The Hannya (般若) mask in Noh theater represents a jealous female demon. She possesses two sharp bull-like horns, metallic gold eyes, and a leering mouth with jagged teeth. The mask is all hand-carved with open eyes, nostrils, and mouth so the Noh performer can see, breathe, and speak. There are also two pierced holes at the temples to be secured against the head with cord. The Hannya is lacquered in a ruddy flesh tone, with black hair and blackened teeth, red and gilt lacquer eyes, red lips, ...

A framed Indonesian sarong, a long cloth worn as a wrap skirt, finely hand-woven with bands of geometric figures and repeating patterns. Made of warp ikat, with natural dyes of blue, rust, and brown. From the eastern outlier of Lembata Island.

20th century

Dimensions: 41" x 79"

Pair of Joseon dynasty or later Korean wood wedding ducks with subtly modeled feathers covered in layers of oiled stained paper, the heads separately carved and inserted by their long necks into a hole in the body. Each has a typical rectangular recess on the base. The heads have circular eyes and slits in the long beaks. These were traditionally presented by the groom to the parents of the future bride and were displayed during the wedding. The male and female ducks and geese were believed ...

Chinese Qing dynasty ink and color on silk painting of a maiden in a garden setting seated on rockery and holding a flower under a willow tree. The ink inscription at the upper left states the painting was executed in the guimao year (1843) after Ming artist Tang Yin (1470-1524). Signed Wujin artist Tang Luming (1804-1874) and with two red artist seals, "Tang Luming yin" and "Lemin." An unidentified collector’s seal is at the lower left. Framed with UV Plexiglas. 19th century. Frame size...

A moulded rinka-gata form dish decorated in underglaze blue with additional enamels in the so-called Kakiemon palette. The outer register painted in underglaze blue with repeating pattern of a landscape with small weathered rocks from which grow auspicious Pomegranates and Peonies. The centre painted with a Chrysanthemum spray. The reverse painted with a simple Karakusa scroll and a six character mark for the Ming Emperor Chenghua. See British Museum Franks 516 for a similar Kakiemon dish with i...

A good quality large Japanese porcelain mug or tankard decorated in under-glaze blue with iron red, green and yellow enamels with Peonies and Chrysanthemums. It weighs 444 grams and has a capacity of over a Pint. It stands 15.5cm high and has a mouth diameter of 7.8cm, foot-ring diameter of 7cm and a body diameter of approximately 10cm. Tankards with a letter “B” are not unknown, they appear on mugs with applied floral applique, but examples of this plain form do not seem to appear in the ma...

A Japanese porcelain wine ewer or Chosi of cylindrical form decorated in underglaze blue with alternating horizontal bands of flowers (auspicious gobenka)and pinnate leaves (resembling Asters). The design perhaps influenced by the Chinese Aster pattern of the Kangxi period and the later, Mid Qing, provincial Chrysanthemum pattern (see the Desaru Wreck). The ewer dates to the first half of the 19th Century. The Chosi measures 10.5cm in diameter and stands 15cm high. The foot-ring measures 7cm. ...

A good quality Japanese vase and cover decorated with scrolling Octopus-vine patterns almost entirely covering the body of the vase and cover. Probably Arita in origin. The vase dates to the early 19th Century and the late Edo period. The vase stands 26cm high, including the cover, and has a diameter of 15cm. The foot-ring measures 8cm. The vase weighs 1445 grams in total. The condition is good no cracks, chips or restoration to the body. There is a crack to the rim of the cover (see images)....

18th Century Qing Dynasty.

17cm x11cn (2 pieces)

Original paint preserved.

18th Century Qing Dynasty.

17cm x11cn

Original paint preserved.

A fine example of a SERENE BRONZE UTONG (Na Num) BUDDHA SUBDUING MARA. Origin: from an important, vast and ancient Thai Family Private Collection of Period/Original Buddhist Sculptures. Size: height 30 cm x 15 cm (12" x 6").( Thai measurement knee to knee 13 cm.).RARE!

A very beautiful and rare SUKKOTHAI BRONZE BUDDHA, SUBDUING MARA. VERY SERENE BUDDHA WITH A SLIGHT SMILE. THIS TYPE OF BUDDHA IS VERY DIFFICULT TO FIND NOWADAYS. Origin: from an important, vast and ancient Thai Private Collection of Period/Original Buddhist Sculptures. Size: height 42 cm x 26 cm (16.5" x 10") (Thai measurement from knee to knee 22 cm.)

Antique framed Balinese kampuh songket, a men's ceremonial wrapper cloth, handmade with supplementary weft silk, cotton, gold and silver thread. The red ground cloth with gold and silver thread motifs of pairs of robed standing figures wielding staffs with butterflies, and fierce heads above with gaping mouths, full of sharp teeth and long tongues. The edges are bordered in zig zag patterns, geometric scrolls, and woven script in gold and silver thread.

early 20th century