A vase with a carved-comb surface of white clay by Sakiyama Takayuki enclosed in the original signed wooden box titled dating circa 1998. It is 9 x 7 x 15 cm (3-1/2 x 3 x 6 inches) and is in excellent condition.
Sakiyama Takayuki (b. 1958) graduated the Osaka Art University in 1981. In 1984 he exhibited for the first time at the Nitten National Exhibition...

Japanese "Kutani" Porcelain Dish, or Saucer, 4 3/4" diameter, 1" high, over glazed red and gold Mythetical Animals in 3 Cartouches, all highlighted in gold, 3 Red overglazed Fish under water between Coral and Seaweeds forest, surrounded with underglaze blue diaper design border, Peony tree flower branch in the center, red "Kutani" mark on the bottom in the center and Underglaze blue foliage design. the condition is good.

Japanese Porcelain Kutani Tea Pouring Cup or Tea Water Cup, Ca...

Additional Photos for Sawamura Tosai 3 rd Sake Set with Tomobako.

The Size of Tolkkuri: 4 5/8" High x 2 3/8" Dia, 2 1/16" Bottom. The size of Each Sake Cup: 1 5/8" Dia x 1 13/16" High. This is very unusual and fine classy Japanese Kiyomizu Yaki Sake set by Sawamura Tosai 3 rd (1951-). It is made with fine quality Kiyomizu Yaki refine earthern body. The wall thickness on Tokkuri is only 1/16" Thick less than 2 mm. So as Sake cup has only 1 mm thick on wall. Tokkuri as well as 2 sake cup has the hand written signature of Tosai in blue underglaze (sometsuke)...

Meiji (1868-1912) Japanese Kyto Satsuma Bowl with Flower Attributed to Nonomura Ninsei

It is 5.1 inches (13 cm) tall by 10.1 inches (25.7 cm) wide. It is 1.7 Lb.

It has loss gold and paint, stains, and surface wears and scratches (as seen in the photos).

Our Guarantee: We stand behind all of the items that we sell. That is to say, if you purchase an item from us and are unhappy with it for any reason, return it for a 100% refund of the amount you originally paid...

A signature work decorated with finger twirls of poured glaze over the pale-colored sides of this bottle form by Hamada Shoji enclosed in the original signed wooden box titled Monda Kakubin dating from the 1960s. It is 4 inches (10 cm) square, 9-1/2 inches (24 cm) tall and in excellent condition. What appear in the photographs to be at first glance three chips in the edge are in fact crawling in the glaze, see the last close-up for details...

An iconic square bottle by one of the most important Japanese artists, Kawai Kanjiro, enclosed in the original signed wooden box. The fawn spotted white glaze is decorated with Gosu floral patterns in blue and red with a rich iron red at the mouth, the raw clay revealed at the base. It is 12 x 12 x 18 cm tall (roughly 5 x 5 x 7 inches) and in excellent condition dating likely from the height of his career, 1940s-50s...

Everything you could want in firing effects decorate the various sides of this Iga Tsubo by Tanimoto Yo enclosed in the original signed wooden box. It is 23.5 cm (9 inches) diameter, 26.5 cm (10-1/2 inches) tall and in excellent condition.
Born in 1958 the son of Iga potter Tanimoto Kosei, Yo was raised among the kilns and has always had his hands in clay...

A breathtaking work in perfect green porcelain glaze by Shimada Fumio enclosed in the original sined wooden box titled Seihakuji Budo-cho mon Tsubo (Celadon Tsubo Carved with Grape Designs). It was exhibited at the Shimada Fumio Sakuto 40 Shunen ten and Gendai Kogei Fujino Ten (2014). The vase is 20 cm (8 inches) diameter, the same height, and is in excellent condition.
Shimada Fumio is undoubtedly one of the greatest artists working in porcelain in Japan today...

A beautiful combination of grays and lavenders covers the natural sculpted form in sunset color Hagi clay by legendary artisan Kaneta Masanao enclosed in the original signed wooden box titled Hagi Kurinuki Hanaire dating circa 2000. It is 30 x 24 x 23 cm (12 x 10 x 9 inches) and is in excellent condition.
Kaneta Masanao likely needs no introduction, certainly one of Hagi is most well known names, he has been displayed both nationally and internationally innumerable times...

An antique Korean Vase with a fluted rim and medium long neck. The cream color glossy transparent glaze has small pittings and stains.

Date: 18th/19th Century

Dimensions: 8.5" tall X 6.5" wide

A slightly more austere work completing this tea set by Kanzaki Shiho enclosed in the original signed wooden box titled Shigaraki Chawan and named inside the lid Amidha-Do (Hall of Amitabha). Here the artist has refrained from over-decoration, allowing the natural color and texture of the terracotta clay to dominate. It is 5-1/4 inches (13.3 cm) diameter, 3-1/2 inches (9 cm) tall and in excellent condition, dating circa 1990...

Reminiscent of an excavated Haniwa figure of a house, this museum quality vase is by Koinuma Michio and comes enclosed in the original signed wooden box titled very simply Tsubo. It is an iconic work by this eclectic artist, whose work is entirely unique and easily discernible. It is 27.5 cm (11 inches) square, 37 cm (14-3/4 inches) tall and in excellent condition. Due to size this will require special shipping consideration...

Large late Meiji to Taisho period Japanese Arita porcelain cylindrical form hibachi decorated in underglaze blue, white, and celadon with mirrors and auspicious symbols. Scattered bisque incised signature seals accent the decoration. 12 1/4" high x 17" diameter. Early 20th century. Very good overall condition with no chips, cracks, or repairs. From the collection of an elderly woman in Sun City West, Arizona.

EXCAVATED CHAWAN WITH DUAL LATTICE DESIGN

Excavation of Arita (Imari) blue and white porcelain bowl with beautiful pale remains of dual lattice pattern in such miraculous natural form with wabi-sabi presence as is. Edo period, 18-19th century, Japan. approx. H 7cm (2.75in), 9 x 6cm (3.54 x 2.36in)


selected by Jinta




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The dish is in “Ko Sometsuke” style. It is decorated entirely in underglaze blue with an Island Scene shrouded in auspicious ruyi form clouds which recedes into the background, three geese Kari occupy the mid ground (a seasonal motif associated with Autumn) and in the foreground Arumi rough waves crash over kaisou, water weeds, and Conches, horagai and Scallops, hotategai. The abalone form, awabigata, was considered especially auspicious, as noshi, dried awabi strips, were formally pres...

The dish is in “Ko Sometsuke” style. It is decorated in underglaze blue with an Island Scene shrouded in auspicious ruyi form clouds which recedes into the background, three geese Kari occupy the mid ground (a seasonal motif associated with Autumn) and in the foreground Arumi rough waves crash over kaisou, water weeds, and Conches, horagai and Scallops, hotategai. The abalone form, awabigata, was considered especially auspicious, as noshi, dried awabi strips, were formally presented with ...