Chinese Qing dynasty bronze censer or incense burner, Xuande mark. 17 cm wide. 12 cm mouth rim diameter. 1,8 Kg weight. Censer has small spot of dent (please see on the pictures) Free from any repair.

From a large collection of Edo period Nabeshima and Hirado-ware, this intricately crafted incense burner in the shape of a lantern features two intertwined dragons dancing around the base. Various parts of the lantern are painted with clouds, dragons, and arabesque designs, making for a unique and impactful composition.

Hirado wares—alternately known as Mikawachi wares in some contexts—are known throughout Japan and also abroad for their high quality and fine craftsmanship that ...

Circular kobako in gold lacquer, decorated with cranes and pines on a nashiji background. The interior is in nashiji lacquer. On the lid, we can see the mon of the Tsugaru family (津軽).
This family is a samurai clan from the province of Mutsu, in the north of Japan. It was originally a branch of the Nambu clan, which became free during the Azuchi Momoyama period (1573-1603). It sided with the victorious sides in the battle of Sekigahara in 1600, and became in the Edo period a family of ...

Antique Japanese bronze usubata (container for ikebana flower arranging). Charming bronze frog with bumpy skin except for his belly and under chin which are smooth. Out of his mouth comes the stem of the water container portion of the usubata. Inside the inverted conical container is a rounded form with ridges for holding flowers and branches in place. The Japanese legend of Gama Sennin ("Toad Immortal") is based upon Chinese Liu Hai Gama Sennin "Toad Immortal" - Liu Hai: The Sage with the To...

Antique Chinese tomb pottery figure of an ox with bridle and harness. Modeled with large eyes and a friendly expression, this ox was made to loyally serve it's owner in the afterlife. Made of terra-cotta with traces of brown, black and white slip pigment.

Age: Tang Dynasty (AD 618-907)

Dimensions: 10 1/2" high x 13 1/4" long x 4 1/2" wide

Antique Tibetan painted traveling trunk (also known as a Yak butter trunk) used to store and transport religious yak butter sculptures and artifacts. The main image shows a flaming jewel while the surrounding painting shows an octagonal foliated grid pattern. The fractal design shows an infinite repetition of the Mandala shapes and patterns. Decorated with the arrow shaped mounts along the edges. The polychrome on wood is all original.

Age: 18th Century

Dimensions: 28 1/4" W...

Antique Japanese scroll painting depicting a dragon in clouds. In his left-hand claws, he holds the flaming hoju, the wish-granting pearl. Storm clouds billow below him. Painted in sumi ink on silk with details in white and gold ink.

Age: Meiji Period (1868-1912)

Dimensions: total size of scroll 75" high x 10 3/4" wide (12 1/4" wide including rollers). Size of art: 45 1/4" high x 9 3/8" wide

Antique Japanese small and exceptionally fine cloisonné vase. Four sided shaped body with a flower reserve on each side including irises, wisteria, chrysanthemums, daisies and maple. More fine details on the neck and sides.

Age: Meiji Period (1868-1912)

Dimensions: 6" high x 2 1/8" wide

Antique traditional robe of the Ainu people of northern Japan. Attush (attusi) fabric was made of the inner fibers of elm tree bark (ohyo). The bark was harvested by the men but refined and woven by the Ainu women. This robe is edged with dark indigo-dyed cotton cloth. The back of the neck of the robe is sewn with a bit of lighter blue cotton fabric with a white paste resist pattern.

Age: late 19th/early 20th century

Dimensions: 54" high x 58" wide

A rare antique Japanese Choba Tansu (merchant chest) made of Keyaki (Zelkova) and Suginoki (Cryptomeria) woods. Original hand forged iron hardware including the Kikute handles and Urushi lacquer finish). Unusual design with two small drawers secured by a locking security bar and two sets of doors with the upper set having a spacious storage area behind and the bottom set having storage to the left and three small drawers to the right. The main drawer has a lock plate with an incised Chrysanthem...

In Japan, woven baskets such as this are often referred to as “karamono” (Chinese style) to denote their stylistic origins tending towards symmetrical proportions and tight weaves. Though the maker and date of production for this piece are unknown, judging from appearance it was likely crafted in Late Edo or in Meiji—with the box being furnished at the time Houn-sai granted his endorsement. Generally speaking, it is more common for Tea Masters to certify and endorse pieces of known origin,...

A beautiful burl Keyaki wood early 19th century Funa Ko Tansu (Captains's document chest). Frame is made of solid keyaki wood with interior drawers made of soft kiri wood. Original urushi warm transparent lacquer finish with hand forged iron hardware and copper side carrying handles. Unique ring pull faux drawer front that doubles as a lift-out door hiding two small drawers.

Mounted on custom iron stand

Late Edo Period (1603 - 1868) C. 19th Century

Dimensions...

Antique Japanese three section stacking tansu. Top section has four sliders that open to reveal organized area with small drawers and shelving. A total a 12 drawers ranging in size along with a hinged compartment revealing two more small drawers. Original warm honey finish in great condition. Quarter sawn keyaki hardwood with strong grain patterns.

Late Meiji Period (1868 - 1912)

Dimensions: 48" wide x 63 1/2" high x 16 1/4" deep

From our collection of Japanese Chawan with Christian Cross design: highly distorted shoe shaped (kutsugata) tea bowl with a rounded brim, made of light, coarse, unrefined Mino clay. The expertly thrown body was trimmed with a potter's knife in its lower part around the foot ring.

In the style of Seto kuro bowls this Chawan was covered with a brown glaze. On one side the sign of a Christian (Maltese) cross was left unglazed and was covered with a transparent ash glaze. On the other...

This is absolutely rare:

Late Momoyama Period Wan-shaped tea bowl with a rounded brim, made of light, coarse, unrefined Mino clay. The expertly thrown body was trimmed with a potter's knife in its lower part around the foot ring.

In the style of Kuro Oribe bowls this bowl was covered with a black glaze. Three windows on the side were left unglazed and were decorated with a combination of checkers and dots between parallel vertical lines - a decoration usually known from v...

Antique Chinese bronze censer (incense burner) in the form of the tripod vessel Li Ding with cover and rosewood stand, Ming dynasty (first half of the 17th-century).

The compressed globular body with a waisted neck and everted rim flanked by a pair of beast masks, set with upright bail handles, supported on three tall tapering conical legs.

The rounded sides are adorned with two panels; one is engraved on a punched ground with a horned qilin, birds, and two Lohans within the floral patt...

The falcon is represented resting on a branch. His expression is attentive and we can guess that he is hunting. The artist knew how to infuse him with all the ruthless savagery in his gaze. It is signed by Haru Mitsu. It is finely carved in wood, probably cherry,the pupils inlaid in black horn.I remember having read that this artist liked to exaggerate certain parts of the body of his subjects, here it is clear that the claws, eyes and beak are strongly exaggerated. This is what gives all its st...

Antique Chinese Peking glass snuff bottle. Overlay glass in red, yellow and dark blue on a white glass ground. A bird sits on a branch heavy with fruit. Lovely continual scene, beautifully carved with great detail and depth. Four small cartouches in red glass overlay. The lid is made of quartz and has a bone spoon.

Age: Qing Dynasty

Dimensions: 2 1/4" high x 1 3/4" wide x 1 1/4" deep