Boro futonji with many mending patches and sashiko whose ground cloth is hand-spun cotton with stripes. It is dyed with vegetable indigo and the red color looks benibana (saffloer dye). Mending is very nicely done with sashiko. The second half of the 19th to early 20th century. W:94cm, L:172cm

Girl's kimono made of hand-spun cotton with flower motif which is Yuzen-zome (hand-painting). The ground cloth is benibana (safflower) dye. Benibana was grown in Yamagata prefecture in Edo period, and it was very precious. It was traded to Kyoto and dyed there for kosode kimono or others for women of a family of high-ranking samurai or merchants. Benibana dye has faded in upper back, but generally in good condition. Late Edo period (mid 19th century) W122cm, L:124cm

A playful bowl in vivid colors by Tokuda Junko (Tokuda Yasokichi IV) enclosed in the original signed wooden box titled simply Kutani Chawan. It is 13cm (just over 5 inches) diameter, 8.5 cm (3-1/4 inches) tall and in excellent condition.
Tokuda Junko (Yasokichi IV) was born the first child of future Living National Treasure Tokuda Masahiko in 1961. While on a trip to the United States in her mid-20s, the young Tokuda came across a pot from Jingdezhen, China and drew her back to the fold o...

RIMPA SCHOOL INKSTONE CASE WITH BAMBOO FOREST IN MAKIE

Bold and refined gold and silver three-dimensional makie lacquer design with the black background in the style of 'Rimpa (Rinpa)' (ref. https://www.metmuseum.org/toah/hd/rinp/hd_rinp.htm). Edo period, Japan. 21.8 x 16.5 x 5 cm (8.58 x 6.49 x 1.96in). Some scratches in places and slight bend at lid due to age, but considered in generally very good condition for such aged lacquerware.


selec...

Bird and flower painting depicted tit birds in the cotton flower. Painted with ink and pigments on silk. Signed Gyokkei and sealed.

Mochizuki Gyokusei(1900−1951）was a Japanese painter born in Kyoto. He was a pupil of prominent artists Nishiyama Suisho (1879-1958) as well as his father Mochizuki Gyokukei (1874-1938). Gyokusei graduated from and taught at the Kyoto Municipal School of Arts and Crafts and the Kyoto Municipal Special School of Painting for further art education in Kyoto. H...

Pair 1930's Japanese Studio Porcelain Vase Bird By Hikojito Imura Marked "Dai Nippon Imura Zo" 大日本井村製

They are 8.8 inches (22.4 cm) tall by 5.5 inches (14 cm) wide. Total weight is 5.5 lb.

They have rubbing of gold and surface wears and scratches. One vase has an uneven base (as seen in the photos).

Our Guarantee: We stand behind all of the items that we sell. That is to say, if you purchase an item from us and are unhappy with it for any reason, re...

1960's Chinese Famille Rose River Scene Vase with Scholar & Fisherman Marked

It is 13.5 inches (34.2 cm) tall by 6 inches (15.2 cm) wide. It is 4 Lb.

It has a hole drilled at the bottom, dark spots, and surface wears and scratches (as seen in the photos).

Our Guarantee: We stand behind all of the items that we sell. That is to say, if you purchase an item from us and are unhappy with it for any reason, return it for a 100% refund of the amount you originally pai...

An antique Japanese Kaidan (stair chest) made of Keyaki (Zelkova) and Hinoki (Cypress) woods. All original Benigara finish on frame. Original hand forged iron hardware. 2 pairs of sliding doors and hinged door open to 3 spacious storage areas. 3 drawers for additional storage.

Unique safety protrusions on each step for secure footing when climbing stairs. Center storage has back and top vents for air circulation.

Age: Meiji Period (1900-1910)

Dimensions: 69 1/2" wide by ...

Spherical boxes in bronze (or copper) cloisonné in relief. The wires isolate the relief lotus flower decoration, leaving free spaces of enamel between the motifs which is an unusual, more complex technique. The fact of not completely filling the partitions with enamel weakens those which are at the edge of the decor. The wires must be welded and not simply glued before enameling, which is more difficult. If the old cloisonné enamel had all their wires welded, it would only be from the 19th cen...

Fine Old Balinese Barong Mask. Best known antique example on the market. With handles and movable jaw. From a published and renowned collection. Barong, King of the Spirits, protects families from the evil Queen Rangda of the mythical Leyak child-eating witches. 17.5 x 11 x 9 inches, 44.5 x 28 x 23 cm.

19th Century Tibetan Thangka of Yama and Consort with original silk mount and silk cover from a renowned and published collection. Mount: 36 x 26 inches (91 x 66 cm), Painting: 24.5 x 18 inches (62 x 46 cm).

17th Century Tibetan Thangka of Avalokitesvara with original silk mount and silk cover from a renowned and published collection. Mount: 46 x 28 inches (117 x 71 cm), Painting: 28 x 20 inches (71 x 51 cm).

19th Century Tibetan Thangka of Vajrapani and Mahakala from a renowned and published collection. 44 x 33 inches, 112 x 84 cm.

Early 20th Century Tibetan Thangka of Mahakala and Consort from a renowned and published collection. Very Good Condition. 28 x 21 inches, 71 x 53 cm.

Early 20th Century Tibetan Thangka of Mahakala and Consort from a renowned and published collection. Very Good Condition. 27 x 20.5 inches, 69 x 52 cm.

Early 20th Century Tibetan Thangka of Unusual Garuda from a renowned and published collection. Very Good Condition. 27 x 20.5 inches, 69 x 52 cm.

Early 20th Century Tibetan Thangka of Yellow Tara from a renowned and published collection. Very Good Condition. 30 x 22 inches, 76 x 56 cm.

CAT

Traditional Hanamaki clay doll, early-mid 20th century, Iwate, Japan. H 15.5 x W 13.3 x D 10 cm (6.10 x 5.23 x 3.93in). Aged deterioration as is as seen.


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