Height: 6.6 cm (2.7 in)
Width: 6.8 cm (2.8 in)

Chinese porcelain blue and white Kangxi Period lidded pot; floral decoration throughout; minor internal lid frit; good condition

Small jar. Slender body with short, cylindrical neck and wide mouth. On the shoulder four lugs. Upper two third of the body covered in a dull brown speckled glaze. Thailand, Sukhothai, 14-16th century.
Height 11½ inches.
One small chip underneath rim, missing areas (mouth and shoulder) in glaze, generally in very good condition.

Nan brown glazed jar with double mouthrim. Nan is a Northern Thai ceramic which kilns were found in Nan province.

Ages: Thailand, Sukhothai period, Nan kiln, circa 14th-16th century

Measurement: Height 23.5 C.M. / Diameter 20 C.M.

Condition: Nice condition overall (some repairs on mouthrim, and a minor chip on the base). Please refer to the enlargement photos for more details.
Shipment: Worldwide shipping from Bangkok, Thailand at actual cost. Please e-mail us for the ship...

A nice stoneware plate in off blue and white with two fish swimming among water plants. Probably from Northern Thailand or Vietnam. Size: Diameter. 31cm. H. 7.7cm. Condition: Some of the glossy is gone and there is one chip on the rim. See photos.

Taisho Period Japanese Bronze Tear Drop Vase with original box. A classic shape with a gorgeous caramel patina. 8 inches (20.5cm) tall. From a widely renowned and published collection that has been exhibited at the Metropolitan Museum and Japan Society.

Vintage Korean front opening bandaji (storage chest) decorated with white brass hardware incised with fish and yin/yang designs. The front drops open to reveal three interior drawers and a removable shelf above a large hidden lower compartment. Complete with the original functioning key and lock, which is finely incised with a calligraphy motif. Side carrying handles. Appears to dates from the first half of the 20th century. 31 ½”H x 38 ¼”W x 17”D. Very good overall condition. Th...

Creamy glazed Samkanpaeng dish with plain design. Northern Thai Ceramic, Sankampaeng, kilns were found in Chiangmai province.

Age: Thailand, Sukhothai Period, Sankampaeng kiln, 14th-16th Century
Size: Diameter 26 C.M. / Thickness 5.5 C.M.
Condition: Nice condition overall. Please refer to the enlargement photos for more details.
Shipment: Worldwide shipping from Bangkok, Thailand at actual cost. Please e-mail us for the shipping fee.

Edo Period Japanese woodblock print triptych by Kunisada II (1823-1880) titled "Moon" from the series "Snow, Moon and Flowers" published by Yamamotoya Heikichi in 1852. Each panel bears the signature "Kunisada ga", a publisher's seal, date and censor's seals (see enlargement 7). Each panel measures nearly 14 1/4"V x 9 7/8"H. Very good overall condition. The triptych is not backed and the baren marks and image are clearly visible on the back. No tape or tape stains. There is an ink spot on the b...

Edo Period Japanese woodblock print triptych by Kunisada (also known as Toyokuni III) depicting actors portraying a scene from the kabuki theater. Published by Yamazakiya Seishichi in 1855. Each panel bears the signature "Toyokuni ga" in a red cartouche with yellow snow, a publisher's seal, date seal, and censor's seal (see enlargement 5). Each panel measures about 14 1/2"V x 9 3/4" - 10"H. Very good overall condition with margins. The triptych is not backed and the baren marks and image are cle...

A spectacular Meiji Period Satsuma vase by Kinzan I. In 2001, the Kinzan kiln was designated a National treasure by the Japanese government. The Kinzan kiln pioneered and developed unique gilding techniques, such as underglaze gold leaf. This rare vase is a wonderful example of Kinzan's mastery. Height: 10.5 inches (27cm), circumference: 21.75 inches ((55cm).

A set of seven (7) miniature paintings on canvas of winged Tibetan protector deities and gods surrounded by flames including Vajrapani and Yama Dharma Raja. Four (4) of the miniatures are finely executed line drawings with color washes on a light-weight canvas. These four appear to have been done by the same artist and are of approximately the same size. The other three are painted on a heavier canvas - two of which are painted in full with darker pigments. The last of the seven is a red line...

Early 1900 Japanese silk fukusa featuring a turtle and a crane. Techniques used to create this wonderful fukusa are sumi-e hand painting, yuzen resist dying, some embroidery, and gold foil couching. On the reverse is red rinzu silk with crane and mons motif. Two original tassels are still intact at the bottom. There is a small cluster of tiny gray spots by the crane, see last photo. Otherwise, in very good condition/excellent, it measures 25” wide x 27” high.

Osvald Siren: Chinese Painting: Leading Masters and Principles. Part I; The First Millennium (3 vols.), London: Lund Humphries/New York: Ronald Press, 1956.
Vol.I: Early Chinese Paintings (xi+235pp., colored frontispiece and b/w ills.)
Vol.II: The Sung Period (vi+189pp. and annotated lists 95pp., colored frontispiece and b/w ills.)
Vol.III: Plates (xviii pp., 372 b/w plates).
Bound with red cloth, gilt title to front board and spine. With slip cases. 28.5x23cm.
Books very g...

Shaman's Feast Woodblock Print on Traditional Hanji Paper by Hong Sung Dam in 1982 (21 x 15 inches, 53.5 x 38 cm, including margins). Hong Sung Dam is a woodblock print artist who was a leader of the minjung, the peoples' political movement that arose from the ashes of the Gwangju Massacre where the Korean government slaughtered hundreds (some witnesses say thousands) of their own citizens in the streets in response to demonstrations in Gwangju. He was arrested in 1989, and suffered brutal tortu...

Description:
A round-shaped pottery inkstone was well preserved.
Supported by three foot which were intriguingly and characteristically in figures as crouching animal, the inkstone was mold with flat surface.
The surface was used as grinding pool for inkcake, so it was concaved in the middle.
In two-step style on the surface, the outer lower rim was designed for resting the lacquered cover which had been decayed and vanished.
Overall it was in newly-excavated condition preserved ...

Rare set of six Burmese bronze opium weights, or cock weights, in a Brahmani duck type hintha (also called a hamsa) bird form with upturned tail sitting on a round base. The largest two have handles attached to the back of the head and end of the tail feathers. There is a metal support under the V-form tail. The largest weight has an old tag taped to it that reads “1513 grams” (3 lbs. 5.4 oz.). I confirmed this weight on a scale at the post office. This corresponds to the Indian unit of...

Genuine 17th Century Early Edo Period (possibly Momoyama Period) Japanese Floral Rimpa Painting made from Pigments, Silver and Gold. This is not a print or reproduction. Authenticity is absolutely guaranteed. Custom mounted for display. Painting: 10.75 x 6.25 inches, 27 x 16 cm, Mounting: 15 x 10.5 inches, 38 x 27 cm.

Genuine 17th Century Early Edo Period (possibly Momoyama Period) Japanese Floral Rimpa Painting made from Pigments, Silver and Gold. This is not a print or reproduction. Authenticity is absolutely guaranteed. Custom mounted for display. Painting: 9.75 x 7.75 inches, 25 x20 cm, Mounting: 14 x 12 inches, 35.5 x 30.5 cm.