Unique 19th Century Chinese Peking Glass Vase. Stunning soft blue coloring with very attracting honey comb shaped vase. Very well done, in wonderful condition. 19th Century Dimensions: 7" High X 2 1/4" Wide

Antique Japanese four-panel screen of a pine tree bearing flowers, overlooking an ocean cliffside, covered slightly in snow, with a gold leaf background. Size: 67" height, 101" width

Japanese antique ranma (transom) to be hung over a doorway, beautifully carved with the image of a large phoenix in flight, its many tail feathers billowing gracefully around it. Size: 16" height, 48" length, 6" width

Mother of pearl is inset into the silver powder dusted lattice set between red lacquered pillars forming this art-deco era lacquer vase enclosed in the original signed wooden box by Iwamura Sadao (1912-1944). A brass insert which rests perfectly between the four corners allows for flowers. The strong geometric patterning embodies the Art Deco style so popular in Japan in the 1930s. It is 6-1/4 inches (16cm) square, 15-1/2 inches (39.5 cm) tall and in overall fine condition. The design is simi...

The seven gods of fortune are depicted in rich gold, vibrant colors and textures on this exceptional set of Kutani Sake Cups from the Kaburagi Studio enclosed in the original compartmentalized wooden box. Each cup is unique, measuring roughly 5.5 cm (2 inches) diameter, 3 cm (1 inch) tall and all are in excellent condition. The Kaburagi studio produced some of the finest wares in Kutani. Founded in 1822, it survives to this day under the same family, now in the 8th generation. These date fro...

A rare and very unusual underglaze blue decorated Gu shaped Altar Vase with fine crackular glaze. This item was made in Southern China, probably during the second half of the Qing dynasty. Condition: damaged - with very old (possibly Chinese) double stapled and lead infilled repairs. 31cm (12 inches) high.

This is a Five Dynasties period plate with the incised pattern of lingzhi from southern china kiln, Tong An kiln , in good condition except a small minute chip n manufacturing defect at the back, otherwise very nice glaze shine n crackle

A mid Edo period carved woodn mask for Shishi-mai festival dance covered in red and black lacquer with gilded teath and eyes in rarely seen good condition. The mask is used with the hand, not worn over the head, the dancer usually hidden beneath a long flowing cape. It is 22 x 20 x 20 cm (8 x 8 x 9 inches) excluding the horn and ears. There is an old metal plate nailed over one hinged jaw inside (not visible from outside), where the wood had likely once given way. Overall it is in surprising...

A very rare early Ava Period Buddha with heavy silver alloy casting and remains of gold gilding setting with the right hand in the "bhumisparsa mudra" earth touching position. Very heavy for it's size. Comes with TL certificate. Size: H. 28cm. W.Base. 17cm. Condition: No repairs.

A large sweets dish decorated with blossoms by Eiraku Zengoro XII (Wazen) enclosed in a custom made wooden box. The bold pattern is fitting this bold artist. It is 9 inches (23 cm) diameter, 4-1/2 inches (11 cm) tall and in fine condition.
Eiraku Zengoro XII (Wazen, 1823-1896) was one of the most influential potters of his time, setting the stage for the revival of and modernization of Kyoyaki, based on models by Koetsu, Kenzan and Ninsei. Although named Sentaro, he was more commonly ref...

Painting of Scholar Under Moonlit Plum Blossoms by Park No Soo aka Nam Jeong (1927-2013). Just the first page of a google search reveals both the renown that Park No Soo enjoyed internationally, and the adoration he received locally in Korea. His minimal style and palette is instantly recognizable, and this beautiful, contemplative painting is a fine example of his inimitable, expressive brushwork, from the silvery-blue sliver of a moon, to the unique rendering of orchids and rocks. The orchid i...

Very Rare Calligraphy by Kang Se Hwang aka Pyo Am (1713-1791), artist, calligrapher, art scholar and critic, and one of the most important figures and the most influential scholar-painter of 18th Century Korea. Calligraphy by Kang Se Hwang is so rare that the only other example that we know of in America is a very similar work in the Los Angeles County Museum of Art, illustrated on pages 172-173 of the recently published, Pathways to Korean Culture: Paintings of the Joseon Dynasty by Burglind Ju...

A fine example of a Joseon Dynasty Korean tiger hunting painting, that makes use of the best quality pigments and finest silk, and is rendered with the highest level of artistry and skill, likely by a painter from the royal court. A similar painting recently sold at auction in Korea for $5500. Unique to Korea, almost all Korean hunting paintings depict hunters in Mongolian costume. In spite of the Mongols' brutal occupation of Korea in the 13th Century, Koreans maintained great admiration for Mo...

Virabhadra, incarnation of Shiva, is often depicted in solid bronze plaques. This one however is remarkably fine, with its delicate openwork. It dates from the 16th century, possibly earlier and was made in West India. It has a warm brown patina and appropriate age wear. There is a very old repair just above the small figure on the left. Height 26 cm (the sculpture), 32 cm including the stand.

A beautifully preserved 16th to 17th century Annan Bronze basin inscribed with the animals of the zodiac which had been used as a prayer bell at a Japanese Buddhist temple. It makes a beautiful ring when struck. It is roughly 12 inches (30 cm) diameter, 6-1/2 inches (16.5 cm) tall. An exceedingly rare find. The Japanese had extensive trade with the Kingdom of Annan (Vietnamese Annam) and in fact one of the most famous and still extant symbols of Hoi An is the Japanese bridge, built in the 15...

A large Japanese sashi netsuke carved from stag antler, depicting the mythical Chinese fisherman Ashinaga with his long legs. The face is carved very expressively and the natural himotoshi (cord hole) is running through his curled hair. Condition: nice patina. Dimension: 17.8 cm long.

Wonderful Chinese antique gray pottery tomb figure of a horse and rider, beautifully sculpted and retaining much of it's painted slip details, the merging of geometric and naturalistic features exemplifies Han Dynasty sculpture. 206 B.C. - A.D. 220. Comes with certificate of authenticity. Size: 12 1/2" high x 12 " long

A wide low chawan tea bowl inscribed with a poem by Otagaki Rengetsu reading “Yo no naka ha tata utatane no shibaraku wo samenu yume ji ni matofu wari nasa. In the world only for the span of a nap yet wandering an inescapable path of dreams…such a mystery. (Translation from Rengetsu.org). It is 5-1/2 inches (14 cm) diameter, 1-1/2 inches (4 cm) tall and in fine condition.
Much has been written about the life and work of poet/artist Otagaki Rengetsu. Born into a samurai family, she ...