain reticulated incense burner (kôro). Handles in the shape of komainu lion-guardians (also called shishi in Chinese) and blue geometric foliage decoration.

Hirado porcelain (平戸焼, hirado-yaki) is made in Mikawachi, Nagasaki prefecture (it is also known as Mikawachi-yaki). Its names come from the former Hirado feudal estate. This porcelain is renowened for its sometsuke decoration technique, a type of underglaze painting in which motifs are drawn us...

A voluminous Tsubo decorated with autumn grasses scored into the clay with a gold moon rising up behind on the tarnished silver glaze, a spectacular combination by veteran Karatsu potter Nakazato Yoshitaka enclosed in the original signed wooden box titled Ginsai Tataki Tsubo. It is 33.5 cm (13 inches) diameter and in excellent condition. Nakazato Yoshitaka was born in 1958, a descendant of the famous Nakazato Tarouemon family of Karatsu. He graduated the Saga Prefectural Arita Industrial Ce...