Width approximately 19 cm (tipspout to handle). Few soft chips inside the cover. There are some very soft chips at the teapot (they have no effect). There are no hairlines or cracks. In good condition.

Antique Chinese Jun ware bowl. Made of earthenware and glazed a light blue color with a purple splash that is dripping toward the center. The rim is a brown color where the glaze is thinest and the foot is left unglazed as was the tradition with Jun ware. The blue and purple colors are made with straw ash in the glaze. Looking closely, a subtle crackle, pitting and rivulets of mixing colors can be seen. Jun ware is from one of the Five Great Kilns of the Song Dynasty and produced over sev...

Antique Japanese Oribe ware (Oribe-yaki) mizusashi (cold water container for replenishing the water in a tea kettle) for tea ceremony. This type of Oribe is called Ao-Oribe (green Oribe) as it prominently features a rich green copper-sulfate glaze. This is applied in generous dripping swaths of color over a white crackle glaze. It is further decorated with designs from nature using deft and quick brushwork in a black glaze. It's unglazed form is a reddish brown earthenware, still visible on...

Antique Japanese tetsubin (kettle for heating water for tea) made of cast iron and decorated with a dragon in swirling clouds. The highly raised design depicts a dragon curling itself around the body of the pot. The clouds over hang in a ledge above the base. There is a large raised cartouche on the back underneath this ridge. The lid is made of bronze.

Age: Taisho Period (1912-1926)

Dimensions: 9 1/2" high including handle x 7 1/4" wide including spout

Vintage pair of Chinese porcelain fu-dogs. Sculpted with a sense of whimsy and great detail, one fu-dog crouches with his elaborately swirling tail in the air, the other lays on her belly. Though their other name, shishi, suggests their lion-like qualities, this pair with their long flapping ears have a more dog-like appearance. Glazed with a lovely translucent blue crackle glaze with wide black glazed eyes. Minor losses.

Chinese fu-dogs are an important protective element in Feng...

Height approximately 35 cm. In good condition.

FUNNEL

Once used to pour sesame oil into bottle in Korean Peninsula, early 20th century. approx. 40 x 8cm (15.74 x 3.14in). Sturdy build, with aesthetic texture due to use and aging. Refinedly applyable to fruit bowl or wall ornament or so.


selected by kikue




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This is a Edo Natural Indigo Vermillion-pigment hemp Umakake Tsutsugaki with triangular scale and Hannya – Nomask and stars and family crests pattern. It's a very rare design. The triangular scale pattern is also called the dragon scale. The triangular scale pattern also has the meaning of warding off evil. are slight repair marks and light stains. But overall it's in very good shape. It is made with both tsutsugaki and katazome dye techniques and is dyed twice from the front and...

The size of Tabacco Ire: 6 3/8" Long x 2" Wide x 7/8" Thick. Very unuusal Japanese Tabacco Ire set. The pipe holding case made of Bamboo work with clasp made with tin plated on brass. Bamboo work done well weaving. Tabacco case made by silk brocde. It has brass part. The condition of Tabacco Ire, very good except some wear on back of string area and a couple of other place. And tin plate some worn. Early Meiji, 1870-1880. Please note I had this item with little flower arrangementmade for the ope...

The vintage Chinese blue and white bowl is decorated with two dragons and clouds, symmetrically opposite with the flaming pearl between the two dragons. The base of the bowl is a double circular ring which represents eternity.

The Kintsugi repairs to the bowl adds a dimension that brings it to life. The raised maki-e technique has been gilded in a gold lacquer finish with red underglaze.

Own its own, this bowl is a dramatic piece of art or it can be used functionally as a fruit...

A collaboration piece between the famed poet/ nun of the late Edo period Rengetsu and her younger protege Tessai, this scroll depicts a frightened cricket making his way to the top of a stalk of grass on a windy day. Set in the fall season, the viewer can imagine a message of frailty, loneliness, and possibly the feeling of trepidation that accompanies the turning of the seasons towards the colder months. Melancholic though it may seem at first glance, there is the deeper, more hopeful message o...

The style of this vase, known in Japanese as karakane (“kara” meaning Chinese and “kane” meaning copper), has been carried on by Japanese craftsmen since its theorized introduction during China’s Tang Dynasty. Falling in and out of fashion over the centuries as Japan alternated between preferences for Chinese style tea-ware and more homegrown versions, today it remains a common fixture in many tea rooms. With beautiful red accents on a dark background, this is surely one of this artist...

This depiction of the eternal “ensō” on a backdrop of pearly white feldspar over red clay signifies enlightenment, the eternal, the nothingness, and the freedom of the mind to envision and to create. Wood-fired in a small-batch ana-gama, the techniques used to produce such works stretch back over 500 years and were only recently revived in the first half of the previous century by a dedicated group of artists.

The potter who created this piece (Kato Kozo) was born in 1935 in Gi...

One of only five Imperial Court Artists of Meiji, ceramic pieces by Kōzan are highly prized by collectors and are ever more difficult to find on the market these days. Here we have a fantastic example of a guardian shishi from the Kōzan kiln crafted in fine celadon. Considered auspicious symbols of wealth, status, and good fortune; foo dogs—commonly referred to as shishi or koma-inu in Japan—are often seen in pairs guarding shrines, straddling in the doorways of shops, and protecting publi...

Fine Chinese Song Dynasty Qingbai Porcelain Bowl with Peony Pattern

This fine and delicate bowl was made during the Southern Song Dynasty (AD 1127 - 1279). Its body is particularly thin and translucent. The outer wall is decorated with an incised peony pattern. Both inner and outer surfaces are coated in a finely-crackled pale greenish-blue qingbai glaze. The rim remains unglazed, showing that this bowl was fired upside-down and placed in a firing ring (as opposed to a saggar as were qingbai...

Tsuchiya Koitsu (1870 - 1949)
Ueno Shinobazu Pond
Date: 1939. First edition.
Size: Oban. Approximately 17 x 11.5 inches.
Publisher: Doi Sadaichi.
Carver: Kataoka. Printer: Yokoi.
Koitsu catalog no. TK-DH-58
Condition: Tape residue at top margin. Pencil note on back.
This rare first edition features differently printed clouds than in later examples. There are gofun highlights throughout the print.

A large and powerful composition displaying beads of feldspar strung across a canvas of red ferrous clay. A perfect addition for tea practitioners in need of a good Shino piece or for collectors looking for a classic and exceptional example of this type of pottery.

As the name suggests to anyone familiar with Japanese pottery, Kato Toyohisa (b. 1962) hails from a long line of Mino potters. Awarded the Rising Star prize in 1983 for his first entry in formal competition, he went on to...

OH MY GOD

Incomplete remains of the face of a monk who is crying when Buddha died, originated from 'Nehan-zu' (Nirvana painting). Pottery. Showa period, early-mid 20th century, Japan. approx. H 5cm (1.96in).


selected by Jinta




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