16th Century Chinese Longquan Celadon Tripod Censer with Wood Lid

It is 8.7 inches (22 cm) tall by 7.4 inches (18.7 cm) wide. It is 4.8 Lb.

It has skip glazes, dark spots, chips, surface wears and scratches. The wood lid has hairline cracks, chips, warped edges and surface scratches (as seen in the photos).

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19th Century Chinese Flambe Ox Blood Sang Boeuf Langyao Style Porcelain Vase

It is 13.85 inches (35.2 cm) tall by 8 inches (20.3 cm) wide. It weighs 6.2 lb.

It has chips at the bottom, skip glazes, glaze crazing, and surface wears and scratches (as seen in the photos).

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Set of 8 Chinese Dark Cherry Amber Bakelite Faturan Carved 8 Immortal God

Each figure is 4.8 inches (12.3 cm) tall measured without stand by 1.7 inches (4.5 cm) wide. Total weight is 771 gram measured without stand.

They have inclusions, flea bite chips, and surface wears and scratches (as seen in the photos).

Tested with Simichrome.

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Old (1940's) Chinese Sancai Glazed Porcelain Figure with Dragon Robe

It is 10.7 inches (27.3 cm) tall by 7.2 inches (18.3cm) wide. It is 3.6 Lb.

It has dark spots, rubbing of paint, skip glaze and surface wears and scratches (as seen in the photos).

Our Guarantee: We stand behind all of the items that we sell. That is to say, if you purchase an item from us and are unhappy with it for any reason, return it for a 100% refund of the amount you originally paid. All you need t...

1930's Chinese Celadon Ge Type Crackle Bowl with Chocolate Rim

It is 2.5 inches (6.5 cm) tall by 9.7 inches (24.7 cm) wide. It is 1.85 Lb.

It has dark spots and surface wears and scratches (as seen in the photos).

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A Chinese court "chao fu" silk skirt, altered as a Carnival costume, using one quarter of the skirt as a flap (photo No. 6). Night blue silk with sixteen dragon roundels and four five-clawed "long" dragons pursuing the flaming pearl among clouds, bats and cranes, above waves, stylized rocks and the "lishui" pattern. Embroidery in polychrome satin stitch and couched metal threads. Condition: altered, some thin areas in the non-embroidered part, waistband not original, some loose and missing threa...

RICE SCOOP

Old Korean folk wood carving scoop for rice or grain used in Jeju island, early 20th century, approx. 34.5 x 21.5 x H 10-7cm (13.58 x 8.46 x 3.93-2.75in). Lighter weight than its looks. Some expected stains, scratches, and chips due to aging as is as seen.


selected by kikue




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Very large pot covered in cloisonné enamel on copper. Silver wires.Dragons Hoho and butterfly of curious design. I seem to remember the association dragon butterfly to a symbolic but I don't remember which one A slight accident really insignificant at the base of the lid catch that can be seen on photo and a lack of thickness of enamel that could not be polished being too thin, however at this place there the enamel completely covers the base metal. After firing this should not be visible and...

Ohara Koson
Birds in flight in snow
Size: Approximately 15.8 x 9.8 cm. 6.75 x 4.75 inches.
Date: ca. 1930s.
Koson signature at lower right. Unsealed.
Uncatalogued. Does not appear in Crows, Cranes and Camellias: The Natural World of Ohara Koson (Reigle Newland).
Medium: Japanese woodblock print.
Condition: A small hole below the lower bird. Corner bends and creases. Please see photos 3 and 4.
This design is a curiosity as it is very similar to our Hiroshi...

Ochanomizu in the Eastern Capital (Tōto ochanomizu) in 36 Views of Mount Fuji (Fuji Sanjū-Rokkei) by Hiroshige Ando (1797-1858). Serie 1858, n°5, Published by Tsutaya Kichizō. Format ōban (34,3 x 23 cm) Framed

Bust of Buddha out of cast bronze. The head is full and the rest of the bust is very thick, almost 1 cm in some places, so the object is very heavy. The casting and the finish are beautiful. The mouth is inlaid with a reddish yellow metal that has not oxidized over time, probably gold, I could check and test the metal on request. The eyes were probably also inlaid because there are 2 deep incised line that are now filled with traces of white color. The ears are inlaid with a yellow metal that ha...

Ming Dynasty Chinese Wood Sculpture of a General on Horseback, with original pigments. 11 x 5 x 3.25 inches, 28 x 13 x 8 cm. Purchased from Askenasi in Paris in 1978 by Irwin Hersey, renowned author on Asian and primitive art, and publisher of the Primitive Art Newsletter in the 1970s. Irwin Hersey was an advisor to museums and prominent collectors, and vetted pieces for many of the international tribal art fairs and Asian art fairs.

Ming Dynasty Chinese Wood Sculpture of Emperor and Empress. Purchased from Askenasi in Paris in 1978 by Irwin Hersey, renowned author on Asian and primitive art, and publisher of the Primitive Art Newsletter in the 1970s. Irwin Hersey was an advisor to museums and prominent collectors, and vetted pieces for many of the international tribal art fairs and Asian art fairs. 8.5 x 5 x 2 inches, 21.5 x 12.5 x 5 cm.

Antique Stone and Metal Chinese Seal Chop from the published and renowned collection of Sam Hilu, a prominent author and adviser on traditional Asian art. 5 inches, 12.5 cm.

Blue & white pieces in Jingdezhen Ming dynasty like these are called "古染付 kosome" and loved by Japanese tea masters.Especially natural chips on the mouth edge are loved and called "虫喰　mushikui" that means worm eating marks. They are suited to "wabi sabi" feeling. These pieces have five horses painted in free and easy style. accessary : old wooden box made in Japan YouTube https://www.youtube.com/watch?v=pABoSggRLKM&feature=youtu.be

Minsa obi (sashi) made in Taketomi Island in Okinawa. The features of Taketomi Minsa obi are: both wefts and warps are machine-spun cotton and handwoven. It has four and five block warp kasuri pattern and both selvedges have uneven horizontal stripes which symbolize mukade (centipede). Minsa obi was a gift from a woman to a man meaning acceptance of engagement in old days. In excellent condition. 20th century. 8cm x 2m4cm u

Antique Indian bronze figure of Ganesha. Seated on a lotus throne, he holds his prayer beads and ax in two of his four hands. He holds up one hand in abhaya mudra while he feeds himself sweets with the other. His mouse vahana (vehicle) looks up at him from the right side of his throne. According to legend, Ganesha was created from mud by the goddess Parvati in order to guard her while she bathed. Upon returning home from meditation, Parvati's husband, Shiva was furious to find his path b...

Antique Tibetan tall bronze butter lamp for a Buddhist altar. Traditionally, the butter lamp would burn ghee. The light of the flame of the butter lamp represents the "wisdom of the awakened mind" and helps to "dispel the darkness of delusion". Most Tibetan household and temple altar displays include a butter lamp. This tall lamp resembles a multi tiered lotus blossom with decorative granulation on the edges. Beautiful patina from age and use.

Age: 19th century

Dimensions: 13 ...