Large Chinese Neolithic Machang Phase Painted Pottery Jar (c. 2300 - 2000 BC)

This large pottery jar was made over 4,000 years ago during the Machang Phase (c. 2300 - 2000 BC) of the Majiayao culture, also known as the Gansu-Yangshao culture, from present day Gansu or Qinghai province. The decorative pattern, applied on top of the smooth burnished surface with a fired-on mineral-based pigment, features four roundels containing geometric patterns. On opposing sides just below its waist are tw...

Large Chinese Neolithic Machang Painted Pottery Jar (c. 2300 - 2000 BC)

This large pottery jar was made over 4,000 years ago during the Machang Phase (c. 2300 - 2000 BC) of the Majiayao culture, also known as the Gansu-Yangshao culture, from present day Gansu or Qinghai province. It is quite "heavily-potted" and made from a pale yellowish-brown pottery, the colour of which varies in places due to uneven conditions in the Neolithic kiln. It is a well-made jar of fine form and good proportion...

Ancient Chinese Buddhist Pottery Amulet - Ming Dynasty

This is one of a group of moulded pottery tablets that we bought about twenty years ago. They are made from a relatively high-fired pottery and have a surprising amount of detail. They were made as amulets and votive offerings and were reported to have been excavated from the foundations of an ancient Buddhist temple, where originally many would have been placed to ensure the success of the temple. We find it quite difficult to date thes...

Ancient Chinese Buddhist Pottery Amulet - Ming Dynasty

This is one of a group of moulded pottery tablets that we bought about twenty years ago. They are made from a relatively high-fired pottery and have a surprising amount of detail. They were made as amulets and votive offerings and were reported to have been excavated from the foundations of an ancient Buddhist temple, where originally many would have been placed to ensure the success of the temple. We find it quite difficult to date thes...

Ancient Chinese Buddhist Pottery Amulet - Ming Dynasty

This is one of a group of moulded pottery tablets that we bought about twenty years ago. They are made from a relatively high-fired pottery and have a surprising amount of detail. They were made as amulets and votive offerings and were reported to have been excavated from the foundations of an ancient Buddhist temple, where originally many would have been placed to ensure the success of the temple. We find it quite difficult to date thes...

Ancient Chinese Buddhist Pottery Amulet - Ming Dynasty

This is one of a group of moulded pottery tablets that we bought about twenty years ago. They are made from a relatively high-fired pottery and have a surprising amount of detail. They were made as amulets and votive offerings and were reported to have been excavated from the foundations of an ancient Buddhist temple, where originally many would have been placed to ensure the success of the temple. We find it quite difficult to date thes...

Ancient Chinese Buddhist Pottery Amulet - Ming Dynasty

This is one of a group of moulded pottery tablets that we bought about twenty years ago. They are made from a relatively high-fired pottery and have a surprising amount of detail, including the sun and the moon in this example. They were made as amulets and votive offerings and were reported to have been excavated from the foundations of an ancient Buddhist temple, where originally many would have been placed to ensure the success of the...

Ancient Chinese Buddhist Pottery Amulet - Ming Dynasty

This is one of a group of moulded pottery tablets that we bought about twenty years ago. They are made from a relatively high-fired pottery and have a surprising amount of detail. They were made as amulets and votive offerings and were reported to have been excavated from the foundations of an ancient Buddhist temple, where originally many would have been placed to ensure the success of the temple. We find it quite difficult to date thes...

Thai bronze Buddha sitting in Mara Vijaya (calling the earth to witness) posture on a base.

Age: Thailand, Ayutthaya Period, 17th Century
Size: Height 25.2 C.M. / Width 19.2 C.M. / Depth 11.7 C.M.
Condition: Nice condition overall (some expected degradation due to its age). Please refer to the enlargement photos for more details.
Shipment: Worldwide shipping from Bangkok, Thailand at actual cost. Please e-mail us for the shipping fee.

Small gilt bronze altar dedicated to Bodhisattva Padmapani, resting on four pillars, showing the Bodhisattva standing, backed by an aureola, holding a gourd in his left hand, his right hand in appeasing/blessing posture (abhaya mudra). Fine patina. China, Northern Wei Dynasty. Height: 8.3 cm. Very good condition.

The size of Koro : 8 1/2 "High with cover x 3 1/2" Dia. Globular, Stand Size: 5 1/8" Dia
21 cm H x 9 cm Dia x 13 cm Stand Dia
This is Very Fine Japanese Hirado Koro one tier of reticulated w/two handles
supported by Kiku flower petals(chrysanthemum flower). It came with two Bells
on the ear of Koro. It make sound of Kara-Kara(Japanese sound expression).
This wonderfully made Hirado Koro is by 15th Nakazato Moemon. World renown
Hirado artist. Koro came with Original...

Additional photos of Hirado Koro by 15th Nakazato Moemon w/Tomobako

Antique pair of small Inari Shinto shrine foxes carved of wood. Originally painted, these foxes have acquired a deep, dark over many years. Also called Zenko, these good spirit Kitsune (foxes) are specifically associated with the Goddess, Inari.
Believed to be both messengers and guardians, Kitsune serve Inari in her role as the Goddess of agriculture, specifically rice. Part of the folklore surrounding the fox is it's ability to shape shift into a human form. It is believed that Inari ...

Saito Hodo (aka Nishimura Hodo)
Street in Front of Restaurant
Date: 1920s-30s.
Size: Oban. 19.75 x 13 inches.
Publisher: Takemura Hideo.
Signed "H. Saito" by the artist.
Medium: Japanese watercolor.
Condition: Excellent.
Note: Paintings and woodblock prints variously signed "H. Saito" (Saito Hodo) and "Nishimura Hodo" were published by Takemura Hideo. They are very likely by the same artist. Works with these signatures had similar style and at times depict...

Saito Hodo (aka Nishimura Hodo)
Street After Rain (雨後の街)
Date: 1920s-30s.
Size: Oban. 19.75 x 13 inches.
Publisher: Takemura Hideo.
Signed "H. Saito" by the artist.
Medium: Japanese watercolor.
Condition: Excellent.
Note: Paintings and woodblock prints variously signed as "H. Saito" (Saito Hodo) and "Nishimura Hodo" were published by Takemura Hideo. They are very likely by the same artist. Works with these signatures had similar style and at times ...

Rare Large Chinese Ming Dynasty Swatow Porcelain Incised Celadon Dish - Flying Horses

This large and rare porcelain dish, of the type known as "Swatow" ware, was made during the Wanli reign (1573 - 1620) of the Ming Dynasty at the Zhangzhou kilns in Fujian province where many such wares were made for export around South-east Asia. More specifically, this dish was very likely produced at one of the kilns in Pinghe County, possibly at Wuzhai village where very similar incised celadon dishes ar...

Rare Chinese Song / Yuan Dynasty Glazed Stoneware Censer

This stoneware censer was made during the Song Dynasty (AD 960 - 1279) or possibly the Yuan Dynasty (AD 1279 - 1368). It is quite "heavily-potted" with both inner and outer surfaces coated in a crackled transparent olive-green glaze reminiscent of yue ware, apart from the sturdy foot that remains unglazed. To the inside centre there is kiln grit embedded within the glaze. On opposing sides at the shoulder are two small loop handles. <...

Chinese Southern Song Dynasty Moulded Qingbai Porcelain Vase

This attractive pear-shaped vase was made during the Southern Song Dynasty (AD 1127 - 1279), most likely at one of the kilns in Fujian province. Interestingly it is made in several sections that have been luted together. The mid section is decorated with a scrolling lotus blossom pattern, below which is a repeating lotus leaf pattern. It is coated in a finely-crackled pale greenish-blue qingbai glaze of good colour, the colour at i...