Delightful Qing Dynasty café au lait glazed water dropper in the shape of a fish in a basket, it is quite heavy for its size and the brown glaze has a strong metallic patina possibly emulating bronze. Most likely from a Southern Kiln, in perfect condition! D: 5.7cm/2.2in and H: 7.2cm/2.8in.

Snowy landscape, in the foreground pine branches (?) bending under the snow, in the distance a mountain, black crows contrast with the ambient whiteness and grayness of this freezing winter. Watercolor on extremely fine silk canvas. Beautiful composition good mastery of the brush, unfortunately no signature. It's hard to say if it's a Japanese or Chinese creation, but usually on Japanese landscapes when a mountain is represented it's almost always Mount Fuji, which is not the case here...

Pair of Tiele (Chinese Ironwood) Weiqi boxes, carved from solid wood. Weiqi was the forerunner of the Japanese board game of Go, and one of the Four Arts, that someone from the "gentleman class" were supposed to know. These boxes are used to put the stone pieces in. There is cyclical date which probably doesn’t go further back than 1972 therefore they could be 1984, 1996, 2008, 2000, 2012...

Set of 3 “Socialist Kitsch”, porcelain brush pots with green Jingdezhen “China” marks inside the “bi” shaped footrims, circa 1960s-1970s. These all have the same mark and same dimensions H: 12cm/4.8in and D: 8.4cm/3.2in. Relatively good Jingdezhen quality porcelain, and simple polychrome decorations with revolutionary slogans. These were meant for mass consumption but amazingly little of it remains today...

Special Offer- free shipping! Lovely Japanese presentation or tea tray, made from a naturally hollowed out section of the bottom of a tree trunk “cat face”. This should be mid 20th century. I think it would make a stunning planter (see enlargement #9). D: 28cm/11in and H: 17cm/6.8in.

Traditional scroll painting of what I am assuming is the Chinese ideal of a courtesan putting her make up on in morning. This was painted in the year of the Fire Rat- 1936 or 1996. I would tend put this at the earlier date because the paper shows some age and this has been newly remounted, as well as the style is evoking feeling of a French boudoir. W: 33cm /13in x H: 72cm/28.5in- mounted W: 56cm/22in x H: 138cm/54.5in.

Chinese Republic period shoushan (soapstone) mountain carved with trees, temples, old sages, Budai, flying birds, and an elephant all stretching along the path to the top. Custom wood stand. 9” high (10 1/2" on the stand) x about 7” wide x 2” deep. Early 20th century. Very good overall condition with some scratches in the stone and typical wear evident. From a Sun City West, Arizona collection.

Two lidded jars with Qingbai and Jizhou glazes and terra cotta playing pieces. Not Song Dynasty but all hand made. The brown jar Jizhou jar has some discoloration. This white “stones” are 180 and there are 176 of the darker ones. D: 12cm/4.8in and H: 8cm/3.1in.

A very attractive stand of natural, gnarled root wood with a deep honey color and very good details. Finely grained wood (cypress?) with dark recesses. To be use to enhance the beauty of a fine small vase, cup or scholar object as incense burner. China, Qing, probably late 19th century. H 13 cm, W 15 cm. Condition: very good and fine patina.

Description: An exquisite ivory carving was in an imitation of a bamboo section with which a snail was crawling on it. In a simple clear form, this ivory was a scholar item as a brush rest and a curiosity as well...

Description: In a plain and rural form, a stone weight had a beautiful curve and was in a lovely size of 9cm in height. Easy to hold on and can be an ideal piece as a paper weight on your modern desk, the old stone piece would add more atmosphere in your room. Date: Qing Dynasty, Height: 9cm.

Description:
Water color on silk, a fine painting of swimming fish with swirling weeds. Registered Qing painter Zhang-can.

Nien-Nien-Yo-Yu, is a popular Chinese proverb usually used in the new year’s celebration. Yo-Yu, means Having Fish or Abundance.

Then my clients, you will know how nice the metaphor will be - if you hang a painting of fish in the room in this Chinese New Year’s season!

Nice painting accompanied by a lovely poem...

Description:

A sitting bronze figure was nicely cast.
Being depicted as a scholar with flouring robe and a official hat, the figure was in casual mood by resting his arm to the stool beside him.
It was perfectly preserved with nice darken patina.

Date: Qing Dynasty,

Height: 17cm.

A CUSTOM-MADE SILK BOX IS INCLUDED.

Description:

A bronze water basin was inscribed with poems and carved with beautiful scenery on the surface.
The inscriber was Pu Ton, A sibling of the last emperor of Qing Dynasty Pu Yi.
Pu Ton was also a famous scholar of late Qing to early Republic periods.
This bronze piece was cast in thin wall but was kept in very good condition with darken patina on the surface.

Date: 1924, by the Chinese lunar date JiaZi inscribed before the poem...

Chinese mother of pearl tray. Inlay work on hardwood, image of squirrels, birds, butterflies, and insects among grapevines. Mid 19th century. Size: Length: 26.25" Width:17.6" Height: 0.75"

Antique Chinese calligraphy brush from the 19th century. The handle is made of bone, highly polished, with an incised inscription. A fine red ribbon is the hanger. The bristles are white horse hair. It measures 9.5" long.

A intricately done Chinese fencai with motif of dragons scrolling vines, and peonies. Fine brushes made from different materials with caps to cover the tip were often part of a scholar literati's desk and were called the four treasures of the scholar's studio. The end of the brush contains a seal script mark, reading Da qing Jiaqing nian xing. Age: 19th-20th century Size: length 19" diameter 0.3"

Chinese antique fan painting of a figure poling a boat through great rocky outcroppings, painted in ink on mica coated paper. A poem reads as follows: Passing through the gates of the old cave near the shores of the steep cliff, whoever moves through these crevices will find the seeds and roots of the clouds. Knowing that the clouds are suspended, the wind and rain are like fair ink, the misty mountain dyed and scattered have the appearance of mottled jade." attributed to Yun Shouping...