Very attractive and rare Ching Dynasty Wooden Cabinet with exquisite cinnabar red/gold/black frontal painting (not sides nor back), 2 shelves inside, no drawers, size: H. 148cm x W. 77cm x D. 47cm, condition: good with some signs of aging (top surface), 19th Century

Very rare and beautiful Antique Burmese Kalaga wall hanging/tapestry depicting 8 dancers with hundreds of hand hammered sequins, pearl and glass beads as well as metallic threads. Due to age and climatic conditions some wear to some parts, but overall nice condition. Mounted/sewn on 100% Thai silk backing. 2 stylized wooden rods not included in price. Size: L. 175 cm x H. 52 cm. Collector's item! (extremely rare to find antique burmese tapestries, nowadays, with very few exceptions, they are a...

Unusual stone sculpture of head, backside shows a hand behind the head, 17/18th Century, AVA Period, Burma, mounted, condition: good apart from some minor nicks, size: H. 11cm x W. 8cm x D. 9cm

Small Chinese Globular Craquele Vase, with brown lip, base without glaze, 18th Century, condition: good, but one nick on lip, size: H. 5cm. x 5.5cm diameter

Nice Small Globular Porcelain Craquele Miniature Vase, brown lip, 18th Century, China, condition:good overall, size: H. 5cm. x 5.5cm diameter

Description: A charming nephrite green jade bracelet was from Song Dynasty. Kept in perfect condition when incursions with brownish tint were left on the surface, the bracelet was in plain form without any motifs. An attractive piece that can add more focus to your wrist. Date: Song Dynasty(12th century) Width:(outer rim 7.6, inner rim 5.8cm)

A prominent Japanese dealer is currently offering a Kawabata Gyokusho painting of similar size for $21,500. You can find this painting online. Kawabata Gyokusho is considered the last great representative of the Shijo school of Japanese painting. His work is quite delicate, making use of Japanese technique in a realistic manner. He had many pupils who later became well known. His paintings are in the permanent collections of many major museums, including Oxford's Ashmolean Museum, New York's Met...

Getzuzan inherited from his renowned father an effortlessness with the brush, shown here in the easy curves of the robe and face of the 12th Century Zen master, Taikobo, and the gentle washes that are used to compose the soft landscape that is the lovely place where he meditates and fishes. Gekko had several students who achieved fame, but he always favored his son. Getsuzan paintings that are available for sale are very rare. 45.5 x18 inches, 115.5 x 45.5 cm, unmounted

Exquisite hand carved jewelry chest or ladies personal belongings-vanity chest with 6 drawers, teak wood with red patina and gilding, 19th/early 20th Century, Java, condition: good, as recently retouched including new gold leaf! Size: H. 37.5cm x W. 59cm x D.33cm. Rare item!

Rare Large Japanese Meiji Period Nashiji Makie Lacquer Jubako 5-Tiered Stack Box with Base/Stand. Fine Takamakie Gold and Cinnabar/brown/black Lacquer with some Raden/ Mother of Pearl inlay. Beautiful artistic Pine and Crane motif. Good condition overall, some minor mother of pearl inlays missing. The cover shows a restoration (see photograph # 6) and there are 2 inside hairlines not visible from the outside, due to age. Size H. 16" x W. 9.5" x D. 9.5" . Stand/Base: 11.5" x 11.5" x 3". Collector...

This is a genuine theater puppet kashira representing the character Osome. It is not a souvenir. As you can see it is quite clean, however there are three faint vertical cracks in the gofun covering, beside the nose and up the right cheek. The gofun is stable. She wears her hair in an immaculate coiffure held with one unpretentious comb and a ribbon of chirimen silk. Two silver ornaments accent the very simple and attractive figure. The head comes with the bamboo stand shown, as well as th...

Two round and one boomerang shape ancient glass beads. Two round ones are a pale sea green and the larger one aqua blue. Size: Small: 1.8cm. Middle: 2.8cm. Large: 3.8cm. Condition: Perfect.

Rare quality nobori Japanese banner for Boy’s day; beautiful hand-dyed work of the samurais on cotton. The nobori banners were originally used in the battlefields to shift the troops and to show the warriors the location of their generals. The designs on the banners were much simpler then and some were quite large. They must have had a scaring effect on the enemy when they saw so many flying banners in the sky approaching towards them.

When Ieyasu (Tokugawa) took a control an...

Okutani Shuseki (1871-1936) was born in Osaka and lived in Kyoto for most of his life. His artistic lineage is among the very best. He, along with Yamamoto Shunkyo and others, studied under Mori Kansai, who was the pupil and adopted son-in-law of Mori Tetsuzan, who was one of Maruyama Okyo's best pupils. Like all painters of the Mori family school, Shuseki's nature paintings are remarkable for their unsentimental naturalism, showing his keen interest in the essence of nature. He won prizes...

Okutani Shuseki (1871-1936) was born in Osaka and lived in Kyoto for most of his life. His artistic lineage is among the very best. He, along with Yamamoto Shunkyo and others, studied under Mori Kansai, who was the pupil and adopted son-in-law of Mori Tetsuzan, who was one of Maruyama Okyo's best pupils. Like all painters of the Mori family school, Shuseki's nature paintings are remarkable for their unsentimental naturalism, showing his keen interest in the essence of nature. He won prizes...

Okutani Shuseki (1871-1936) was born in Osaka and lived in Kyoto for most of his life. His artistic lineage is among the very best. He, along with Yamamoto Shunkyo and others, studied under Mori Kansai, who was the pupil and adopted son-in-law of Mori Tetsuzan, who was one of Maruyama Okyo's best pupils. Like all painters of the Mori family school, Shuseki's nature paintings are remarkable for their unsentimental naturalism, showing his keen interest in the essence of nature. He won prizes...

Okutani Shuseki (1871-1936) was born in Osaka and lived in Kyoto for most of his life. His artistic lineage is among the very best. He, along with Yamamoto Shunkyo and others, studied under Mori Kansai, who was the pupil and adopted son-in-law of Mori Tetsuzan, who was one of Maruyama Okyo's best pupils. Like all painters of the Mori family school, Shuseki's nature paintings are remarkable for their unsentimental naturalism, showing his keen interest in the essence of nature. He won prizes...

19th Century hand carved wooden disciple praying, origin: Burma, both ears show some damage and left shoulder has a chip, otherwise very nice specimen with good patina. Size: H. 17cm x W. 6.5 cm x D. 7cm