An antique Japanese Karatsu ware tea container or chaire with motif of donkeys painted on the side of the piece. One side is painted in a indigo blue color with a fine tip and on the other side is brown done in thicker lines. The motif of donkeys in Japanese art may infer to the literati taste of a rustic and simple lifestyle. The motif is not often seen in ceramics, but mostly in paintings influenced by Chinese works. Also typically with painted Karatsu (e-Karatsu), motifs of reeds or geometric...

Antique hand knotted Yomud persian rug in dark reds with black and white accents. The rug has a long fringe, approximately 6" on each side. Early 20th century. It measures 9'11" by 7'10".

Hand knotted Kazak rug with blue, red and yellow hues throughout. The border is an ornate interlacing pattern. It measures 97" by 69".

Won Ju Seo's work is featured in the Spring 2013 issue of Fiber Art Now, and in the recently-published McGraw-Hill fine arts textbook, Art Talk. The work offered here is Color in My Surroundings 5 by Won Ju Seo. Frame: 13 x 11 inches (33 x 28 cm); Textile: 8.25 x 7.25 inches (21 x 18.5 cm). Hand-sewn with Korean silk and silk thread. The work of Korean textile artist, Won Ju Seo, is in major museums and prominent collections. She is renowned for her modern approach to the bojagi, the traditional...

Won Ju Seo's recent exhibition is featured in the December 3, 2015 New York Times, and she is featured in the Spring 2013 issue of Fiber Art Now, and in the recently-published McGraw-Hill fine arts textbook, Art Talk. The work offered here is Color in My Surroundings 18 by Won Ju Seo. Frame: 11 x 9 inches (28 x 23 cm); Textile: 5.5 x 3.5 inches (14 x 9 cm). Hand-sewn with Korean silk, silk thread, and beads. The work of Korean textile artist, Won Ju Seo, is in major museums and prominent collect...

Won Ju Seo's recent exhibition is featured in the December 3, 2015 New York Times, and she is featured in the Spring 2013 issue of Fiber Art Now, and in the recently-published McGraw-Hill fine arts textbook, Art Talk. The work offered here is Bojagi Diary 2013-1 by Won Ju Seo. Frame: 10 x 10 inches (25.5 x 25.5 cm); Textile: 5.25 x 5.25 inches (13.5 x 13.5 cm). Handmade, sewn and embroidered with Korean silk, metallic cloth, silk thread, foam board, and pigment. The work of Korean textile artist...

Won Ju Seo's recent exhibition is featured in the December 3, 2015 New York Times, and she is featured in the Spring 2013 issue of Fiber Art Now, and in the recently-published McGraw-Hill fine arts textbook, Art Talk. The work offered here is Bojagi Diary 2013-2 by Won Ju Seo. Frame: 10 x 10 inches (25.5 x 25.5 cm); Textile: 5.25 x 5.25 inches (13.5 x 13.5 cm). Handmade, sewn and embroidered with Korean silk, metallic cloth, silk thread, foam board, and pigment. The work of Korean textile artist...

An antique Bizen ware figure of Daikoku, one of the seven fortune gods in Japan. Daikoku is holding a mallet (uchide kozuchi) which Daikoku often holds. On the other hand, he is holding a two legged radish. The word radish in Japanese, daikon, is somewhat synonymous to Daikoku and a legend exist of how the two legged radish became associated with Daikoku. Age: Meiji Period. Size: height 6" width 3.3" length 4.75"

Shiro Satsuma (White Satsuma) ware sake decanter shaped in the form of a turtle. In Japanese, the word asobi may be translated as playful where the tail is stylized in the shape of a handle and the lid to the decanter is using one of the hexagonal piece of the back of the turtle. The decanter comes with a box. The underside of the lid contains an inscription: (translation) During the 17th year of Meiji (1884) , the piece was a gift from Mr. Habu and has been treasured since. Age: 19th century. S...

A fine porcelain vase with two carps painted by Makuzu Kozan, also known as Miyagawa Kozan (1842-1916). The vase comes with a tomobako inscribed, signed, and sealed by the artist. Kozan's family originally produced fine tea ceramics for the imperial court during the end of the Edo period. During the Meiji period, Kozan moved his kiln from Kyoto to Yokohama to produce export ware. In 1876, Kozan exhibited his work at the Philadelphia World Exposition and his name was known internationally. By thi...

Description:
A Jianyang hares-fur bowl was in decent conical shape and was in good size.
It obtained all the characteristics for verification.

Date: Southern Song Dynasty, 1127-1279,

Width: 15.6cm.

A CUSTOM-MADE COTTON BOX IS INCLUDED.

H. 23 cm , slight discoloring on the shoulder due to the firing process. Excellent condition.

This is kanjin-sumoh gyoji tsutsugaki nobori textile of the Edo era. It is very very rare textile. It has a thin stain. However, it does not stand out. It has slight damage. However, it is good condition generally.The sumoh wrestling was an event called sumoh wrestling sechie to which original was done in the court. size:187cm x 41cm (73.6" x 16.1")

This is kanjin-sumo rikishi tsutsugaki nobori textile of the Edo era. It is very very rare textile. It has a thin stain. However, it does not stand out. It has slight damage. However, it is good condition generally. size:190cm x 41cm (74.8" x 16.1")

11 3/4" high late Meiji period (19th century) Japanese silver wire cloisonne bottle form vase with flaring mouth superbly decorated around the circumference at the base of the neck with a ferocious flaming three-clawed dragon with gaping mouth set against a red background. Flowering plants and a single butterfly decorate the bulbous bottom. Copper rims are at the mouth and base. The traditional blue counter-enamel is in the interior. Excellent overall condition with no dents, losses, chips, or ...

(AT CUSTOMER REQUEST, WE ARE POSTING A NEW SERIES OF HIGHER QUALITY PHOTOS HERE OF THIS PIECE, AND IN A DIFFERENT LIGHTING ENVIRONMENT. We hope these new photos better capture the spectacular beauty of this piece.) The original item description appears below:

From our Chinese Monochrome Collection, a fine carved jade image of Guanyin, late 19th- early 20th century, depicting the deity with a wonderful serene expression in a variation of Royal Ease mudra while sitting upon a rockwork ba...

Depicting one of the 24 Tirthankaras, the saints of Jainism, surrounded by 13 figures seated in meditation. Finely cast and engraved. Nice wear due to puna worship. South India, 17th/18th century. H. 36 cm (15 inches) Provenance: private collection Belgium.

Beautiful ancient Chinese jade neolithic axe with calcification in the edge with an intricate fine carved image (Taotic). It is preserved in a case. Age: Neolithic Period, Liangshu culture c3000 BC. Size: 5.5" L x 2.75" H