Kawase Hasui
Lake Chuzenji, Nikko, 1930.
Size: Oban, approximately 16.5 x 11.25 inches.
This is a very desirable edition published in the 1950s by Shobisha, which acquired publishing rights from Kawaguchi and Sakai.
Bears the round, red seal used by Shobisha in the 1950s on the verso.
Condition: Excellent. One corner has a light crease at the margin.

Helen Hyde
A Summer Girl, 1905.
Image size: 7 1/4 x 2 3/8 inches.
Paper size: 11 3/4 x 4 1/2 inches.
Signed in pencil, sealed and monogrammed by the artist.
Condition: Excellent.

Tsuchiya Koitsu
Yaizugahara
Date: 1937
Size: Approximately 5.75 x 3.75 inches.
Publisher: Doi
Reference: Koitsu catalog TK-DH-113.
Bears the Koitsu seal and the Doi seal.
Medium: Japanese woodblock print.
Condition: Excellent.

Kawase Hasui
Lingering Snow at Hikone Castle, 1934
Series. Selection of Views of the Tokaido Publisher: Watanabe Shozaburo.
First edition. Bears the Watanabe C seal (sausage seal) used between 1929 and 1942.
Size: Oban. Approximately 15.50 x 10.25 inches.
Reference: Hotei #226.
Medium: Japanese woodblock print.
Condition: Slight age toning.

Tsuchiya Koitsu
Arashiyama
Date: 1930s. Size: Chuban. Approximately 10.25 x 7.5 inches.
Publisher: Takemura. Koitsu.com catalog number: TK-TM-64
This print is rare.
Condition: Excellent.

First edition Japanese shin hanga woodblock print by Shiro Kasamatsu (1898-1991) titled "Summer Night" (Natsu no yo) depicting a large fireworks display above a rural village at night. The left margin contains the kanji date of " Showa 33" (1958), the seal of the publisher Unsodo, and the seals of the carver Okura, and printer Shinmi. The artist's red seal is at the lower right corner of the image. The Unsodo (“Un”) watermark is faintly visible at the lower left margin corner...

Japanese shin hanga woodblock print titled "Morning Rain at Lake Hakone" by Tsuchiya Koitsu (1870-1949) dated in the right margin "11th month of Showa 13" (1938). The black ink signature and red seal of the artist are at the lower right corner of the image. The title and date are printed in the lower right margin. The seals of the publisher Doi Hangaten, printer Yokoi, and carver Harada are in the left margin...

Japanese Edo period woodblock print depicting a young salt-water gatherer by Kikugawa Eizan (1787-1867) from the series "Seiro Niwaka" (Yoshiwara Nikawa festival). Eizan, who was the master of Eisen, specialized in designing prints of beautiful women. The "kiwame" censor's seal and the seal of the publisher Yamaguchiya Tobei are at the lower right. The artist's signature is at the lower left. Dates from the 1810s to 1820s. Vertical oban print measuring 13 5/8"V x 9 1/8"H...

Japanese Edo period woodblock print depicting a beauty standing under a pine tree viewing a bustling scene of boats on a waterway by Keisai Eisen (1790-1848). A pupil of Eizan, Eisen is perhaps best known for his prints of sensual women. The artist's signature, "kiwame" censor's seal, and seal of the publisher Sanoki all appear at the lower right. Dates from the 1820s to 1830s. Vertical oban print measuring 15"V x 10"H. Most likely a panel from a triptych...

Japanese Edo period woodblock print depicting a beauty preparing to wash titled "Yellow" from the series "Five Colors of Ink" (Goshikizumi) by Keisai Eisen (1790-1848) published by Aritaya Seiemon between 1843-1846. A pupil of Eizan, Eisen is perhaps best known for his prints of sensual women. The artist's signature, Yoshimura Gentaro censor's seal, and seal of the publisher all appear at the lower left. Vertical oban print measuring nearly 14 3/8"V x 10"H. Very good impression quality and color...

Cyrus leRoy Baldridge (1889-1977)
Peking Winter, 1925
Edition 194/200
Publisher: Watanabe Shozaburo. Size: Oban, approximately 15.25 x 10.25 inches.
Dedicated: "For John Happer" John Stewart Happer was a famous author on Japanese woodblock prints.
Condition: Five wormholes. Otherwise very good condition.

Muto Katei (b. 1910)
Engakuji Temple in Kamakura
Publisher: Watanabe Shozaburo. Bears the Watanabe 6mm seal, indicating an early edition.
Date: 1954
Size: Oban: Approximately 15.5 x 10.5 inches.
Condition: Pristine. Never displayed. Removed from original folder for archival storage.
Muto Katei studied printmaking under Kawase Hasui.
The unusual color palette works beautifully in this image.

Tsuchiya Koitsu
Fishing Boat Returning at Sunset, Yabase, 1933.
Publisher: Watanabe Shozaburo. Bears the round 6mm seal. This seal was used between 1946 and 1957.
Size: Oban. Approximately 15.5 x 10.5 inches.
Condition: Pristine. Never displayed. Removed from original presentation folder for archival storage.
A rarely seen work.

Toshi Yoshida (1911~1995)
Depicting: Night snow scene
Print size: 5.5 x 4.0 inches.
A woodblock print tipped at the top to a Japanese Christmas card from the 1950s.
Bears the Yoshida seal.
Condition: Light foxing at roof on left. Inside of card has tears.

Takahashi Shotei (Hiroaki)
Onward to the Sea-gall
Date: 1939-40
Publisher: Shobido Tanaka
Shotei.com no. ST-40.
Globe's Catalog No: C-562
Size: 6.0 x 4.0 inches.
Medium: Japanese woodblock print.
Condition: Very good.

Charles W. Bartlett
Ushibuse (aka. Sleeping Buddah)
Date: 1916
Size: Oban. approximately 14.75 x 9.75.
Signed in red by Bartlett. Monogrammed and well-sealed.
Very good condition. On the verso, so thinning of paper in sky and top and bottom margin. A few small light brown spots.

Rare Artist's Proof by Japanese Woodblock Print Artist, Gen Yamaguchi (1896 - 1976): Poetry of Early Autumn (1948). Illustrated in Yamaguchi, pl. 61. This is the artist's proof of this image, created for the artist's approval before the set of fifty prints were created. Yamaguchi achieved an international reputation when he was awarded first prize at the International Print Biennale in Ljubljana, Yugoslavia, 1957, and a grand prix at Lugano, Switzerland in 1958...

Rare Image by Japanese Woodblock Print Artist, Saito Kiyoshi (1907 - 1997). The Saito Kiyoshi Museum in Japan is devoted entirely to the work of this artist, and his work is in many other museums, including the Cincinnati Art Museum, the Philadelphia Museum of Art, and the Art Institute of Chicago. His work was exhibited at the Salon Printemps in 1948, and in 1951 he received first prize at the inaugural Sao Paolo Bienniale...