This is a Qing dynasty blue and white plate

Powerful Buddha image from the Tai Lue ethnic group from the Burma, Lao, Thai border region AKA “Golden Triangle”. Superficially these “folk images” lack the grace and serenity of the urban classical styles, but speak more from the heart of the people, as personal devotional merit making acts. This piece dates to around the 18th century; the “waisted” pedestal is typical of this period. Incorporated into the style is the much loved “bhumiparsha“ mudra, with stylized lotus lea...

DON'T COME

Anonymous vintage Japanese oil painting on canvas, Showa period, 20th century. The border area of coastal landscape between Fukushima and Ibaraki prefecture called 'Nakoso' which means "Do not come." in old Japanese words. Attached with an original frame without glass. Frame: 63 x 55 x 6 cm (24.80 x 21.65 x 2.36in). Slight deterioration at frame due to aging as is. *If you don't want this frame (for reducing its EMS shipping cost or so), please let me kn...

ROSES

Anonymous Korean oil painting on canvas, late 20th century, 52.5 x 40.5 x 2 cm (20.66 x 15.94 x 0.78in). Slight stains due to aging but generally in good condition as is.


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BLUE HEAD

Based on the head part of old Japanese human phantom made of thick paper. Head: 17 x 12 x H 8 cm (6.69 x 4.72 x 3.14in).


made by Jinta




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This is a perfect celadon longquan kiln waterpot or jacket from Song Yuan era

This a Ming longquan celadon brushwasher, in good condition except glaze corrosion

Landscape with Mt. Fuji. Painted with ink and light pigments on silk. Signed and sealed.

Kano Isen（1775-1828）was a painter of the late Edo period and the master of the early modern Kano school. He was a son and pupil of Kano Yosen'in Korenobu, whom he succeeded as seventh-generation head of the Kobikicho branch of the Edo Kano school that had been founded by Kano Naonobu (1607-50) His name was Eishin and his artist name was Genshosai. Isen mastered Yamato-e (Traditional Japanese pai...

Kawase Hasui (1883-1957)
Moon at Magome
Date: 1930.
Size: Oban. Approximately 15.5 x 10.5 inches.
Publisher: Watanabe Shozaburo.
Watanabe C (sausage) seal at right margin, making this a first edition produced between 1929-1942.
Reference: Hotei #165.
Medium: Japanese woodblock print.
Condition: Point-sized repair in upper left corner of sky. Original drying pinhole at left margin covered with paper.
"The scene conveys the rustic 'poetic' charm of Ma...

A rare pair of Chinese cloisonne enamel 'holy water' bottles, Qianlong/Jiaqing, c. 1800. Height 23 cms. Iron-red decorated porcelain bottles of this shape were made in the Qianlong reign as gifts to Tibetan monks. In cloisonne, however, they are much rarer. The only pair to have come on the market in recent times were sold at Christie's New York, 18.9.2014, for USD 23,750. A single example was sold in Christie's Paris, 8.6.2010, lot 242.

A superb pair of decorative pottery figures of Soldiers, dating to Ming Dynasty, 1368-1644.

The soldiers are dressed in dark blue and turqouise glazed uniforms with harness and helmets. Each are carrying a weapon - a spaer and a sword. They are placed on square plints. Helmets and boots in pigmented colors.

Height: c. 22-23 cm.

Condition: A superb pair of pottery figures with wear for age and type.

Ex. Danish Private Collection and guaranteed authentic...

A wonderful matching pair of Chinese pottery figures of male and female attendants. The figures date to Ming Dynasty 1368-1644 AD.

They are both dressed in robes glazed matching torqouise and dark blue colors. They are placed on plints and each carry a box in front of the chest. He wewars a black hat, and shea has an artfully styled hairdress. The heads are attachable.

Facial details were made with fragile pigment colors of which some remains.

Height: 32-33 cm - c. 13 in...

A superb quality large pottery figure of a male attendant or official, dating to the Ming Dynasty, 1368-1644.

The figure is placed on a high hexagonal plint and wears a fine two-colour blue and turquoise glazed robe. The unglazed areas have pigmented colors in red, black and white. Finely painted facial details.

The head is attachable as often seen on the largest figures from this period.

The figure is carrying a tray in front of his chest.

Size: c. 4...

OCTOPUS

Object made to be based on octopus. Used Japanese washi paper. Contemporary, Japan. H 18 x 16 x 17 cm (7.08 x 6.29 x 6.69in)


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FLASK OF OCTOPUS-ARABESQUE DESIGN

Still life painting of traditional blue and white porcelain flask with Tako-Karakusa (Octopus-Arabesque) pattern, by a Japanese painter, Shibayama Toshihiko. Oil, canvas. Showa-Heisei period, late 20th - early 21st century. 31.8 x 41 x 1.8 cm (12.51 x 16.14 x 0.70in). Some deterioration due to aging as is.


selected by titcoRet




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Boro small rug or a part of it which is made of almost countless fragments of vegetable indigo dye cotton. In cold districts, such as Tohoku and along the Japan Sea area, cultivation of cotton was difficult and cotton cloth was precious in old days, so that people bought fragments of cotton and made them to noragi, futonji, rugs and so on. This one has 7 to 8 layers of cloth. The late 19th to early 20th century. 91cm x 96cm. 1550gm

A Song Qingbai vase with tall cover, in fairly good condition except some minute chips on the cover

This mini Ming era Yuhuchun blue and white vase is with the lotus flower design. In good condition