An elegant sake set in silver and celadon green over raw clay consisting of a set of guinomi and Tokkuri, perfect or sharing sake, by Masafumi Doi enclosed in the original signed wooden box titled Tessaiji Senmon Shuki (Metal Glazed Porcelain Sake Vessels with lines). The cups are 5.5 cm diameter (2-1/4 inches), the same height. The Tokkuri is 11.5 cm (4-1/2 inches) tall and all are in excellent condition. We picked these up earlier this year when we visited him in Nara, but are just bringing ...

A Silent Shadows series sculpture by Sugitani Keizo enclosed in the original signed wooden box with engraved date beneath 220202. It is 16 x 13 x 25 cm (6 x 5 x 10 inches) and in excellent condition, directly from the artist this summer. Although imbued with the rustic sheen of metal, Sugitani’s works are in fact creations in Shigaraki clay that are hand-built into interlocking forms that are almost Escher-esque in their simple complexity. After blending a base white clay, the artist begins t...

A large vase decorated with an expansive ancient pine by Kawamoto Rekitei enclosed in the original signed wooden box. It is 27 cm (10-3/4 inches) diameter, 29 cm (11-1/2 inches) tall and in excellent condition.
Kawamoto Rekitei was born in Aichi prefecture, home of Seto-yaki and a long standing important production center for Japanese Sometsuke porcelains. In 1914, at the very young age of 20, he received the top prize at then National Ceramics Exhibition (Tojiki Hin Hyou Kai and later ...

A hand formed silver vase with lacquered insert attached to a wooden base dating from the Art-deco era. It is 23 cm (9 inches) diameter, 21.5 cm (8-1/2 inches) tall and in overall excellent condition. There is a small impression in the wood base, roughly 1 cm long, on one side. An accompanying card from the Nakano Zenkuro shop of Osaka has a simple 4 digit telephone number. Japan's influence on Art Deco was profound, shaping the movement's aesthetic vocabulary and contributing to its evoluti...

One of a kind! Wonderful Nana Nana Kiju Chawan made by the most famous monk of Japan, Shimizu Kosho (Kōshō), which he made as a commemorative tea bowl to celebrate his 77 birthday.

It comes with the originally signed and sealed wooden box of this most famous buddhistic monk. This tea bowl is made of clay of the Jinraku-Gama-kiln, which is famous for folk craft style pottery. The kiln has a deep relationship with great potters like Shoji Hamada and Kanjiro Kawai.

This ar...

Tang terra cotta image of a Fat Lady. Traces of original pigment (please note the belt in enlargements). Miniatures are extremely rare. H: 8.4cm. Good condition- no damage or repair.

An Edo period Kogo incense case of pale earth tones decorated with geometric shapes and green copper glaze in the oribe style with a scrawling streak of kintsugi gold extending down two sides. Kintsugi is the art of repairing using lacquer and powdered gold. Kintsugi is a traditional Japanese art form of repairing broken pottery or ceramics using lacquer and powdered precious metals. Instead of hiding the cracks and flaws, kintsugi embraces them and turns them into a beautiful and unique feature...

A narrow open-mouthed vessel decorated with autumnal trees by Ito Tozan II enclosed in the original signed wooden box. The piece could serve as a vase, but comes with a black lacquered wooden lid and is titled Mizusashi, making it rightfully a fresh water jar for the Japanese Tea Ceremony. It is 11.7 cm (4-3/4 inches) diameter 22 cm (9 inches) tall and in excellent condition, likely dating from the 1950s.
Ito Tozan I (1846-1920) began as a painter in the Maruyama school studying under Ko...

Small cabinet with drawers in precious wood. It opens with a sliding door revealing 3 drawers. The door is inlaid with silver threads depicting the Chinese character "Shou" meaning longevity, the other panels are inlaid with a simple silver thread. This small cabinet with a simple shape is made of very hard wood with a dense grain, almost black in color with red reflections. It is probably some kind of rosewood, perhaps red sandalwood, called zitan in China. The cabinet work is of good quality...

Hiroshige Ando
Fuchu, Nichomachi (Titled in image)
Size: Approximately 8.5 x 3.5 inches.
Date: ca 1910.
Publisher: Matsumoto Print Works. No. 40 publisher's tag on back.
Medium: Japanese woodblock print.
Condition: Bend lower right corner. Chip upper left corner.

19th Century Korean Silver Enamel Samjak Norigae with Tassel & Coral Beads for Hanbok Dress Accessory

The overall length is 14.96 inches (38 cm). The vase charm is 2.36 inches (6 cm) long by 1.77 inches (4.5 cm) wide. The total weight is 180.7 gram.

They are tarnished and are missing enamels, beads, and tassel and knot strings, and have oxidation, a small dent at one vase charm, stains, discoloration at the string, and surface wears and scratches (as seen in the photos).

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Bronze sculpture with dark brown patina of a cicada.

The cicada (in Japanese, semi) is considered as a symbol of humanity. Together with a praying mantis and a spider, they represent the three virtues of a general: humanity, courage and skill.

Japan – Meiji era (1868-1912)
Height: 0.79 in / 2.5 cm – width: 0.79 in / 7.5 cm – depth : 1.96 in / 5 cm

Cedar wooden ryoshibako (or bunko) document box, decorated with deer and crane on the outer lid and bat on the inner lid in takamaki-e lacquer. As a wedding box, these animals are symbols of happiness, longevity and good luck.

Kawachi Hisaya seal lower right. Includes its transport box with inscriptions: "(...) / made by Kawachi Hisaya" (高[閑 ?]市/河内瓢也造).

Japan, Kawachi Hisaya – Showa era (1926-1989)
Height: 3.9 in (10 cm) – width: 10.2 i...

Ohara Koson
Bullfinch on the branch of a blossoming plum tree
Date: Saturday, April 27th, 1940.
Size: 7.5 x 5.375 inches (19 x 13.6 centimeters).
Note: Cover of a dinner menu for the passenger liner Nitta Maru of the Trans-Pacific Line.
Publisher: Likely Nippon Mokuhan Co. Tokio (Japan Woodblock Co. Tokyo), who produced another of our ship menu woodblock prints.
Medium: Japanese woodblock print made from a carved wood block. Mechanization was added to the printing...

YAMABUSHI

Wood carving seated image of Shugendo mountain priest as 'Yamabushi' (https://en.wikipedia.org/wiki/Yamabushi), once enshrined at kamidana household altar of esoteric Buddhist believer's house in Shonai region, Japan. Keio era (1865-1868) in the late Edo period. H 26 x W 16 x D 11 cm (10.23 x 6.29 x 4.33in). In naturally sooted condition by the smoke from fireplace (sunken hearth) for many years. Also aged deterioration as is as seen.


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OGRE DECORATION

Unique practical substitute made of tin plate for the roof ornamentation found in traditional Japanese architecture so-called 'Onigawara' (lit. 'Ogre tile' / https://en.wikipedia.org/wiki/Onigawara), with the implication of talisman as well. Showa period, 20th century. H 29 x W 26 x D 19.5 cm (11.41 x 10.23 x 7.67in). Some rust, stain, and scratches as is as seen.


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Quirky set of Tibetan tools/utensils in copper and shagreen sheath. The blades and other bits are good quality steel with good bone handles. Possibly a surgeons or dentists set, I honestly don’t know- there are no chopsticks or forks, as is typical, so I don’t think these were used for eating. The knife has a good edge, this will clean up with a bit of baking powder and effort. All pieces in good condition and functional. Old circa 19th CE. See scale in last enlargement.

Gold forms a billowing pine tree lavishly applied to the dark lacquered body of this wooden water jar enclosed in the original wooden box titled Ikkan Mage-Mizusashi, Oimatsu signed by both the wood craftsman and the lacquer artist. It is 15 cm (6 inches) diameter 16cm tall and in excellent condition, dating from the early 20th century.
The term Ikkan in the title is after Hirai Ikkan, who mastered the technique of creating lacquered receptacles of thin bent and glued wood which were incr...