An ash encrusted vase by Kanzaki Shio enclosed in the original signed wooden box titled Shigaraki Hanaire. Perfect for the tea room, it exudes that sense of quietude and degradation (Wabisabi) central to that aesthetic. It is 27 cm (10-1/2 inches) tall and in excellent condition.
Kanzaki Shiho (1942-2018) preferred firing his kiln for ten days, resulting in the rich textures and heavy ash deposits apparent on his work...

Antique Japanese Seto Ware stoneware ishizara (food plate). Covered with a cream colored slip and painted with a pair of crayfish in gosu blue glaze. Produced in or around the city of Seto in Aichi Prefecture. Seto is considered one of the Six Ancient Kilns of Japan.

Age: Tokugawa Shogunate, Edo Period (late 18th/early 19th century).

Dimensions: 8 3/4" wide x 1 3/4" high

Rivulets of ash dribble down the red earth sides of this vase by Nishiura Takeshi enclosed in the original signed wooden box titled Echizen Henko. Positioning in the kiln, with one shoulder angled toward the flame, ensure the lip and one rounded corner are charred in that distinct ocher inidicative of the region. Elsewhere the ash is molten green. A great example of this lesser known ancient kiln site. The vessel is 18 x 13 x 17.5 cm (7-1/2 x 5 x 7-1/2 inches) and is in excellent condition...

Red Hidasuki lines of straw on austere Bizen clay by the master of that genre Isezaki Mitsuru enclosed in the original signed wooden box. Perfectly turned bowl representing this important artists style. 13 cm (5 inches) diameter, 7 cm (2-3/4 inches) tall and in excellent condition.
Isezaki Mitsuru (1934-2010) was born to a family of potters, his father Yozan and younger brother Jun both very important in Bizen pottery...

A Tea Pot by Hattori Tatsuya enclosed in the original signed wooden box titled Ginsai Pot alongside a small doodle of the tea pot itself. It is 15 x 11 x 10 cm (6 x 4-1/4 x 4 inches) and in excellent condition, from the artist this past winter. He is a master of silver glazes, and his forms, especially his tea pots, are very popular and generally sell out quickly, we are lucky to be able to offer one...

A very unusual Toyoraku Usubata vase covered outside in black lacquer decorated with geometric gold maki-e designs, the inside nearly swamped by organic green flowing to the center. It comes enclosed in the original somewhat dilapidated wooden box signed: The 75 year old man Toyosuke. This appears to be the signature of the third generation, and so would date from 1854, only a few years prior to the death of the fourth generation who began the technique of lacquering pots...

Large and heavy Mid-Edo Period (1603-1868) Seto Ware Blue and White Dish.

Seto pottery, dated as early as the 13th century, produced around Seto city in Aichi Prefecture, Japan. It is also considered as one of the Six Ancient Kilns of Japan.

Size
Diameter 31cm
Height 5.5cm
Weight 1570g

Condition
Good, no repairs.
Please see the pictures for details.

Antique Japanese Ishidoro - stone temple garden lantern hand carved out of granite in 6 sections. The lotus base is carved so that it is still connected to the hexagonal stone. The lantern section is similar in style to a hanging lantern with its curling warabite corner roof and pointed finial over a hollow hexagonal light box. This style of Ishidoro originates from the Kasuga Shinto shrine which give it the nickname Kasuga-doro...

Rare aubergine colors underlies the foggy surface of this beautiful deep bowl by Murakoshi Takuma enclosed in the original signed wooden box titled Take-hai-yu chawan (bamboo ash glaze chawan). From his most recent firing, he has only a small amount of this Bamboo ash, and when it is gone, that is all. Slightly out of round, it is 12 to 13.5 cm diameter, 9 cm tall.
Murakoshi Takuma is one of those enigmas who simply lives to work with clay...

Mizusashi or kensui in the shape of a Chinese boy, or karako, holding Hotei’s large bag over his shoulder, as if dragging it.

Over brownish beige very fine stoneware a layer of mottled brown glaze has been applied, over which a blue-green finely crackled flambé dripping glaze. The inside covered with brown mottled glaze, the outside bottom left unglazed.
Impressed mark in the bottom: Kato Shuntai.
Japan, 19th century.
Height: 3.25 in.; diameter: 6 in...

Gold glimmers on the rim against pale concrete tones on this rare mid-Edo period tea bowl from the Utsutsugawa kiln in Nagasaki prefecture, late 17th to early 18th century. Waves of brush strokes decorate the outside, while the white slip cascades from the rim in withering streaks within. A kutsuki on the side testifies to some event which happened during the firing, where another piece of pottery collapsed against the side, fusing and causing the bowl to deform...

A Mizusashi Water Jar for use in the Japanese Tea Ceremony by Otani Shiro enclosed in the original signed wooden box. The artist has chosen to rely solely on the flavor of the clay, truly barren earth colored only with shadow and light resulting from the flame and kiln position. This beautifully showcases the nature of the distinct Shiseki filled Shigaraki clay. Top an austere black lacquered wooden lid like a pool of dark shadow...

While Kitaoji Rosanjin can be arguably called the most eccentric figure in Japanese art world in 20 century, Ando Minoru (1927-2015), 安藤實 is another name that comes to a mind. A painter, ceramist and calligrapher, he is widely recognized in Japan but almost unknown in the West.

Ando Minoru held his first painting exhibition at the Kokugakai of Ryuzaburo Umehara in 1957. In 1965, he worked under the guidance of Sakuzo Hineno, a well-known ceramist in Kyoto.
In 1967, Ando ...

A quintessential example of this artists most sought-after style, a ‘Scattered Blossoms’ vessel by Kondo Yutaka enclosed in the original signed wooden box titled Funka Bin (Scattered Flowers Bottle). The pattern of petals is impressed deeply into the surface, and filled with white slip, contrasting starkly against the textured black background. It is 23 cm (9 inches) tall, 17 cm (7 inches) diameter and in excellent condition. For a similar work see the collection of the Metropolitan Museum...

A crusty black clay vase by Sakata Jinnai enclosed in the original signed wood box. Sculpted out into a crescent, it roughly forms a 24 cm (9-1/2 inch) diameter circle. Excellent condition.
Sakata Jinnai was born in Tokyo in 1943, and began as an apprentice under the legendary Kamoda Shoji in 1964, establishing his first kiln in 1966. His work was selected for display at the Nihon Dento Kogei Shinsaku Ten (National Traditional New Crafts Exhibition) in 1969, and the following year the Ni...

Studio Pottery Kyo ware Red Glaze Tokkuri (Sake Bottle) by Yoshinori Izumi (b. 1947).

- Born in Kyoto 1947;
- 1970 Graduated from Osaka University of the Arts, Craft Design, Ceramics Department;
- 1971 Graduated from Kyoto Municipal Industrial Research Institute;
　　- Opened Daikakuji Pottery in front of Sagadaikakuji Gate, Ukyo-ku;
- 1994 Visited the ruins of an ancient kiln of Celadon and Tenmoku in China;
- 2013 Moved the pottery in Keihoku, Ukyo-ku.