Important Kuro Raku Chawan by 4th-generation master Ichinyû Kichizaemon (1640-1696). The chawan was named Kou Un (parting clouds). It comes with an authentication box with Raku seal. It has a Urasenke hakogaki by Sen Soshitsu and a certificate of its provenance.

Born the eldest son of Dônyû. His work varies from those made in his youth influenced by his father Dônyû to later work stylistically closer to that of Chôjirô. In particular, his invention of a new type of glaze, s...

A serene 16th Century SHAN STATE BRONZE BUDDHA, Subduing Mara Position. Good overall condition. Original Patina. Size: H.18.4 cm. x W. 11 cm.

Decidedly modern, Japanese, and minimalist; the textures, colors, and form of this fascinating tea bowl all suggest inspiration from natural objects. The grey, smooth, polished interior of the tea bowl contrasts nicely with the textured ferrous dark ochre ash glaze on the exterior. Somewhere between an ido and wan-nari shape, it rests surprisingly well in the hand and allows the user to contemplate the mysteries of nature through their tactile and visual senses.

Widely exhibited bot...

A fulling block form draped with ochre glaze over charred olive shades by Tsukigata Nahiko wrapped in a brocade bag and enclosed in the original signed wooden box titled Oni Shino Hana-Ike which is in turn enclosed in a black lacquered wooden double-wood storage box. It is a very traditional shape in Japanese pottery. This is 8 inches (20 cm) tall, 5 inches (12 cm) diameter and in excellent condition. A superlative example of this artists work.
Tsukigata Nahiko (1923-2006) was not only an ...

Antique Korean painting on silk of peonies in tones of pink and bright red, blooming from an upwards reaching branch with leaves. Calligraphy with signature of Wou Dang Chang Ryu, a highly important and heroic figure in Korean art.

19th century

Dimensions: 26" x 57" H (entire panel) 22.25" x 43.5" H (painting only)

Considered auspicious symbols of wealth, status, and good fortune; foo dogs—commonly referred to as shishi or koma-inu in Japan—are often seen in pairs guarding shrines, straddling the doorways of shops, and protecting public buildings. This fierce guardian appears to be made from bronze, has very detailed and skillful etching, and a wonderful patina that would place it sometime before the turn of the last century.

Guardian lions are commonly seen in pairs. The male is almost al...

A BEAUTIFUL SMILING BRONZE SHAN BUDDHA, SUBDUING MARA. 16TH CENTURY. GOOD CONDITION, SIZE: H.16.2 cm. x W. 9.8 cm. RARE!

Japanese six panel byobu (folding screen painting). Hand-painted with imagery of realistic swimming fish and flowers with gold flecks. Signed in stylized calligraphy with 2 red chops.

Late Meiji/Early Taisho Period

Dimensions: 109" L x 53.75" H

Chinese bronze 3 piece figure of a donkey and rider. The old man rider holds a scepter in his hands. His hat may be removed and incense placed inside his head, so the smoke would billow out from the front. On hardwood display stand with scroll legs.

Early 20th Century

Dimensions: 10" L x 5" D x 13" H (14.5" H w/ stand)

Ohara Koson
Torii with Lantern and Deer
Size: Yoko chu-tanzaku. Approximately 14.5 x 5.50 inches.
Date: 1900-1910.
Bears Koson signature and seal.
Publisher: Kokkeido. Bears Kokkeido seal.
Reference: K44.12 and plate 28 in Crows, Cranes and Camellias: The Natural World of Ohara Koson (Reigle Newland).
Medium: Japanese woodblock print.
Condition: Some foxing (stabilized). Four small wear holes visible when held to light.

What a wonderful glaze. Slightly distorted shoe shaped (kutsugata) tea bowl from the early Edo period with a rounded brim, made of light, coarse, unrefined Mino clay. The expertly thrown body was trimmed with a potter's knife in its lower part around the foot ring.

In the style of Kuro-Oribe bowls this bowl was covered with a brown iron oxide glaze. A window on the side was left unglazed and split in two halves - one was decorated with iron oxide engobe which was decorated with inc...

Red pottery moulded figure, glazed in turquoise, amber and black. On the back of his stool there is a coin symbol ( god of wealth?). H. 20 cm. Overall in very good condition with wear and flaking to the glaze and a chip at the back of his right arm. Ming Dynasty (1368-1644).

Red pottery with a turquoise glaze, with moulded decoration of peonies. Apart from some chips to the mouth rim this censer is in a very good condition. H. 15 cm, diameter 12 cm. Width from handle to handle 18 cm. Ming Dynasty (1368-1644).

Porcelain plate made in China for the 17th century Japanese market. Blue and white design of 2 boats in a misty bay with land outcroppings and a mountain pavilion. The underside of the plate is decorated with three thin blue rings and two flowers. The edges of the plate and the many small irregularities in the firing are especially prized in this type of ware.

"Ko-sometsuke ('old blue and white') porcelain was produced specifically for the Japanese market during the final decades of th...

. A Nabeshima style dish hand painted with an underglaze blue “karahana” pattern. The reverse decorated with Shippo-tsunagi, six coins bound with trailing ribbons to the reverse and a comb pattern to the foot. The dish measures 18.5cm in diameter (six suns) and stands 4.5cm high. The foot-rim measures 8.6cm in diameter and is 1.2cm high. The dish is in good condition no cracks, chips or restoration. Some fly ash to the front of the dish and flaws to the glaze, with a small depression to si...

A rather unusual export dish decorated with a Kraak style border of six larger panels containing respectively a pair of Peaches, symbols of Longevity, and a scroll and whisk, representative of the Eight precious objects, Baxia, with the smaller intermediate panels decorated with a combined clove and jewelled Rhinoceros horn motif. The centre is decorated with a wreath of Pomegrantes and Pomegranate leaves in iron red, green and blue enamels, partially disguising an unglazed circle, enabling stac...

A large plate decorated in the three colour sancai palette with a central Peony motif with three reserves one with Peonies, emblematic of Spring, a pair of Quails beneath Millet and another with Chrysanthemums, emblematic of the months of Autumn. The partially ogee form reserves set against a blue brocade ground with stylised Chrysanthemums. The reverse decorated with three Peony sprigs. A three spur marks in a triangular arrangement to the base. Dating Kyoho era, c1710-40. The plate measures a...

A large plate decorated in the three colour sancai palette with a central Peony motif with three reserves one with Peonies, emblematic of Spring, a pair of Quails beneath Millet and another with Chrysanthemums, emblematic of the months of Autumn. The partially ogee form reserves set against a blue brocade ground with stylised Chrysanthemums. The reverse decorated with three Peony sprigs. A three spur marks in a triangular arrangement to the base. Dating Kyoho era, c1710-40. The plate measures a...