Here we present our second Hagi Chawan from the famous Koraizaemon family. We already offered and sold a Hagi Chawan made by the first Saka Koraizaemon some month ago, please see item number 0211 on our website.

This chawan was made by the 6th. Koraizaemon Shinbei Saka (1739 - 1803), accompanied by a wood box with the certificate and appraisal of the 11th Saka Koraizaemon...

Sold! Little distorted half cylinder shaped (kutsugata) tea bowl made of light, coarse, unrefined Mino clay during the Edo Period with strong black ink glaze and a rarely seen patina.

The expertly thrown body is covered with the typical black iron oxide glaze inside and outside. The chawan has a very rare 'decoration' with hanging persimmons (hoshikaki) scratched into the engobe and a tea room window inside and a plum blossom painted under the clear glaze...

Elegant and sophisticated Shino Chawan, wonderful dialogue of brown and cream Shino crackle glaze, made during the early to the mid Edo period.

It is decorated outside with the Imperial Seal of Japan, the Chrysanthemum Seal and inside with two stars. This design I have never seen on other tea bowls before.

No cracks or repairs, just aesthetic inborn kiln cracks. Gorgeous and rare.

Box and shipping included.

Is there a tea ceremony connaisseur, who does not like to have a true Edo Ko-Hagi Chawan with beautiful loquat color?

Take a look on this rounded wan-shaped bowl. The light, sandy clay with enclosures is expertly thrown. Including the foot ring the bowl is covered with a mixed feldspar and ash glaze.

The light iron oxide in the clay produded a beautiful loquat color known from Korean Ido chawans...

Rounded wan-shaped chawan with strong throwing (finger) marks, called rokuro-me. The light, very fine clay with enclosures is expertly thrown. The body is fully glazed - with the exception of the foot and its surrounding area.

The cream coloured glaze shows pink colour in some paces as we know it from Korean Gohon tea bowls. It shows discolouration from green tea and a beautiful crazing - especially on inside, a sign of many years of careful use...

Wonderful and important chawan: rounded wan-shaped tea bowl with high foot of the bamboo node style in the typical O-Ido shape. The light, little coarse clay with enclosures is expertly thrown and full glazed - including the foot - with a transparent glaze of wood ash with some feldspar. The glaze shows attractive shrinking (kairagi) in the lower half of the bowl. It shows discoloration from green tea, a sign of many years of careful use...

Here is one of the most important chawans of our collection: rounded wan shaped tea bowl with high foot of the bamboo node style in the typical O-Ido shape. The light, little coarse clay with enclosures is expertly thrown and full glazed - with the exception of the foot - with a transparent glaze of wood ash with some feldspar over a white engobe - in the style of Korean kohiki chawan (unglazed area on the outer wall is a typical feature found on many kohiki chawans)...

Wonderful Minpei/Awaji ware tea bowl made by the legendary 1st Minpei Kashu during the Edo Period, with deep glaze cracks and soft cobalt blue pictures. It comes with a signed wooden box and a signed and sealed attestation of Hasshu Uewashi, issue number 256. Hasshu Uewashi was a famous judge of Japanese pottery who worked during the Meiji and Taisho Era.

Awaji ware was founded in the early 1830s by Minpei Kashu (1796-1871) from Iga village...

There are only few opportunities to find antique Chosen Karatsu chawans - collectors know of what I'm talking about...

Slightly distorted shoe shaped (kutsugata) tea bowl with a rounded brim, made of light, coarse, unrefined Mino clay. The expertly thrown body was trimmed with a potter's knife in its lower part around the foot ring.

In the style of Ao-Kuro bowls this bowl was covered with a green copper oxide glaze. A window on the side was left unglazed and split in two halves - one was decorated with a scetch of a fence in iron oxide engobe with an image of drying shibukaki on rice strings, the o...

Large and only slightly distorted full cylinder shaped Tsutsu (hight is bigger than diameter) tea bowl with a rounded brim, made of reddish, unrefined Mino clay with clearly visible finger marks on the wall.

The expertly thrown body was trimmed with a potter's knife around the regular food ring. In the style of Seto-Kuro bowls this bowl was covered with a black glaze.

On three sides a round space was spared from black glaze. The unglazed areas were decorated with the aoi-m...

Slightly distorted cylinder shaped (tsuzu) tea bowl with straight walls, made of light, coarse, unrefined Mino clay. The expertly thrown body was trimmed with a potter's knife around the foot ring.

The bowl was covered with black iron oxide glaze of the non glossy type (preferable!) and then covered with a black glaze in the style of a Seto-guro bowl. On the front a skewer with three rice balls was scratched into the black glaze before firing and covered with a transparent ash glaz...

Wonderful distorted shoe shaped (kutsugata) tea bowl made of light, fine, unrefined Mino clay. Shape and style make it appear contemporary with the late Oribe bowls. The expertly thrown body is covered with the typical black oniita engobe inside and outside - with the exception of the bottom - over which a white, feldspatic Shino glaze has been poured.

Just the foot ring and its immediate surrounding was left unglazed. The decoration scratched into the iron oxide engobe is very uniq...