Chinese porcelain dish of the eggshell type. Decoration of wise men, in a garden, accompanied by their disciples. Some characters contemplate a scroll of paint, others are seated in front of what seems to be antiques. Some carry symbolic attributes such as Lingzhi mushrooms or knowledge plaquets. The drawings are finely executed, the porcelain is fine without defects.It is a creation of the best quality for this period. Excellent condition which is rare for such fine porcelain. On the reverse ap...

Superb museum quality carved Chinese wood brise fan with deeply worked guard sticks and finely done inner sticks carved equally to both sides of lovely scenes. Larger than most brise fans, it also still has its original hand carved presentation box fitted in silk. Made in Canton, China for the export market, the fan and box dates circa 1870-1880. Condition is wonderful to both and a must have for the collector. Fan length 9.5" x fully opened 16.5" with case being 12.5" long x 2.5" x 2.5"

Small Kagamibuta (button that acts as a netsuké in traditional Japanese clothing). However the size of this one is unusually too small. To my knowledge, there is no Kagamibuta of this size (32mm) usually the diameter of these exceeds 50mm. This is not the only particularity of this jewel, indeed the presence of glass paste is absolutely exceptional, there too, I do not know of any other netsuké, manju or kagamibuta created in this material. The very high quality of the metal plate allows us to...

Tambourine Karyobinga, depicted with butterfly wings. On the reverse an oval ring serves as a ring. It is likely that this is a scarf ring. It is certain that it is not an object that has been modified because it would have been impossible to weld without destroying the patinas. The ring and the base of the character are in shibuichi (alloy of copper silver and gold) the character is in shakudo (alloy of copper and gold) partially hot gilded with mercury tecnic (trousers, hand, top of the wings)...

Tokunyu was born as the eldest son of seventh-generation master Chonyu. He succeeded his father at the age of 18, but was prone to illness, and when his father died, he passed the mantle on to his younger brother later known as Ryonyu.

As he was sickly from a young age, he was a Raku master only for nine years and the number of his remaining works is the fewest among all Raku generations.

Due to his youth, he didn't pursue his own unique developments, however, his tea bowls e...

An austere bottle glazed in rich green copper by the highly acclaimed Okabe Mineo enclosed in the original signed wooden box titled Oribe Ichirin Sashi. It is 21 cm (8-1/2 inches) tall and in excellent condition.
Okabe Mineo (1919-1990) was born the first son of important artist Kato Tokuro, however the relationship with his father was volatile. When he was 9 Tokuro moved the young family to Seto, where Mineo would graduate the Aichi Prefectural Ceramics School in 1937. After a year at ...

A beautiful bamboo shaped vessel of pale gray glaze by Takahashi Samon enclosed in the original signed wooden box titled Konabiki Hanaire. It is 28 cm (11 inches) tall and in excellent condition.
Takahashi Samon (b. 1948) first studied with Kato Kobei V and Living National Treasure Kato Takuo. He then entered the Gifu Prefectural Ceramic Institute to study kiln making before going to the Kamakura kiln of Kitaoji Rosanjin for further study. He established his own kiln in 1977. Unaffiliat...

19th Century Chinese Large Crackle Gu Guan Type Relief Peacock Vase Marked

It is 22.8 inches (58 cm) tall by 9.45 inches (24 cm) wide. It is 13.8 lb.

It has glaze crazing, skip glazes, tape residue at the foot's rim, and surface wears and scratches (as seen in the photos).

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19th Century Chinese Silk Embroidery Forbidden Stitch Civil Rank Badge

It is 11.9 inches (30.2 cm) long and wide.

It has discoloration, toning, stains, lose, pulling, and missing threads, frayed silk, and wears (as seen in the photos).

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Formal Indian Sari (just like the ones you see in Bollywood movies), worn for weddings or important religious occasions. This has never been worn. I acquired it from an estate where it has been sitting in a trunk for the past 20 years, and the inside humdity, which caused the brown dye to bleed into the embroidered border somewhat. Please examine images. This L: 5m x 1.4m and is handloomed silk. It was woven in Banaras in the two toned Tanchoi style and silver thread “jari” embroidery. In ...

18C Chinese domed jade plaque carved in low relief with Buddhist auspicious symbols. Color is a whitish pale celadon. It is carved very, very thin with two sets of small holes to the back edge. This may have been attached to clothing or fabric or, perhaps, attached to a large ruyi scepter. Condition is excellent and it is wonderfully translucent. Measures: 4" x 3.25".

1940s - 1950s, Chinese moss agate low slung lotus style brush washer. The moss agate shows nice markings being genuine and is a light grey/green to darker green in color. The rim has two lotus flowers and two seed pods placed around the undulating and curling top. Condition is excellent having the normal characters of this type agate, which are natural indentations. Having a very lovely shape and design, it measures 6.25" x 5.5" x .75" high.

Antique amitung (door board) for a dwelling or ceremonial house of the Telefolmin people who live in the southern portion of Sandaun (West Sepik) Province of Papua New Guinea. This large door board is made of a single piece of wood and has an opening for people to enter and exit. The carving is made up of individual motifs that represent different parts of human or animal: the central heart or navel, the wings of a flying fox or fruit bat, spirals represent limbs or eyes. These raised detai...

A beautifully polished ritual hand axe in a mottled green nephrite with lighter inclusions dating to the late Neolithic period, circa 3500-2500BCE. Looking at the piece you can almost gain the impression of looking down at the sea from a great height, with scattered bits of land. A truly beautiful stone. Four inches in height (4") by 3" at the widest (10cm X 7.5cm).This piece has been seen and authenticated and is guaranteed to be ancient.

Antique Japanese suzuri bako (writing box). Made of beautiful keyaki (zelkova elm) burl and persimmon wood. Unusually fine joinery on the corners. With three small drawers. The top is a persimmon wood panel that lifts off to reveal a compartment intended for an ink stone. The inside of the compartment has traces of red pigment as well as calligraphy and an array of brush stokes. One can imagine the calligrapher hurriedly wiping his brush or making a practice stoke.

Age: Meiji Per...

Antique Japanese gray porcelain tea cup with crackle glaze. Decorated with delicate floral design in iron-rich dark brown/black glaze. Kyoto Ware.

Age: 18th century

Dimensions: 2 1/2" high x 2 5/8" wide

Provenance: From the personal collection of Frederic Cheever Torrey (1864-1935), partner of Vickery, Atkins & Torrey, interior design firm and art gallery founded in San Francisco in 1888.
The gallery, most famous for its role in helping to introduce Californ...

Korean antique celadon bowl carved with a large flower in the center. Beautiful crackled green glaze.

Age: Koryŏ (Goryeo) Dynasty (935 to 1392)

Dimensions: 3 1/8" high x 7 5/8" wide

Provenance: From the personal collection of Frederic Cheever Torrey (1864-1935), partner of Vickery, Atkins & Torrey, interior design firm and art gallery founded in San Francisco in 1888.
The gallery, most famous for its role in helping to introduce California to Impressionism...

An antique Japanese long low Todana Tansu made of Hinoki (Cypress) and Kiri (Paulownia) woods. Visually stunning horizontal slats on the two sliding doors cover 6 drawers (3 on each side). Original hand forged iron Hikute handles on each drawer. Additional slats to each side. It would make a wonderful sideboard or base cabinet for a TV monitor.

Age: Meiji Era (1880-1890)

Dimensions: 70 3/4" Wide by 28 3/4" High by 19" D