Japanese shin hanga woodblock print titled "Hayase" by Hiroshi Yoshida (1876-1950) dated in the left margin Showa 8 (1933). Post WWII later edition. The artist's black ink stamped signature and red seal is at the lower right. The print is block titled and signed in the lower margin. Illustrated in "The Complete Woodblock Prints of Yoshida Hiroshi," Abe Publications, color plate #188. Paper measures 10 1/2" x 15 3/4" (image size: 9 1/2" x 14 1/2"). Very good clean overall condition with full mar...

The large vase with silver wire cloisonne on ceramic with "tree bark" textured surface. Decoration of butterflies and peonies, with the blooms depicted in enamel tones of sienna, umber and dark mica, and the stems and leaves in dark green - almost black. The body of the vase covered with a dark, warm brown lacquer on intentionally course texture like tree bark - which it emulates. The Kyoto, crackle glazed greyish porcelain body visible from the foot. Taisho era (1912 - 1926). Good condition. He...

A quintessential Mimitsuki Mizusashi with loop handles by die hard Takahashi Rakusai enclosed in the original signed wooden box. This is a superb example of the form by master of the tradition. It retains both the original pottery lid and custom made black lacquered wood Kae-buta lid. The vessel is 16.5 cm (6-1/2 inches) diameter, 17.5 cm (7 inches) tall and in excellent condition.
Takahashi Takusai IV was born the eldest son of the 3rd generation Rakusai in Shigaraki in 1925, given name ...

Two Small Chinese Qingbai Glazed Lotus Petal Dishes. Circa, 14th Century, Dehua Kiln, Fujian, Yuan Dynasty. Found in the Philippines. Featuring two small dishes, one slightly larger than the other, and their exterior decorated with carved upright lotus petals. The two dishes are covered in a green-white ‘Qingbai’ glaze, stopping well above their feet. See two similar bowls with unglazed rims and lotus petals on the exterior that were attributed to the Dehua Kiln, Central Fujian, ...

This is a japanese antique tsutsugaki Indigo dye cotton noren textile of taisyo period(1912-1926). There are some light stains but they are not noticeable. There is one repaired part. Size :: Length: 152cm (59.8 inches) / Width :: 98cm / 38.5inch

Set of three white vintage, Burmese jadeite “bi” pendants with bails D: 30mm, 6 grams each and a pair of thick greenish jadeite “bi” pendants with beveled edges inside and out, D:27mm and thickness 6mm 9 grams each. All good pieces.

A trumpeting fluted form covered in igneous blasted ash by Iga legend Kojima Kenji enclosed in the original signed wooden box titled Iga Ruiza Hanaire. Ruiza is the name of these small circular studs which decorate the vase between the flutes near the rim. It seems to dance on the table, the form bent as if in a twirl. This vessel, very organic in formation, is 25 cm (10 inches) tall, roughly 15 cm (6 inches) diameter at the top, and is in excellent condition.
Kojima Kenji was born in Aic...

Liquid Green ash seems to overflow the rim of this heavily potted Iga vase by Iga star Kojima Kenji enclosed in the original signed wooden box titled Iga Mimitsuki Hanaire. The term Mimi refers to ears, usually a pair of lug like handles opposing each other on a pot. Here the ears have been elongated, more like lobes of some ancient sage, and become one with the wide flange of the base. Otherwise the mouth is modulating, the body cut and whacked with random symbols and pallet scars. It is 29...

A refined form covered in a blast of liquid ash by Kojima Kenji enclosed in the original signed wooden box titled Iga Mimitsuki Hanaire. This has a wide flange flaring from the mouth, with two square handles on the square neck which comes off a square pedestal of the bulbous body of the vase. Very unusual design, and quite compelling. It is 31 cm (over 12 inches) tall and in excellent condition.
Kojima Kenji was born in Aichi Prefecture in 1953 and graduated from the Tokoname Ceramic V...

Chinese antique pair of porcelain tiles. Painted in enamel with scenes of snowy landscapes. One panel with a pavilion in the snow, a figure on a path, tall mountains covered with snow and a persimmon tree bare of leaves and laden with fruit. The other panel shows a red pavilion in the mountains, snow on pine and red maple trees and two figures climbing a stepped path. Both tiles are framed in dark hardwood.

Dimensions: 24" high x 15 3/4" wide (each)

This is a pottery vessel originating in the Han Dynasty of ancient China (206 BCE to 220 CE). Vessels such as these were often used as wine containers. This piece his beautifully sculpted and has great colors. There is a repair two the foot of the jar. There are also small chips and abrasions throughout and possible areas of professional restoration. It measures 29 cm in heights and 32 cm in width.

Rare and pretty Inro opening with four compartments and a lid in urushi lacquer with a black background decorated in hiramaki-e with gold lacquer, mitsuda, kirigane and mother-of-pearl inlays, of a traditional cottage above which a bird flies; on the other side, a set of objects including a large basket, branches and a cup. Height: 5.8 cm. Japan Edo (1603-1868) 17th century. Provenance: Maurice Feuillet collection. Label with inscription “Maurice Feuillet collection” and N°138

Suzuribako - Important model of urushi lacquer writing case from Japan, offering a rich decoration of a Kabuto and a sand on the top of the lid, on a hirameji lacquer background. Gold and silver lacquer with rare finesse of decoration. The interior offers a particularly remarkable scene, of two deer in autumn foliage. Takamaki-e and hiramaki-e. Dimensions: 4.6 cm x 21.3 cm x 23 cm. Japan Edo (1603-1868) early 18th century.

Netsuke – Lovely wooden model carved by Sukeyuki representing a Shishimaï dancer. Dancer depicted seated with only legs visible beneath his wide cloak and lion mask. Signed under the base. Height 4 cm. Japan Edo (1603-1868) 19th Century

Powerfully carved with slightly smiling lips, broad nose, incised almond-shaped eyes, elongated earlobes and ridged eyebrows. His hairdress arranged into a cylindrical coiffure secured with a decorated tiara knocked in the back. A splendid large head of the Creator, Powerfully Carved with a great character. Estimate Value: $8 000 - $12 000 Measurements: Height - 35 cm (13 3/4 In), Width 24 cm (6 1/2 In) Provenance: A Private Collection , property of a Singaporian ...

Chinese Tang Dynasty Painted Pottery Zodiac Figure - Goat

This pottery figure was made during the Tang Dynasty (AD 618 - 906). It takes a human form, other than the head which is of the zodiac animal represented, in this case the goat. The figure stands upright with hands clasped together against its chest under a flowing robe. It is made from a reddish pottery that has been cold-painted in a base coat of white on top of which are traces of orange and black pigments.

Height 26 cm (10.5 i...

Large Chinese Han Dynasty / Warring States Pottery Jar

This large and nicely-shaped pottery jar was made during the Han Dynasty (206 BC - AD 220) or possibly earlier, during the Warring States period (475 - 221 BC). It is made from a relatively high-fired dense grey pottery. To the worn upper surface there are traces of faint very lightly incised bands. The lower body is decorated with surrounding combed lines. To the shoulder there is a small depression that most likely occurred during firi...

Book: Dragon Sea - Vietnamese Hoi An Hoard - Hard Back 1st Edition

This book, "Dragon Sea", by Frank Pope is essentially the story of a 15th century shipwreck that came to be known as the "Hoi An Hoard". Frank Pope was the archaeological manager of the salvage operation. 

This book is NOT an illustrated catalogue of the Hoi An wreck, but is a very good read, not only revealing what really goes on in the world of underwater archaeology, but also reading as an exciting adventure story, al...