Calligraphy by Korea's Most Famous Calligrapher, O Se Chang aka Wichang (1864 - 1953). Not only is O Se Chang the most renowned calligrapher in Korean history, his books on calligraphy have become the definitive texts on the subject. He is famous for his works in seal script, as in this example here. 53 x 12 inches, 134 x 30 cm, unmounted. O Se Chang's calligraphy is currently prominently featured in the Los Angeles County Museum of Art's exhibition on Korean calligraphy, Beyond Line: The Art of...

Contemplative calligraphy: Music, Writing, and Books by Lee Nam Ho aka Geum Choo (1908-2001). Lee Nam Ho is renowned as a painter. This is a rare and fine example of his calligraphy. 51 x 13.5 inches, 129 x 34 cm.

Meditative calligraphy: Empty Your Heart and Mind by Lee Nam Ho aka Geum Choo (1908-2001). Lee Nam Ho is renowned as a painter. This is a rare and fine example of his calligraphy. 26 x 12 inches, 65.5 x 31 cm.

A Chinese porcelain dish decorated with under glazed cobalt, famille verte enamel, and gilt. Kangxi period. Condition: there is a repaired 1/2" long shallow chip on the rim, please see photos #4 and #5 for the inside and outside views of the repair; there are a few other very tiny glaze flakes on the rim and have been repaired, a newer layer of gilt was applied to the rim. Diameter: 9".

A small Chinese trumpet shaped porcelain vase in gilt mirror-black glaze, six characters "Daqing Kangxi Nianzhi" mark inside the foot rim, we date it to late 19th century. The vase is in perfect condition beside gilt losing. Height: 6"

Japanese gold lacquer inro with five compartments, decorated in low relief landscape scene of lakeside mountains, cottages, pagodas, pine trees, and bridges in gold lacquer and accents of silver. The reverse side shows a tiny man in a boat traversing the waters. The inside compartments are covered with dense nashiji lacquer (fine gold flecks). Underneath the bottom compartment is an artist's signature with red chop. With some losses.

Inro (seal basket) are small decorative container...

Antique Tibetan thangka painting of Green Tara, one of the manifestations of the bodhisattva of protection. The central figure of Green Tara is flanked by bodhisattvas while the Amitabha Buddha is seated directly above her head. Below Tara are a fierce deity with mortal attendants carrying offerings. Thangka translates to “that which can be rolled up”, as traveling monks could easily carry them from place to place to use as a teaching tool.

18th century

Dimensions...

Japanese boxwood ojime bead carving of a skull, finely detailed with realistic cranial fissures, missing teeth, pierced eye sockets and nasal cavity, with tiny handmade chisel marks visible under the jaw. The ojime is a cord fastening bead, used to secure an inro container to the wearer's obi or sash.

Edo period (1603-1868)

Dimensions: 1 1/2" x 1" x 1"

A patinated bronze okimono of a young woman with a beautiful face, dating around 1910. On her back a large basket and in her hand she was carrying a tool. Signed "Seiya" on the base. Dimension: 29.5 cm high, weight: 2.4 kg. Condition: tool broken off, few tiny areas with wear to the patina.

Large Western Han Dynasty (206 BC - 9 AD) hu form earthenware jar with a flaring mouth embellished with a wide raised collar. The chalky painted mineral pigment decoration on this type of jar was designed to imitate the inlaid decoration on Chinese bronze vases. According to the Metropolitan Museum, the swirling cloud-like designs covering the vessel are thought to represent celestial mists through which the deceased would travel to join the immortals. Dates circa 1st century B.C. Measures ab...

Depicting Heshang, the Buddhist monk. Painted wood. From Hunan province. H. 22 cm. (33 cm. with stand). Excellent condition with normal age wear.

Loops of white decorate the dark pitted glaze of this quashed bowl from the kilns of Kyushu dating from the early to mid Edo period. The small foot is testament to dating, and there is much natural wear to the dark glaze. The vessel is 14 x 10 x 6 cm (5-1/2 x 4 x 2-1/2 inches) with an age darkened chip in the rim where it rolls over on itself. It comes in a silk bag enclosed in a black lacquered antique wood box. It comes from a collection of Edo pottery, and inside the box is a receipt desc...

Japanese 2 section Mizuya (kitchen chest of drawers) made with Hinoki (cypress) wood frame and Sugi (cedar) panels, with natural hardwood burl front drawers panels. The top section is configured with two small and three very small drawers below a large interior compartment. The sliding panels are decorated with carved wood accents and copper pulls with floral medallions. The bottom section holds the largest interior compartment behind sliding panels. The sides of the chest are slatted horizonta...

Antique Japanese small kobako (incense box) with inside tray. The outside is decorated with a scene of a garden fence, chrysanthemums, hydrangeas and daisies in gold lacquer on a nashiji ground. The interior is covered in fine nashiji. The small tray stands on tiny feet and has a pavilion scene with twisted pines all in gold lacquer on a matching nashiji ground.

Meiji Period (1868-1912)

Dimensions: 4" high x 6" wide x 4" deep.

Massive Chinese late 19th century two door elmwood wardrobe cabinet with carved lower apron in a natural finish. A separate two door hat cabinet fits on top of the chest. The interior of the chest features two interior shelves, one with two drawers. The hat cabinet has one interior shelf. A round brass lock plate is at the center of the doors and round brass hardware is on the door hinges. The doors and central bars lift out for easy transit. This cabinet measures 72 1/2” + hat cabinet 31 1/...

Yuzen hinagata (sample book of yuzen-zome) of kosode (kimono with narrow opening of wrists) which is a reprinted edition of Edo kosode hinagata. It has 20 pages and 40 Yuzen-zome kosode designs. The book is made of washi (Japanese handmade paper.) Published by Yoneyama-do in Tokyo in 1927. In excellent condition. 18.5cm x 27cm x 0.5cm

Yuzen hinagata (sample book of yuzen-zome) of kosode (kimono with narrow opening of wrists) which is a reprinted edition of Edo kosode hinagata. It has 20 pages and 40 Yuzen-zome kosode designs. The book is made of washi (Japanese handmade paper.) Published by Yoneyama-do in Tokyo in 1926. In excellent condition. 18.5cm x 27cm x 0.5cm

Chinese Porcelain Orange shape hanging Wall Pocket/Wall Vase with pink color Bat on top, Ca. 1920, 3 1/2" diameter, 1 1/2" deep, low relief Pink Bat on top of the huge yellow color of Orange with three(3) leaves still attached. Two(2) tiny frits are located in the backside of the top, not shown from the front.