Paul Jacoulet
Tatooed Woman of Falalap, West Carolines
(Femme Tatouée de Falalap Ouest Carolines)
Date: July 5, 1935.
First edition: 91/150 numbered in kanji. Fewer than 100 impressions produced.
This edition was issued without a title. The title label at the lower right was added by the original collector.
Size: Approximately 19.50 x 13.75 inches.
Jacoulet signature and watermark with mandarin duck seal.
Seal of carver Yamagishi.
Reference: "This print...

This lovely white Hagi chawan rests firmly on a wari kodai or “split foot.” The crackled milky glaze varies in consistency across the curves and contours of the bowl with some areas tending towards a faint brown, adding an interesting dimension to the landscape.

The creator of this piece Matsuura Mugen (1944 - ) has spent his life in the pursuit of perfecting the art of Hagi. In his formative years as a potter, he was fortunate enough to study under Living National Treasure Miwa...

Description:A beautiful and rare imperial famille-rose crane-medallion porcelain bowl and saucer, the bowl decorated to the exterior with seven roundels of crane-medallions in purple red enamel, between bands of crosshatched pattern around the rim and blue and green breaking sea waves above foot rim, centre of the bowl finely painted with a single peony flower and leafy branches enclosed within blue-circles. The interior of the saucer was decorated with the same patterns of the roundles. Both of...

A rare gilded and lacquered wooden statue of Buddha from the Ming Dynasty. Size: H.17.5cm. W.At the base. 9.3cm. Condition: No repairs. Some of the gilding has gone and the right hand is missing. See last photo.

Wonderful and large Chinese Medicine Bronze Buddha, mounted on an aesthetic wooden custom stand with the effect as if it was pending above the stand.

The right hand is held facing downward with fingers extended toward the ground, palm facing outward toward the viewer, a bowl of herbs rests in the left hand upon the lap. It is believed by the Tibetans that the Buddha was responsible for delivering the knowledge of medicine to the people of the world, and in fact the right hand fa...

Wonderful and large Chinese Bronze Buddha, mounted on an aesthetic wooden custom stand with the effect as if it was pending above the stand.

The buddha has a serene and meditating expression. The statue is hollow inside.

It dates from the 19th century, and the display stand was added in the middle of the last century by our family.

It is in very good antique condition with some traces of age. Smaller areas of the veneer have come off in a few places on the c...

This simple and elegant green porcelain vase was made by a student of Kiyomizu Rokubei (VI) who was well-known for creating fine porcelain pieces modeled on ancient Chinese forms.

Kato Keizan I (1886-1963) was born in Tajimi, Gifu prefecture but later moved to Kyoto and opened a kiln in Gojozaka in 1912. He specialized in Longquan style celadon ceramics—often referred to as "tenryuji seiji”—and the bulk of Keizan's work closely approximated the style of the Chinese Yuan to Min...

A striking porcelain double gourd vase by the eminent Kutani potter Matsumoto Saichi V The tall shape has four raised ribs on the matt buff/white glazed body, the bottom gourd boldly painted with sets of green stripes on a tan ground. The buff/white glaze is curious, on close inspection it looks like crushed oyster shell. Signed on the base. The vase comes with its original signed and inscribed box.

Approximately 31.7 cm high. The vase and box are both perfect.

Matsumoto Saich...

An Indian stone surahi expertly turned on a lathe from a single piece of black steatite, a variety of soapstone. It is beautifully made and very light, displaying the remarkable hollowing performed by the artisan. It relates directly to bronze and brass versions from the 18th century. With this flask is a turned alabaster bowl, also elegantly made, that has a curious slightly domed bottom. The bowl perhaps dates from the 19th century. Given the nature of the materials used these are both rare i...

Takahashi Shotei (1871-1945)
Rain at Igusa
Date: Pre-1923 earthquake. Muted color version with full title.
Size: Mitsugiri-ban. Approximately 15.25 x 6.5 inches.
Publisher: Watanabe Shozaburo.
Reference: M-76 in Shotei catalog.
Provenance: From the collection of Canadian missionary Sybil Courtice, who was in Japan from the early 20th century up until WWII.
Medium: Japanese woodblock print.
Note: Blocks destroyed in 1923 earthquake.
Condition: Excell...

Chinese antique large lobed bowl, made of heavy copper and enameled with raised repouse design of flowers and scrolling vines on the outside and with lovely yellow enamel on the inside. The enamel work on the flowers is delicately done with lovely colors on a yellow ground to match the inside of the dish. The stand is made of hardwood and intricately carved with elaborate details and long curving legs. 18th/19th century. Size of the bowl: 2 1/2" high x 15 1/4" long x 10 3/4" wide. Size o...

Chinese horizontal panel carving with red lacquer and gilt accenting. A strong central figure stands with a person kneeling before him, and two heavenly figures on horseback to either side. Many other smiling figures gather closely while tree branches hang from below. The panel is framed and bordered in soft velvet. Size: 30.5" length, 12.25" height, 2.5" width

An oval Thewa pendant from Rajasthan in northern India. Thewa is the technique invented around 400 years ago where filigree gold designs are fused onto a coloured glass ground, then backed with silver foil. This pendant depicts prey being attacked in what looks like a palace garden. The work is very fine and I have had to show the photographs oversize to show the detail. The pendant is missing its frame but still has a small card protector and the green silk backing.

Approximately 5...

Chinese lacquer carved panel with gilt scene of imperials. An armored soldier sits in a tall boat while an imperial man and horse horse stand ashore beside him. Five court hands stand above wielding a flag and various staffs/emblems. The carving is framed with a red cloth border with gilt edges. Size: 19" height, 13" width, 2" depth

An unusual lacquered flower vase, hanaike, by the eminent bamboo artist Tanabe Chikuunsai II ( 1919~2000 ). The black lacquered bamboo vase is decorated in vermillion lacquer with a sago palm and is also signed. The vase is complete with its original blue cotton bag and a signed and inscribed box.

Chikuunsai I began the family tradition of making fine bamboo crafts in 1890, it still flourishes today under the direction of Tanabe Chikuunsai III.

Approximately 30 cm high. Fine...

Chinese beautiful lacquer carved panel with gilt mountain temple scene. Pairs of exotic birds decorate the sides of the panel, while men, women, and children lead horses in exploration. Size: 19.5" height, 8" width, 2.25" depth

An interesting Japanese multi -layer lacquer stand with mother of pearl inlay. Top surface has oil spill pattern in hues of red, black, and orange with green accenting. Taisho Period (circa 1950's). Dimensions: 18" Long X 12 1/2" Wide X 4" High

Antique Chinese pair of hardwood stands with multiple tiered surfaces for display. The legs connect at the bottom with geometric spiral design of panels. Great matching side tables. Size: 32.5" height, 17" width, 11.5" depth