From our Japanese Collection, an exquisite Meiji Period (1868-1912) satsuma vase of tapered ovoid form, depicting several scenes of figures including an Empress with her attendants, all very finely executed with lavish use of raised gilding, moriage enameling, and intricately detailed shoulder work. Like all of our satsuma offerings, this piece is of the highest quality. Signed Kinkozan, circa 1880-1890...

From our Japanese Collection, a very fine and early Gosu Blue satsuma vase, late Edo Period circa 1840-1860, signed Gyozan. There are four separate gilt-framed panels: Two depict shi-shi, one depicts scholar's table objects, and one depicts a flowering plant. Each panel is surmounted by birds in flight on the upper shoulder, probably phoenix...

Japanese Satsuma cup and saucer finely decorated in overglaze enamels and heavy gilt highlights with alternating reserves featuring various activities of the noble classes and Buddhist arhats. The inner rim is decorated with a hanging lantern motif and the interior bottom with Buddhist arhats. The base of each piece bears a gold rectangular Satsuma mark and circular Satsuma family crest. Saucer: 4 7/8” diameter; cup: 2 1/2” diameter x 2 3/8” high. Meiji period (late 19th 20th century)...

From our Japanese Collection, a superb Kinkozan satsuma vase of tapered ovoid form, Meiji Period 1868-1912, most likely 1880-1890, depicting a finely painted bijin on one panel along with finely painted roosters and flying birds in a garden setting on the other panel. Both main panels are separated by reserves of elaborate gilt work set against a rich cobalt blue ground. Kinkozan signature and impressed mark on the bottom...

Japanese Satsuma foliate form bowl decorated in overglaze pigments and gilt highlights with a large bird in a cherry tree at the foreground set against a landscape scene with beauties in a pavilion at the right and a waterfall at the left. The exterior features three flying female mythological figures. The base bears a gold on black square “Satsuma Hotoda” mark and circular Satsuma family crest. 4 1/4” diameter x 1 3/4” high. Meiji period (late 19th century)...

From our Japanese Collection, a truly superb satsuma vase, Meiji period (1868-1912), of robust globular form, depicting seven separate circular reserves of figures set against a most unusual and very appealing variegated ground that morphs from emerald green, to celadon, to cream, and finally to brown, all heavily overlaid with a rich brocade of chrysanthemum heads and other floral and geometric motifs executed in gilt...

From our Japanese Collection, a published and very fine satsuma charger, Meiji Period (1868-1912), most likely between 1870-1880, depicting Kannon the Goddess of Mercy and Compassion surrounded by deities and adorants, executed in typical satsuma palette but with an especially rich, heavy, and quite skilful gold application...

From our Japanese Collection, a superb and large satsuma lidded jar / tea caddy by Ryozan, Meiji Period 1868-1912, stunningly executed with exceptional fineness depicting two cartouches of people gathering, alternating with two cartouches of ducks and birds in nature scenes, all separated and framed by intricate brocaded reserves of floral motifs using wonderful color variation and extensive gilt.

Size and Condition: A relatively large caddy at 7 1/4 inches tall, 6 1/8 inches wide.

Japanese antique ceramic jar, Yumino ware, very beautiful crackle glaze with pine tree on one side and mountains on the other, great drips, Meiji Period (1868-1912). 10 1/4" high x 12" wide diameter

There is no visible image of god in Japan's oldest religion, “Shinto”. People look for the image of gods in their daily surroundings and found the divine spirits to dwell in pine trees. For this reason, pine trees are considered sacred and many wonderful artworks of pine trees were created. Cranes are said to live one thousand years. They are considered auspicious as their distinctive high pitched voices can reach to the heaven...

Superb Kenzan ware decorated with designs of overlapping fans depicting an early winter scene with a house gate by pine trees covered with a rice straw mat as well as Japanese old poems on the interior and with stylized Japanese pampas grass design on the four sides. Edo period. In the interior decoration dated "gen-bun ni-sai" means 1737...

This is a fine early Japanese Satsuma vase. It was made before 1900 and is one of the better examples I have seen from this artist.. The enamel work and relief dragon are done very well. The vase is interesting and has a lot of character. It is very heavy and in very good condition. The only real flaw is a broken horn on the dragon which is a common occurrence with these pieces. This can be fixed fairly easily and I could arrange for this small repair for the buyer. Stands 9 1/2 inches tall.

An interesting Japanese ceramic study of a woman giving birth. Black glazes with hints of green for the hair, clear glaze with blue color glaze for the washcloth. 19th century. Size: Length: 7.75" Width: 5.5" Height: 7.75".

Japanese Satsuma Porcelain of a Baby Boy in a Beautiful Bib Holding a Whistle Bird. A charming sculpture with a wonderful presence. 8 inches, 20.5 cm.

Bizen ware hexogonal vase with engravings of orchids on the side of the vase. The patina and color of the vase is very similar to those seen from the late Edo and early Meiji period. Interestingly, during this period elaborate decorations and moulding were created which was popular during this time. However, the vase does not contain the elaborate decorations and resembles more of tokoname wares emulating the Chinese yixing potteries. Age: Late Edo or early Meiji Period...

Japanese shigaraki jar, Edo period 17th-18th century, thickly potted, the skin showing the characteristic pock marks and imbedded fieldspar with a natural ash glaze. This jar was originally used to store tea but became desired as an object of mingei beauty due to the tea ceremony aesthetics. It measures 4.5" wide at mouth 21' tall.

Shiro Satsuma (White Satsuma) ware sake decanter shaped in the form of a turtle. In Japanese, the word asobi may be translated as playful where the tail is stylized in the shape of a handle and the lid to the decanter is using one of the hexagonal piece of the back of the turtle. The decanter comes with a box...

An antique Bizen ware figure of Daikoku, one of the seven fortune gods in Japan. Daikoku is holding a mallet (uchide kozuchi) which Daikoku often holds. On the other hand, he is holding a two legged radish. The word radish in Japanese, daikon, is somewhat synonymous to Daikoku and a legend exist of how the two legged radish became associated with Daikoku. Age: Meiji Period. Size: height 6" width 3.3" length 4.75"