Jumping Koi/Carp. Paited with ink on silk. Signed Eishuku Ujinobu and sealed. It is attributed to Kano Eishuku(Ujinobu).

There is a waterfall legend about “The Dragon Gate": thousands of koi fishes tried to jump to the waterfall for hundreds of years but failed, and after sometime passed one koi determined to reach the top of the waterfall and finally made it to the top. The Gods rewarded the koi by turning him into a beautiful, shiny, Golden Dragon. He now spends his time chasing among ...

This is his Tsutsugaki item, which is impressive with its very surreal pine and bamboo designs drawn in Tsutsugaki during the Edo period. The young pine tree in the center of the picture is drawn in an unbelievably large and surreal manner, and the bamboo, which is also impossibly deformed, is drawn in the background. This is quite an unconventional item among the indigo-dyed items of the Edo period. There are three areas that have been repaired, but the discoloration is slight and not noticeabl...

Crusty black covers this vase by Kumano Kurouemon (also written Kuroemon) enclosed in the original signed wooden box titled Echizen Tetsuguro Hanaire. It is 30 cm (12 inches) tall, 15.5 cm (6 inches) diameter and in excellent condition.
A ceramic madman, oil painter and recluse, Kuroemon is as eccentric as his pottery predicts. Born in Fukui prefecture in 1955 Kuroemon was a painter from youth, he began his studies under Fujita Jurouemon in 1976, and moved to study also under Toda Soshir...

Bonji Sanskrit characters pierce the lotus finialed lid of this large antique bronze incense burner. The vajra-like finial topped in the shape of a lotus flower is hollow, the lotus seed pod pierced with holes to allow the smoke to escape like a chimney. This is also removable, slotting in to the incense burner, and turned to lock it in place. Inside the lid is stained and shiny from years of incense soot built up. It is 35.5 cm (14 inches) tall, 18 cm (7 inches) diameter and in overall exce...

A fabulous example exploring the various traits of traditional Shigaraki pottery with a thick swath of glaze covering one side, telltale feldspathic inclusions bursting from the raw clay opposite. This is a classic example of 16th century Shigaraki pottery. It is 29 x 31 x 35 cm (11-1/2 x 12 x 14 inches) and in overall excellent condition. The history of Shigaraki traces its origins to around the 12th century with the discovery of exceptional clay deposits rich in iron and other minerals which ...

The sage gazes out from his hermitage clinging to the hillside upon a sparse scene of falling water and precipitous climbing peaks dominating this painting by Shirakura Niho dating from the prime of his career. Ink and light color on silk mounted in blue cloth with thin piping terminating in white ceramic rollers. It is 40.5 x 187.5 (16 x 74 inches) and is in excellent condition; enclosed in a modern wooden storage box. A published version of the Niho Catalog will accompany the work.
Shi...

A quintessential image of a tiny bean-shaped figure lost in thought, perhaps staring out to sea on a sunny hillock before cascading water in lush Spring-green washes by Shirakura Niho enclosed in the original signed wooden box titled Enpokihan (Distant Sails Returning). Ink & Light color on Silk in fresh green extended with beige featuring bone rollers. It is 64 x 143.5 cm (25 x 56-1/2 inches) and is in overall excellent condition.
Shirakura Kinichiro (Kinro, Niho or Jiho, Kanyu, 1896-1...

This scroll is an excellent example of the early Showa era style of Shirakura Niho centering around 1930 enclosed in the original signed wooden box titled Teishu Sotai. The painting features two persons in a boat contemplating a precipitous waterfall which extends up through the clouds. The phrase Teishu Sotai in old Japanese translates to "meeting of moored boats" in English. It is often used metaphorically to describe a chance encounter or a meeting between two people who happen to be in the...

A peaceful cluster of homes blanketed in snow by Shirakura Niho enclosed in the original signed wooden box titled Kamo Sekkei (Kamo in Snow). This is likely an image from very close to the artists heart, he lived west of the Kamo River in Kyoto, and one can imagine this being one of the bridges spanning that river he has seen out on a winter day. Ink,Gofun & Light color on Silk bordered in light colored cloth. The scroll is 46.5 x 203.5 cm (18-1/4 x 80 inches) and is in overall excellent cond...

A lonely figure walks home through the forested hills, a rustic scene by Shirakura Kanyu (Niho) from his mature period distinctly blending his early years of training in watercolor under Ishii Hakutei with his later Nanga years. Ink and light color on silk in a superb silk border with solid ivory rollers (these will be changed if exporting). It comes in the original signed double wood box titled Kisho (returning home) and is in excellent condition. This scroll is signed Kanyu, placing it in or...

A GENUINE CEYLON BLUE SAPPHIRE @ 1.59ct. Excellent color and cut. Size: 6.78mm. x 7.16mm. x 4.31mm.

Chinese clock made of brass with cloisonne, six cloisonne columns, on the front behind glass is the clock face and a small oval shaped painting of a country scene with a lake and mountains with trees in the foreground, on either side of the clock are painted grecian style figures, a small oval plaque on the back is stamped with "Made in People's Republic of China", size 12" high. Size: 11 1/2" high x 8 3/4" wide x 4 1/2" deep.

An amazing high quality Chinese embroidered rank badge. The embroidery consists of clouds, a mountain-like pattern with a bird in the center of the embroidery. The piece is entirely embroidered. Age: Qing Dynasty. Size: Height: 13" Length: 13' Width: 1.5"

Woodblock print by the French/Japanese artist, Paul Jacoulet entitled "Le Miroir de Laque Rouge, Tokyo". A beautiful woman sits at her mirror, her make up sits in front of her on her vanity, she has her back turned towards the viewer, kimono and obi are beautifully decorated, mica used on the mirror, silver ink details, signature in pencil in lower left corner, title and publisher seal in lower right corner, 1938. Size of paper: 18 1/2" high x 14" wide/ Size of image: 15 1/2" high ...

Antique Chinese porcelain plate, with white and cobalt blue glaze. Its other rim is decorated with stylized flowers and vines, and its inside has two flying dragons and blooming flora. Size: 10" width, .75" height

Charming Chinese antique pottery roof tile in the form of a nobleman on horseback, glazed in three colors, fitted with a hardwood stand, Ching Dynasty 19th century. Size with stand: 15 1/2" high x 10" long x 6" wide.

Know more for his works of powdery-blue celadon, on occasion Sozan also produced fine white porcelains as well. This delicately-crafted porcelain kashibachi (sweets bowl) is one such example. Displaying a wonderful low-relief vine and leaf pattern on a backdrop of nearly eggshell thin ivory-white porcelain—this is a rare and interesting composition by Sozan I.

Suwa Sozan I (1852—1922) was born in an area of what is known today as Ishikawa prefecture. After a short stint in the m...

Carving of a Chinese scholar made from dark hardwood with lighter orange highlighted areas, his eyes closed as if in deep meditation. He sits with one leg curled underneath himself, his left arm rested upon a carved stool or small table, with the face of a beast. He holds a scroll in his hand and creates a Buddhist mudra gesture with the same hand.

Size: 10" height, 6.5" width