A bowl deeply impressed with Jomon rope designs by Living National Treasure Shimaoka Tasuzo enclosed in the original signed wooden box. It is 7.5 (3 inches) tall, 13.5 cm (5-1/4 inches) diameter.
Shimaoka Tatsuzo (1919-2007) was born in Tokyo and enrolled in the Tokyo Kogei Daigaku Ceramics division in 1939. The following year he would meet Mashiko Mingei potter Hamada Shoji, and the course of his life was thought set, graduating in 1941...

Hard porcelain dish, painted in cobalt blue under glassure. Decor typical of the second half of the 18th century. Japanese work, Arita kilns. Below are drawn 6 Chinese characters, apocryphal mark of Emperor Ming Tchenghoa. The shibata collection of the Porcelain Museum in Arita hosts a dish with a similar decoration. Good condition. Diameter: 215mm

Three gods of fire which are unglazed earthenware made of clay. Fire has been thought as sacred and gods of fire have been put near furnaces, cooking stoves (kamado) and open fireplace (irori) for protecting from disasters and uncleanness. It is not clear where they are from, probably Tohoku district. All in good condition, no chip or crack.19th century. Height:20cm, Width:11 to 12cm

An interesting and modern vase of raw, hard-fired clay with natural fire pattern by Terada Teppei (b. 1975). The gaping, irregular sprout stricking outline some sort of volcanic vent. Shaped as a bamboo root, it is one of the “Carbon trapped” series. Signed on the bottom: Fe (Teppei’s signature on his carbon-fired pieces). Terada Teppei is son of Terada Yasuo 4th generation of the Bizan Kiln in Seto, Aichi. Enclosed in the inscribed and signed box with paper, made in 2010. H 23.5 cm...

A small flaring sake cup by Fukami Sueharu enclosed in the original signed wooden box titled Seihakuji Guinomi. It is 7.7 cm (3 inches) diameter and in perfect condition.
Fukami Sueharu is synonymous with seihakuji celadon. He has been displayed numerous times at the prestigious Nitten, Nihon Togei Ten (National Japanese Ceramic Exhibition) and Nihon Gendai Kogei Ten (National Japanese Modern Crafts Exhibition) among others. He is held in the Yale University Museum among others...

Powerful overglaze enamel Iro-E porcelain vase in a form of Katakuchi made by Kunio Watanabe (b. 1967) The mark of the artist is painted on base.

Watanabe's unique approach involves multiple firings, layering gold and silver colors onto the ceramic canvas, resulting in prismatic and vibrant creations...

Introducing a Rare and Large Plate, adorned with exquisite cobalt pigment, masterfully crafted by the renowned Tomimoto Kenkichi (1886–1963), a luminary in 20th-century Japanese pottery. This magnificent piece, once treasured by a Japanese family closely connected to Mr. Tomimoto, beautifully depicts a moonlit bamboo forest, a signature motif of his artistic prowess...

A set of large Abalone Shell Shaped bowls covered in ash glaze with liquid pools of jade green by Murakoshi Takuma enclosed in the original signed wooden box titled Hai-yu O-Awabi Bachi. This is one of his most popular forms, and we had to get to the kiln immediately after firing to garner a few sets. Perfect for winter food, Oden or even Niku-jaga. These are 19.5 x 15 x 8 cm (7-3/4 x 6 x 3 inches) and are in perfect condition, from his most recent firing...

A deep wan-gata bowl swept with swirling Zen brush-strokes over earthen glaze by veteran female artist Shigemori Yoko enclosed ina wooden box titled O-Chawan (Big Tea Bowl). It is 13.5 cm (5-1/4 inches) diameter, 9.5 cm (just less than 4 inches) tall and in perfect condition, directly from the artist’ family and comes enclosed in a wooden box annotated by her nephew.
Shigemori Yoko (1953-2021) was born in Kagoshima...

A large white Tea Bowl by Kashima Aya enclosed in the original signed wooden box. The technique is deceptively complex. In fact, the initial form is created, then a thin layer of ceramic is made separately, dried, then cracked, and the individual pieces are applied like mosaic to the prepared form. The space in between the tiles is then abraded, the tiles glazed with color and the space n between glazed with iron. Each piece requires a great amount of painstaking dedication to complete...

A large Namako Glazed Tea Bowl by Kashima Aya enclosed in the original signed wooden box. The technique is deceptively complex. In fact, the initial form is created, then a thin layer of ceramic is made separately, dried, then cracked, and the individual pieces are applied like mosaic to the prepared form. The space in between the tiles is then abraded, the tiles glazed with color and the space n between glazed with iron. Each piece requires a great amount of painstaking dedication to complete...

A fabulous Kutsugata Chawan by Matsuo Takaaki enclosed in the original signed wooden box titled Shigarai Shizen-yu Yohen Chawan. Rising from a round base to an elongated rim, it has been blasted by the inferno on one side, the molten ash circling about to form a Zen circle where it had been supported on its side in the kiln. At the narrowest part of the rim it has adhered to something else in the kiln, causing a break which has been filled with gold by the artist. In addition gold completes th...

Hard porcelain vase created by tominaga genroku (1860-1920). Decorated with peonies painted underglaze in a classic cobalt blue, yellow, green and pink enameled details. Elegant shape, well-designed flowers, harmonious colors. Classic model typical of this period. The Ureshino kilns located in kyushu produced this type of porcelain from the end of the 19th century.Peonies are a symbol of immortality. A crack in the neck. Cobalt blue mark painted below: Made by Tominaga Genroku Height 31cm.

This is a Japanese antique, small Porcelain doll from 1868 to 1900. It is a design of a girl who rides a very charming bicycle. Over time, there are small stains and scratches, but overall it is in good condition. Size: Width from front to rear of the bicycle: 8.1 cm 8. Height 8.5 cm, thickness 2 cm

This is very fine Imari Pedestal bowl. In fact one of the best ones we have come across. It has very fine workmanship and there are many symbolic characters mixed into the busy design so look close at the images. It is a beautiful display piece that stands 7 1/2 inches tall and is 10 inches wide. Condition is excellent except for some sear mainly on the top rim. To make a purchase please contact us. We accept Pay Pal and process all credit card payments directly through our store.

This is a very attractive Japanese Imari bowl. For an old Imari piece it is in excellent condition. It is also a very heavy piece potted. The bowl measures 8 1/2 inches across and 4 inches tall.

A slip inlaid olive drab celadon stoneware pottery pear form bottle vase. Decoration of fish in black inlaid slip over a ground of white slip inlaid punched flowerheads. Possibly Japanese (see Korean legacy wares from provinces in Kyushu [Hizen, Higo, Satsuma] illustrated in Morse) and possibly Korean Joseon era punchong ware. Signed on bottom. Excellent condition. Indeterminate age (capped conservatively with this listing and likely at least a little earlier.) This strongly potted piece (1.01 k...

From our Sake Tokkuri collection we offer you a very old example of oldest Oribe ware, made in the mid Edo Period, around 250 years ago.

Wonderful umanome design (horse eye) and vivid Oribe glaze.

Oribe ware, type of Japanese ceramics, usually glazed in blue or green and first appearing during the Keichō and Genna eras (1596–1624). The name Oribe is derived from Furuta Oribe, a pupil of Sen Rikyū, under whose guidance it was first produced.

Some Orib...