The Splendid Buddha Sakhyamuni figure, standing on a stylized lotus throne. With both hands raised in vitarkamudra and dressed with a long diaphanous sanghati. His face with deep serene expression, downcast eyes, arched eyebrows, elongated earlobes. His hair arranged in tight curls over the ushnisha. Height 100cm (34 1/2 In) Don't hesitate to send your offer, we always do our best to offer the most attractive pieces for the best price. SATISFACTION GUARANTEE - We have been offering SE As...

A nice assortment of ancient gold beads each one having a special meaning. Ancient gold beads are made from natural occurring 22k gold which makes it an original old item. Will make a beautiful necklace. Weight:17.5 grams. Size: See last photo.

Assorted group of Japanese black lacquer tea bowls and saucers for the export. Each decorated in gold with different designs. Four saucers, six small cups and one larger bowl. Condition: rims with little lacquer loss, one bowl with foot rim chip. Dimension: saucers: 11.2 cm diameter. Bowls: 5.9 cm and 6.6 cm diameter. Without wooden stands.

An assortment of seventeen old Chinese crystal beads from many Dynasties.Can be made inta a beautiful necklace. Size: See last photo.

An Assortment of 16 various stone beads including some jade ones dating from around 2,000 to 1,500 BC. Sizes: See last photo. Condition: Normal wear.

A North Indian steel Katar, known as a push or punch dagger. 19th century.This form of weapon is found only in India and was considered to be a high status weapon.

Constructed from steel in one piece it is a very strong weapon. The deeply fullered blade widens in depth towards the tip to strengthen it when used against chain mail or armour.

Just over 40cm length, the blade is 24cm (and sharp!) Good condition. It has an old armourer’s brazed repair to one arm. This might have be...

A Fine Korean Still life Watercolor Painting by 관제 (寬齊), 이도영(李道榮1884-1934): Korea, signed with two seals, and inscription. Painted with chrysanthemums in a pot and Autumn plants, painted on paper, It’s in good condition with a frame, it measures 35cm x 24cm painting only, 66cm x 46cm overall

An Indian stone surahi expertly turned on a lathe from a single piece of black steatite, a variety of soapstone. It is beautifully made and very light, displaying the remarkable hollowing performed by the artisan. It relates directly to bronze and brass versions from the 18th century. With this flask is a turned alabaster bowl, also elegantly made, that has a curious slightly domed bottom. The bowl perhaps dates from the 19th century. Given the nature of the materials used these are both rare i...

Molten glaze in volcanic plumes extending from a yellow blast wrap tendrils around this exquisite Bizen vessel by Baba Takashi enclosed in the original signed wooden box titled Bizen Yohen Tsubo. The kiln effects are spectacular, covering the blackened Bizen clay with yellows, charcoals and a myriad of natural tones. It is quite large at 15 x 13 x 9-1/2 inches (38 x 33 x 24 cm) and is in new condition. Depending upon destination, special shipping consideration may be required.
At 36, Ba...

Description:
A rare stucco head of Bodhisattva was preserved in very good condition.
Exemplifying the serene beauty of Song sculptural art, the deity’s head dress was an ornate tiara which had been partially damaged.
In holy facial expression, the Bodhisattva was molded and carved by the features of a Chinese lady.
When applied with white pigment on the face, the Bodhisattva was decorated with glassed eyes.
A glass urna was set on her forehead.
Like the smile of Mon...

An exceptional Antique PATTANI THAI KRIS,19th Century, with fine waving steel blade, a carved wooden king fisher bird's head handle and golden metal button at the bottom of the handle. An original wooden sheath, total length 21". Good condition overall.

From our Southeast Asia Collection, a stunning and large martaban-type lacquer jar from the famed U Aung Myint workshop in Myinkaba Village, Pagan Burma (Myanmar), from which the British Museum has commissioned pieces for display in London. See Isaacs and Burton, Visions from the Golden Land, Burma and the Art of Lacquer page 222-223. We had the honor, privilege, and education of watching artisans in this famous lacquer workshop creating modern masterpieces in the yun style, an extremely labor i...

A captivating blend of traditional aesthetics and contemporary flair; with exquisite attention to detail, Goro masterfully combines the vibrant green Oribe glaze with bold geometric patterns, creating a dynamic and visually striking piece. The bowl's elegant form and balanced proportions enhance the tea-drinking experience, while the unique surface texture adds depth and tactile pleasure. This tea bowl showcases his innovative approach to ceramics, honoring the rich legacy of Oribe w...

Stemming from the philosophy of wabi-sabi—often described as the beauty found in the imperfection and transience of the world—cracks and repairs in a work of pottery are often seen as highlighting the history and importance of a ceramic object. Practitioners of tea in particular are fond of reminding us that works repaired with lacquer and gold such as the one featured here become more resilient and beautiful for having been damaged. In this case, the gold repairs undoubtedly enhance the bea...

Description: An old wood incense utensil's holder was intriguingly carved from one original wood trunk. Making use the fine quality Huali wood, the scholar piece was rendered delicately on the top around the rims of the hole and around the top. Being preserved with the original old patina, the wood scholar item was in good size of 16.3cm in height and in perfect condition. Date: Qing dynasty(19th century), Height: 16.3cm. Material: Huali wood. A CUSTOM MADE SILK BOX IS INCLUDED.

One of the best ever seen Guandong ( South China ) Shiwan ware dishes. Seventeenth Century. Shiwan pieces like this do try to imitate the famous glazes of the Song Dynasty ( mostly the glazes of Jun or Jizhou pieces ). Diameter : 20,3 cm. Condition : Perfect.

From our Japanese Collection, a superb and large satsuma lidded jar / tea caddy by Ryozan, Meiji Period 1868-1912, stunningly executed with exceptional fineness depicting two cartouches of people gathering, alternating with two cartouches of ducks and birds in nature scenes, all separated and framed by intricate brocaded reserves of floral motifs using wonderful color variation and extensive gilt.

Size and Condition: A relatively large caddy at 7 1/4 inches tall, 6 1/8 inches wide.

From our Indian Subcontinent Collection, a superb contemporary Indian miniature painting, executed in a very rich and intricately colored palette of burgundy, pink, dark green, mint green, blue green, mustard, peach, light blue, red, brown, black, white, blue-grey, and gilt. Ordinarily we prefer only the antique miniatures, but we thought this one was so well-done that we made an exception. In fact, in terms of proficiency of the painting here, we would stack this particular one up against t...