Chinese ink and color on silk vertical painting attributed to Qian Weicheng (1720-1772) depicting figures in a landscape scene. At the top, a waterfall cascades from high mountains into a stream that runs past traditional buildings set among dense green trees and foliage. At the bottom, two men are seated in a pavilion and one man crosses a bridge over the stream. The painting is signed at the bottom left “respectfully painted by chen Qian Weicheng” with two red seals of the artist reading �...

A Two Very Fine Authentic Korean Goryeo Bronze Mirrors-11th / 14th C.: 1) The design is cast in relief on the obverse of this Mirror depicts a ship sailing on a stormy sea. A large dragon arises from the upper left and right with clouds of spray cap the surging waves. ***Reference: Korean Art, The Brooklyn Museum, 1987, page 68, #26 An identical Goryeo bronze mirror sold at Christie’s, New York, Korean Art including Robert Moore Collection, 28, March 2006, lot #565, 2) A Rare Korean L...

Description:
A covered box was uniquely decorated on the surface with black iron spots.
The glaze was in bluish celadon tint and was suffused with whitish incursions in portions.
It was preserved in perfect condition.

Date:Yuan Dynasty, 13th Century.

Width: 7cm.

A black-glazed Jingyang bowl was applied on the surface with unique white spots.

Date: Song/Yuan periods.

Width: 13.7cm, Height:5.4cm.

A custom-made cotton box is included.

Not to be confused with the Olympic medalist, this Tomita Hiroyuki (b. 1977) is a talented potter pushing the bounds of an otherwise conservative field where many ceramic forms are carried forward for centuries and sometimes millennia. Beginning his artistic endeavors in the field of metal casting, he soon met and became a student to Ijuin Mariko who introduced him to the world of ceramics. In 2007 he opened his own workshop and since that time he has been actively creating and exhib...

An excellent example of Japanese minimalist aesthetic that transcends its humble origins, this mizusashi, or fresh water pot used in tea ceremony, displays a classic Hagi glaze contrasting nicely with a lacquered wood cover. It separates itself from most pieces of this type by the addition of a pouring spout, which is quite unusual for this type of tea-ware implement.

Hagi-yaki has a tradition stretching back over 400 years and is a high-fired stoneware type of pottery. Hagi is priz...

Not so often in the world of Japanese tea-ware do you come across something so exquisitely novel that it resists categorization in terms traditional styles. This tea bowl by young artist Suzuki Taku is one such piece with a unique glazing technique known as “kuro-sabi,” which roughly translates into English as “black oxidation coloring.” Utilizing a process where sections of the copper glazed vessel are treated with sulfuric acid, the result is a dazzling and varied palette of rich metal...

Thick feldspar glaze highlighted by reddish ore seeping from the iron-rich clay, this is a very attractive Shino vessel that may have originally been a yunomi but was later fitted with a silver globe and repurposed as an incense burner (koro). In Japan extending the useful life of a piece—by converting it to another use or perhaps by mending broken pieces (kintsugi)—is a common practice which demonstrates a deep consideration and respect for ceramic works of art. Such alterations are general...

A large SONG DYNASTY Period,SAWANGKALOKE-SRICHANALAI SIAMESE-THAI Black-Blue partially glazed Ceramic Bottle, 14-16th Century. It has 2 raised intact nodules to the shoulder as well as horizontal incised ring ribbing towards the top. Size: height 15.5 cm. x 12 cm. diameter. The base measures 7.8 cm. Good overall condition with no chips, cracks, hairlines, nor restorations whatsoever. This is definitely a seldom found size for this type of ceramic glazed bottle. A real Collector's item!

Description:

A porcelain stem-cup was uniquely molded.
By a geometric pattern of lines and circles which were composed by dozens of pointed clay dunes on the outer surface, the stem-cup was applied with the milky-yellow glaze inside and outside until to the portion of the stem trunk.
Obvious glaze crackles and fading condition were caused by the enduring age when one minute old chip was found on the mouth rim.
The ancient ware was preserved very well without any cracks and fr...

AUSPICIOUS BRASS SPOONS

6 pieces set of early 20th century traditional Korean brass spoons. Relatively rare spoons with the engravings of auspicious words. Generously slight different size of each due to aged handmade pieces. Length 20-22.5cm (7.87-8.85in). Some slight aged deterioration as is but relatively less rust.


selected by kikue




* Please understand that EMS shipping fee is additionally char...

Antique Two panel Japanese byobu screen depicting the first frost at waters edge. Japanese herons and mandarin ducks contently rest and foliage with a light dusting of snow screen depicted on the late white plumb blossom tree. Three ducks rest and warm themselves beneath the near barren tree. A pair of Japanese herons are seem amoungst the water with sprouted bamboo and flowering water lilly. In Japan the white heron is known to be able to move between three elements air, earth and water. T...

A Mizusashi Water Jar for use in the Japanese Tea Ceremony by Otani Shiro enclosed in the original signed wooden box. The artist has chosen to rely solely on the flavor of the clay, truly barren earth colored only with shadow and light resulting from the flame and kiln position. This beautifully showcases the nature of the distinct Shiseki filled Shigaraki clay. Top an austere black lacquered wooden lid like a pool of dark shadow. It is 26 cm (10-1/2inches) diameter, 13.5 cm (6 inches) high ...

This is an example of the "disc-shaped" (squarish) bi discs illustrated by Jessica Rawson in her definitive work on Chinese jades, at page 113. (Chinese Jade From the Neolithic to The Qing, British Museum Press, 1995).As noted (ibid), most are slightly squared. This piece is made from a pale celadon stone with darker inclusions and veining. Please examine the high resolution photographs, as they are part of this description.An examination of the holes, in particular, will clearly show just how a...

This is an authentic Neolithic Hongshan jade object, described in the literature as "hoof-shaped." Current scholarly opinion is that it was used to hold the individual's hair, based on where these objects have been found in excavated tombs. The piece measures 4-1/2" in height and is 2" in diameter. As with most published examples, it has two holes near the base which would have allowed the insertion of a "pin" to hold the hair in place. The stone is a mottled green with both lighter and darker i...

A finely carved jade dragon plaque dating, most likely, to the Warring States - Eastern Han period. The plaque measures 3-3/4"in length and is 1-1/2" at the widest. The stone is a grayish-green nephrite. Guaranteed authentic.

This is an authentic neolithic nephrite jade adze/chisel, measuring some 9" (22cm) in length and 1" (2.5cm) in width. A heavy, substantial piece, guaranteed ancient. The stone is a beautiful deep green with substantial dark inclusions. The tapered end shows apparent signs of use.

You are considering an authentic set of three arc-shaped pendants from the Neolithic or Shang period, circa 2000-1500 BCE. Similar published examples can be found in Rawson, Chinese Jade from the Neolithic to the Ching at pages 158-159 (the latter illustration showing a similar item from the collection of the British Museum). As with the other examples, these three pieces join together to form a ring. To quote Rawson: "This set of pieces belongs to a distinctive category within the very wide ran...