Unique old Japanese yogi (kimono-shaped futon bed cover) from Kaga, a weeping willow tree with a butterfly family crest, 57" x 72", Meiji Period (1868-1912).

Kaga, located in today's Kanazawa prefecture area, was known as "Kaga One-million Koku", the wealthiest domain next to the Tokugawa Shogun family during the Edo period (1603-1868). Each domain was assessed its wealth measured by "koku." Most samurai received stipends in koku...

The size of Tabacco Ire: 6 3/8" Long x 2" Wide x 7/8" Thick. Very unuusal Japanese Tabacco Ire set. The pipe holding case made of Bamboo work with clasp made with tin plated on brass. Bamboo work done well weaving. Tabacco case made by silk brocde. It has brass part. The condition of Tabacco Ire, very good except some wear on back of string area and a couple of other place. And tin plate some worn. Early Meiji, 1870-1880...

A vertical corduroy wall hanging textile, the velvet partially cut and painted with ink and colors. Naturalistic depiction of five tigers in a forest landscape. Brocade border, floral patterned lining with hanging loops. Signed and sealed in lower right corner. Condition: fine, one small stain. Dimension with border: 242 cm x 175 cm.

This gown had been used as a rental. The condition is not new like most of my other gowns are. Some large stains are shown in the lower collar area (see Enlargement 9) and several small stains in the other areas - shown in the other enlargements. It is a whitish creamy color. Dimensions are: 51"w x 71"h with 41" sleeve length
Great decorating material.

Antique Japanese “Yogi” bed comforter, hand-spun cotton with "tsutsugaki" paste resist dye in aizome Japanese indigo dye. The design is auspicious symbol, Sho-Chiku-Bai (pine, bamboo, plums). The shoulder and collar areas are accented with "kasuri" cotton. Excellent condition - no holes on the front except one small L shape cut (3/4"x3/4") on the lower area, some repairs on the liner. Cotton wadding was taken out and cleaned (but not washed)...

This is a beautiful example of an old Kyoto Yuzen dyeing. In this kimono, you can see the white lines around the designs, the very characteristic of Yuzen dye. This is where the rice paste is used to resist the dye and is later washed off. The dye on the silk bleeds. By outlining or covering the design area with the paste, the dye artists can work with the design more freely in detail than in the older pre-Yuzen method, which simply uses dip dying and/or embroidery...