A Tibetan Copper Tea Pot of plain form, the spout with a silver and turquoise mount. Tibet 18/19thC. Height: 3 1/4"

An attractive copper and brass food container from Tibet. I am attracted by its simplicity and note that the copper part is brass brazed with a large dovetail seam around the middle.

Approximately 28.5cm high. One or two small dents from use...

A Tibetan Bronze figure of Shakyamuni, 19th century or earlier.

Buddha sat in a mediative pose, one hand in his lap, the other connects to the earth. The head has been dressed with gold paint, the hair exhibits traces of blue. A good quality sculpture that seems to have had a hard life and has seen better days. There is a bruise to each upper arm, one larger than the other and some distortion to the bottom of the lotus base.

Approximately 9.5 cm high...

A Tibetan ewer beautifully worked in silver alloy, probably with later gilding. The compressed body with two cartouches showing the subject of "the four harmonious brothers" and a monk sitting under a tree among animals and treasures. The lid with a vajra-shaped knob and decorated with Buddhist symbols. Silver tested. Condition: few traces of usage, areas with little oxidation. Dimension: c. 15 cm long, 12.5 cm high, weight: 321 g.

These two saddle rugs, in knotted pile, are forming a pair and were used together: the larger piece with trapezoid ends served as a saddle cloth (makden), while the smaller rug was a saddle cover (masho). Both items are in their original condition, with a red trim and backed with a coarse beige fabric. Provenance: old Swiss collection. Dimension approx.: makden: 120.5 x 67 cm, masho: 82.5 x 66 cm. Condition: signs of age and wear, rims with partial discoloration, faded.

Wooden ornament, carved in relief on wood, representing Hindu god Kartikeya, with six heads, holding a spear in his right hand, riding his peacock, in a niche, flanked by two other niches in which are shown his two wives, Devasena and Valli. The two other niches are surmounted each by a kala makara (dragon) head. The whole scene is resting on two feet, each decorated in relief with a foliage design. India, 19th century, maybe earlier. Height: 49 cm...

Architectural element --- probably the end of a beam --- carved in the shape of a stylized lion. Wood, with fine dark brown patina. Nepal, 18th century, maybe earlier. Length: 22 cm. Height: 10.5 cm. The back of the element was partly attacked by insects, but there is no more danger. The element is nicely counted on a custom stand. Good condition.

Architectural element, of triangular form, finely carved in relief to represent a celestial being, half chimera half human, carrying a banner and surrounded by clouds. Wood, age patina. Nepal, 18th century. Length: 36.5 cm. Nicely mounted on a custom stand. Good condition.

Small architectural element with a finely carved relief decor showing a couple in erotic embrace. Wood, with nice patina. Nepal, early 17th century maybe earlier. Height: 26,5 cm. The piece is nicely mounted on a custom metal stand. Erosion due to great age, otherwise very good condition.

A pair old jewelry ornaments attached in the coiffure, near the ears by Tibetan women. Made of metal alloy and set with turquoise stones. The reverse with a later added silver stick pin. Condition: few traces of usage. Dimension: c. 9.9 cm long x 3.9 cm wide, weight: 66 g.

Four Arms Avalokiteshvara (Tibetan: Chenrezig; Chinese: Sibi Guanyin), the Bodhisattva who embody the Universal Compassion. Seated in meditation with the upper hands holding a prayer beads and a lotus; the lower ones in worshiping Mudra ( Anjiali Mudra). Made of purple sandalwood (zitan), a very precious type of wood dear to Himalayan worshippers. The image is painted and has remains of gilding in the halo. As it is normal for images of this type, it is assembled from several pieces...

This woven Tibetan container would have been used to hold a pair of wooden tea bowls...there is an interior separator (removable) which allows for the separation of tea bowls. Hand made using plant materials (hemp) and rattan with leather closures Bowls would have been packed into container such as this when traveling... and from the condition of this one...it has traveled many times. The container is 6 inches diameter at the top and 4 inches high...well aged fair condition...

A Tibetan single seat meditation mat (Kang ma type) of hand woven wool with the central field decorated with floral pattern in different colour on a deep red background; a meander frame in white on blue indigo is separating the central square from the outer border of floral design on rust colour. The rug is finished with thick red cotton frame and blue cotton backing. Tibet, early 20th cent. Measurements: L. 76,5 x W 67 cm; L...

Small wool carpet with lotus design. Large central lotus is dark blue on pink hued ground. It is surrounded by blue and pink blooms. It measures 27" by 24". Made of wool. Overall good condition.

Though the traditional practice of Tibetan "sky burial" is well known. But in some areas of Tibet the Buddhist practice of cremation is also used for some individuals, and The ashes are placed in a box made specifically for that purpose. This cremation box dates to the 18th century and has carved line decoration on the sides... It is made so that the top is keyed to the bottom and slides open from one end...

A rare hand painted clay figurine of the Tibetan god, Yamantaka. Yamāntaka is the "lord of death" deity of Vajrayana Buddhism. Sometimes he is conceptualized as "conqueror of death". He belongs to the Anuttarayoga Tantra class of deities popular within the Gelug school of Tibetan Buddhism. Tsa-Tsas are small sacred images that are hand crafted from clay. The clay is often consecrated with medicinal ingredients and relics and then filled with mantra rolls or stamped on the reverse with mantras...

Tibetan thogchag figuring Chanadordje, 3,5 x 3,5 cms

Authentic antique 18th -19th century finely painted on cloth Tibetan Tangka – Thanka of Chenrezig -Avalokiteshvara - Buddha of compassion.

The deity, with white skin, is seated majestically on a grand throne, elegantly dressed in a traditional dhoti, and adorned with an array of ribbons and intricate jewelry, which adds to the overall grandeur of the scene. The deity is surrounded by a radiant nimbus and aureole, which further emphasizes the deity's divine nature...