A sansai-glazed Tang Dynasty pottery tripod censer. Most sansai-glazed pottery include green and amber glazes - this vessel is glazed in blue and amber glazes. Blue sansai-glazed pottery is very rare since the blue color was made from cobalt imported from the Middle East and was very expensive at the time. Blue cobalt glazed sancai pieces go for much higher prices because of the preciousness of the ingredient and how scarcely it was used. This piece has bold splashes of blue against an amber...

A Dayak sword - Mandau - with rattan bound deer antler handle in the form of a finely carved zoomorphic (possibly deer's) head. The iron blade is engraved with stylized scrolling vine decoration. This item was made (and used) during either the 19th or very early 20th Century. Condition: very good, but the sword is without its scabbard and the bade has seen much use, having many nicks to the cutting edge; also much of the decorative brass inlay to the blade is missing. For many additional pict...

A whimsical ceramic figure of a stout man squatting with his hands on his hips and a blue bowl/object protruding from his belly. His bottoms have been glazed in blue with green and yellow star patterns and a red sash. The bottom has been engraved "Fujian Huiguan" (Fujian Club), "Jing De Zhen made". Dates from the 19th century Size: 5.25" height, 3.5" width

The Katchushi style of this tsuba gives it an earlier look and feel. But it is probably an Edo period work (might expect more wear on the seppa-dai or more conspicuous tekkotsu on an older example.) The thin body nonetheless resilient. Strong, sparse, decorative file marks on the vertical add to character. Adept use of the file, thin plate and slight taper toward the rim could support argument a swordsmith may have made the tsuba. Genji style mon and two five petal blossoms in fine open work (so...

DESCRIPTION: One of the necessary calligraphy tools on the Chinese scholar’s table was a small container to hold water and drip it onto the inkstone for the purpose of mixing the ground ink. These small but important objects were crafted so that one measured drop at a time could be poured to ensure the proper ratio of ink to water while mixing. This bulbous blue and white ceramic dripper would have been submerged in water to fill, and then held between the thumb and forefinger with the thumb...

A spectacular black lacquered wooden sign carved with bold characters over a gold gilded carp swimming through a torrent of waves dating from the late 19th to early 20th century. It is in fine condition, with only minor marks typical of age. It measures 4 feet (121 cm) long, 14 inches (35 cm) wide and is 1-1/2 inches (3.5 cm) thick at the frame edge.
Due to size the cost of shipping will be accrued separately for this item.

A well carved "crystal" glass Buddha in the Dhyana Mudra position. Both hands are placed on the lap with the palms facing upwards. It could be Quartz. Size: H. 5.2cm. W. at the base, 3.5cm. Condition: Perfect. Some staining from long burial and some dirt incrustations that can be removed.

Antique Chinese inlaid silver opium lamp with elegant geometric open designs. Its sides have repeating Chinese characters and cute figures with remnants of cloisonné. Signature on bottom. 19th century or early 20th. Size: 3.25" height, 3" width

Indonesian nickle silver box in the form of a fu dog with long fangs and its tongue sticking out, engraved spiral and wave patterns decorating the entire body. 20th century. Size: 6.26" height, 9" length

Beautiful pair of Chinese jadeite brush washers, carved into lotus leaves. The jade has beautiful light green and deep, spinach green tones as well as areas of brown or beige. One has some losses. 19th century Size: 4" length, 3" width, .5" thickness

A large Ko-Kutani style porcelain, charger sized, deep dish or shallow bowl. In the Ao-Kutani palette but with addition of red enamel to the array of blue, green, aubergine, yellow, black and chocolate brown enamel. The interior with bird perched on a peony stem, the cavetto with band of repeating diamond pattern. The back glazed green over black karakusa. The bottom yellow with black mark under a square green glazed reserve. Probably early 20th century, this quality of production can routinely ...

Rare tebineri (hand pinching) E-Seto Chawan, dating back to the 19th. century with fantastic glaze.

It has a sophisticated form, an aesthetic kintsugi gold repair and an also 'four directions bottom stand' (shiho kodai). Extraordinary - take your chance.

The tea bowl comes with a good wood box.

Size: 6,5 cm height x 12 cm in diameter.

Shipping included.

Cylinder shaped (hanzutsu) tea bowl made of light, fine, unrefined Mino clay dating to the late Momoyama Period. Shape and style make it appear contemporary with the late Oribe bowls.

The expertly thrown body is covered with the typical black oniita engobe inside and outside - with the exception of the bottom - over which a white, feldspatic Shino glaze has been poured. Just the foot ring and its immediate surrounding was left unglazed.

The decoration scratched into the ...

A large Ao-Kutani palette porcelain plaque in the Yoshidaya manner. Two geese in garden landscape with palm tree, lotus among rockery and water in finely applied blue, green, aubergine, black and yellow enamels. A black key border with green overglaze enamel around the canted rim. The back not glazed except for a black enamel square Kutani kiln mark with overglaze green enamel and two character black enamel artist mark with overglaze green enamel in oval. Two points of the back recessed and pier...

A fine little Hirado figural group depicting two karako playing with a Shishi-mai (lion dance) mask. Sharply modeled with incised details and sparse blue, aubergine and black underglaze decoration. The karako's eyes, the lion mask and the underside unglazed. The biscuit surface of the lion mask intentionally oxidized to an even, light buff tone. Good condition with only a few tiny "flea bite" surface flakes one must look closely for and not detracting (our close images depict them larger than li...

Yixing Pewter-Encased Jade Handle Teapot Marked & 石楳 Signed, 19th Century

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Incised and Inlaid Stoneware Vessel by Cho Chung Hyun (born 1940), a retired professor and Dean of Fine Arts at Ehwa Womans University. This piece was recently featured in an exhibition at the Korea Society. Cho Chung Hyun's work is inspired by Korea’s onggi pots. This piece tells a 3,000 year-long story of Korean ceramics, from red-bodied Neolithic pottery, the triangle patterns of Silla ware, the inlaid work of Goryeo ceramics, the form of onggi pots from the Joseon Dynasty, right up to toda...

Slip-Cast Sculpture by Kang Suk Young, Professor, Department of Ceramic Art, College of Art and Design, Ewha Womans University. Kang says, "I gain satisfaction and pleasure from the infinite colors created by the genuineness of white." Kang Suk Young is regarded as the pioneer of the slip-casting movement in Korean contemporary ceramics, and he continues to be in the forefront of introducing new ideas and creative expressions in contemporary Korean Ceramics. His work is in the permanent collecti...