Little distorted half cylinder shaped (tsutsugata) tea bowl made of light, coarse, unrefined Mino clay.

The expertly thrown body is covered with the typical, glossy black iron oxide glaze inside and outside.

The window is decorated with three concentric squares and twigs in iron oxide glaze has then covered with a clear ash and feldspar glaze. This is a typical Momoyama design.

The three concentric squares is the mon (the family crest) of the famous Kabuki act...

Little distorted half cylinder shaped (kutsugata) tea bowl made of light, coarse, unrefined Mino clay.

The expertly thrown body is covered with the typical black iron oxide glaze inside and outside. A 'window' on the side has been left unglazed for decoration in iron oxide engobe under a clear ash glaze in two different technics: on the left in nezumi shino style are hanging persimmons (hoshikaki) scratched into the engobe and on the right a tea room window and a plum blossom painted...

This gorgeous grey Shino-Oribe Chawan was made around 1620, the late Momoyama and early Edo Period.

The cylinder shaped (hanzutsu) chawan is made of light, fine, unrefined Mino clay. Shape and style (flaring mouth) make it contemporary with the late Oribe bowls. The expertly thrown body is covered with the typical black oniita engobe inside and outside - with the exception of the bottom - over which a white, feldspatic Shino glaze has been poured. Just the foot ring and its immedia...

Special autumn offer:

Another beautiful chawan from our familiy collection: square cylinder shaped (hanzutsu) tea bowl made of light, fine, unrefined Mino clay, with a flaring mouth in shape of a half pipe.

Shape and style make it appear contemporary with the late Oribe bowls. The expertly thrown body is covered with the typical black oniita engobe inside and outside - with the exception of the bottom - over which a white, feldspatic Shino glaze has been poured. Just the...

A fabulous example exploring the various traits of traditional Shigaraki pottery with a thick swath of glaze covering one side, telltale feldspathic inclusions bursting from the raw clay opposite. This is a classic example of 16th century Shigaraki pottery. It is 29 x 31 x 35 cm (11-1/2 x 12 x 14 inches) and in overall excellent condition. The history of Shigaraki traces its origins to around the 12th century with the discovery of exceptional clay deposits rich in iron and other minerals which ...

Cylinder shaped (hanzutsu) tea bowl made of light, fine, unrefined Mino clay. The style of the foot lets it appear contemporary with the late Oribe bowls. But the shape of the expertly thrown body, the orange skin effect on the typical Shino glaze with beautiful orange 'fire colour' recalls the days of the single chamber kilns, but the glaze and the somewhat irregular foot is typical for the late production of the 1620's at the Motoyashiki and Kamagane kilns.

The bowl has a beaut...

A 16th to 17th century (Momoyama to early Edo period) candle-stick of vine or root set onto a hollow carved base and covered in black and red lacquer with a metal stud and drip pan. It is 11 inches (28 cm) tall and in overall fine condition, with wear typical of centuries of use.

Here is the next Japanese rare Momoyama Period collectible:

Slightly distorted cylinder shaped (hanzutsu) tea bowl made of light, fine, unrefined Mino clay.

Shape and style make it appear contemporary with the late Oribe bowls. The expertly thrown body is covered with the typical black oniita engobe inside and outside - with the exception of the bottom - over which a white, feldspatic Shino glaze has been poured. Just the foot ring and its immediate surrounding was left ...

What a pleasure it would be to drink from this haunting 17th century (Momoyama to early Edo) Karatsu Guinomi Sake cup with gold lacquer repairs. It is 2-1/2 inches (6.5 cm) dimeter, 1-3/4 inches (4.5 cm) tall. There are 2 tiny gold repairs gleaming softly on the rim like a yellow moon peering through clouds on a dark night. .

Really important Ko-Karatsu (kogaratsu - oldest Karatsu ware made during the 16th century) Madara tea bowl with a yobitsugi repair of highest quality.

The bowl is a so called Madara Karatsu tea bowl (provenance is the legendary Hobashira-kiln) due to its typical cookie-like sandy clay and wonderful blue-purplish flecks.

But its true highlight is the perfect traditional yobitsugi restoration with a pure silver gintsugi (kintsugi). A yobitsugi repair is not just a simple r...

A bizarre pottery mass of two tea bowls and a stand fused together after collapsing in the kiln some four hundred years ago. It is 17 x 13 x 11 cm (6-1/2 x 5 x 4-1/2 inches). There is something to be said here about best laid plans. All the potters craft and experience and yet nature intervenes, creating this vitrified sculpture for later generations to contemplate.

Momoyama Period (1568-1600) Ko Karatsu ware chawan with old kintsugi repair.

With nicely thrown body with uneven rim which is typical for Momoyama period.

Karatsu ware is one of most desired pottery type in Japan based in Karatsu, Saga Prefecture since 15th century.

Size
Width 11cm
Height 6cm

Condition There are cracks and repairs due to age.
Supplied with old wooden box.

Momoyama period (1568-1600) Ko Karatsu Sake Cup with beautiful greenish glaze.
Shallow body with reddish unglazed base typical for Momoyama period.
Painted with iron pigment at the mouth on one side. It was more likely unearthed and repaired long time ago.

Size
Height 3.5cm
Width 13cm
Weight 175g

Condtion
Repaired with kintsugi

Karatsu ware, also known as "Karatsu-yaki" in Japanese, is a traditional style of pottery that originated...

A true treasure! Slightly distorted shoe shaped (kutsugata) tea bowl with a rounded brim, made of light, coarse, unrefined Mino clay. The expertly thrown body was trimmed with a potter's knife in its lower part around the foot ring.

The bowl was covered with a green copper oxide glaze. A window on the side was left unglazed and split in two halves - one was decorated with iron oxide engobe which was decorated with incised straight zig-zag lines, the other half was decorated with a ...

We are proud to offer you a really rare antique piece of art and one of a kind: wonderful Echizen Chawan from the Momoyama Era (安土桃山時代 Azuchi Momoyama jidai; 1573–1603) without any crack, damage or repair.

There is no similar item on the antique market.

Echizen ware (called Echizen yaki in Japanese) is a type of pottery produced in the town of Echizen, Fukui prefecture. This traditional handicraft comes from one of the Six Ancient Kilns of Japan which along w...

Slightly distorted half cylinder shaped (hanzutsu) chawan with a rounded brim, made of light, refined Mino clay. The expertly thrown body was only slightly trimmed with a potter's knife in its lower part. The shape is of a type frequently found in early Shino bowls.

Under the semi-opaque Shino glaze is a decoration of criss-cross lines representing grass and something which maybe a landscape, executed in iron-bearing clay (oniita).

This is a typical piece of the Ogama ty...

Half cylinder shaped (Hanzutsu) tea bowl, thrown from light, coarse Mino clay, with very little inclusions a clay found on earlier Shino bowls. The walls are cut with a potters knife.

The bowl has been covered fully (with the exception of the foot ring) first with an iron bearing engobe (oniita) and after the decoration had been incised with the typical ash and feldspar glaze inside and outside creating the nezumi-shino glaze.

The decoration in white Shino glaze on this ...

This is a rare Wan type chawan, around 400 years old in shape close to a tenmoku tea bowl. It is thrown on a wheel from coarse, unrefined iron bearing clay.

The grey ash glaze has been painted on the body with a straw brush as seen on Korean hakeme chawan. A stone in the wall has exploded in the fire - a very sought after effect ( see pic number 2 ), giving this type of Karatsu bowls its name: ishihaze (exploding stone). At the rim is a repair in silver lacquer ( refer to pic number ...