Unsigned. Attributed to Kawase Hasui.
Boat On A Snowy Lake
Size: 5.75 x 3.5 inches.
1930s to 1950s.
Publisher: Watanabe Shozaburo.
Condition: Excellent.

Five Japanese Edo period woodblock prints depicting famous samurai from the series “Abridged Stories of our Country’s Swordsmanship” (Honcho kendo ryaku den) by Kuniyoshi (1797-1861) published by Kazusa-ya Iwazo circa 1845-1846...

Japanese Edo period woodblock print by Yoshitoshi (1839-1892) depicting Nikki Danjo Naonori changing into a rat from the series "One Hundred Ghost Stories of China and Japan" (Wakan hyaku monogatari ) published by Daikoku-ya Kinnosuke (Kinjiro) in 1865. Vertical oban size (14 1/4"V x 9 5/8"H). Very good overall condition and color with margins evident. The print was removed from an album and is lightly album backed and slightly trimmed...

Japanese Edo period woodblock print by Yoshitoshi (1839-1892) depicting the cannibal Shutendoji surrounded by captive women from the series "One Hundred Ghost Stories of China and Japan" (Wakan hyaku monogatari ) published by Daikoku-ya Kinnosuke (Kinjiro) in 1865. Vertical oban size (14 1/4"V x 9 5/8"H). Very good overall condition and color with nice gauffrage highlights and margins evident. The print was removed from an album and is lightly album backed and slightly trimmed...

Tsuchiya Koitsu
Plum Warbler
Date: 1940.
Size: Oban. Approximately 16.25 x 11.25 inches.
Publisher: Doi Hangaten.
Carver: Harada. Printer: Yokoi.
This seal combination indicates an early post-war edition.
Reference: Koitsu catalog no. TK-DH-60.
Medium: Japanese woodblock print.
Condition: Very good. Slight creasing. Soft corner bends. Faint foxing at upper left margin...

Narazaki Eisho (1864-1936) (aka. Kyokudo, Fuyo, Shinjo)
Futagawa in Snow (Futagawa no Yuki)
Date: Early 20th century.
Size: Approximately 7.25 x 5.25 inches.
Signed and sealed "Kyokudo".
Publisher: Watanabe Shozaburo.
A very rare creped print.
Condition: Unframed. Excellent.
The uneven margin is due to the creping process.

Antique Japanese woodblock print of Ishiyakushi in Tokaido, Japan. Side has authentic artist censer seal by Hiroshige (1997-1858), and publisher's mark. Utagawa Hiroshige (Japanese: 歌川 広重), also Andō Hiroshige (Japanese: 安藤 広重; 1797 – 12 October 1858) was a Japanese ukiyo-e artist, considered the last great master of that tradition. Size: 13.5" H, 9.5" W

Japanese Edo period woodblock print by Kuniyoshi (1797-1861) depicting Minamoto no Yoshitsune in full armor and surcoat seated on a tiger-skin with his hand on an armrest from the series “Stories of One Hundred Heroes of High Renown” (Meiko hyaku yu den) published by Izumi-ya Ichibei (Senichi) circa 1844. Vertical oban size (14 1/4"V x 9 5/8"H). Very good overall condition with only minor fading and soiling evident...

Rare Japanese Edo period woodblock print pentaptych depicting five 16th century Takeda warriors involved in the Kawanakajima campaigns against the forces of Uesugi Kenshin by Kuniyoshi (1797-1861) published by Ebisuya Shoshichi (Kinshodo) circa 1845. Each warrior is surrounded by biographical text written by Shotei Kinsui...

Original woodblock of a samurai by Japanese master and teacher Toyokuni Utagawa, 1769-1825. Signed in lower left, the print is float mounted. In very good antique condition, there is some worm hole damage along the right edge. Measures sight size 13.5 inches high, 9.25 inches high.

Kawase Hasui
Chuzenji, Utagahama
Size: Approximately 6.0 x 4.0 inches.
Date: 1930s-1950s.
Tipped at top edge to original cardstock.
Medium: Japanese woodblock print.
Condition: Small bend at lower left corner. Light creasing.

Kawase Hasui
Rain at Ushibori, 1929.
Size: Oban. Approximately 16.75 x 11.75 inches.
Publisher: Origanlly published by Kawaguchi and Sakai. This edition is ca. 1950s and was published by Shobisha.
Condition: Front is excellent. Verso is lightly toned. Two original drying pinholes at margin.

A print by Shiko Munakata, 1903-1975. A zen Buddhist, he worked in oil painting, then woodblock printing, calligraphy and ceramics. He is sometimes called the Japanese Picasso because of his prolific multi media creative work. He was part of the sasuka-hanga movement and the mingei, folk art, movement. He is from the northern region of Aomori and incorporated many of those local themes into his art. This is a black and white print of three women dancing...

A print of a woman in a field of camellias by Shiko Munakata, 1903-1975. A zen Buddhist, he worked in oil painting, then woodblock printing, calligraphy and ceramics. He is sometimes called the Japanese Picasso because of his prolific multi media creative work. He was part of the sasuka-hanga movement and the mingei, folk art, movement. He is from the northern region of Aomori and incorporated many of those local themes into his art. This print measures 11.75" wide by 15.5" tall...

A print by the Japanese print maker Haku Maki, 1924-2000. He began in a career as a kamikaze pilot during world war 2. The surrender by Japan saved his life. He became a teacher and learned print making. His prints are unusual as they start with a woodblock which is carved then pressed with cement. When the cement is dried, it is carved further. A wet paper is placed on the woodblock and left to dry...

Antique Japanese painting of a Goju-no-to, five storied pagoda of the typical Japanese Buddhist temple. The pagoda is decorated using Kanji with a repeated sutra and other passages. Horin, the nine rings atop the pagoda are each a symbol. It measures 21.25" by 10.13". Some signs of age. Painted in sumi ink on paper. Meiji period 1868-1912.

Antique Japanese woodblock print of Court Ladies Sewing Western Clothing. This print is originally from a triptych by Yoshu (Hashimoto) Chickanobu, 1838-1912. A lady in waiting to the empress, demonstrates western style techniques for sewing and cutting cloth. The woman wears a fitted French style mantelet. During the Meiji period, noble ladies were encouraged to wear western wear to demonstrate to foreign visitors that Japan was of equal standing with other nations. It is dated August 23, 1...

Antique Japanese woodblock print of a sumo wrestler of the Utagawa Kuniyoshi studio. Kuniyoshi was a pupil of the master Utagawa Toyokuni. He is part of the Ukiyo-e tradition of print making. His works are noteworthy for their use of color and patterns. He developed a style for portraits of kabuki actors and warriors with an emphasis on omens, dreams, apparitions, and extraordinary feats. This print depicts a sumo wrestler wearing a ceremonial kesho-mawashi, heavily embroidered covering that ope...