Very rare. Simple wooden zushi with a figure of Fudo Myoo sitting on a high rock before a flaming halo. In his right hand he holds a sword, in his left a rope.
On lower levels of the rock formation sits Seitaka doji, holding his scarf in his left hand and a (now missing) club in his right, and stands Kongara doji, holding a lotus flower in his hands.

Light brown CLAY, hand modeled (not molded!), fired at low temperature, painted dark brown...

19th Century Edo Period Japanese Clay Mask of Tengu, the mischievous God of the Forest. A wonderful example of Mingei used as decorative art, with an underglaze of red and white fired to give a wonderful presence. 8.25 inches (21cm) tall) x 6.25 inches (16cm) wide. From a widely renowned and published collection that has been exhibited at the Metropolitan Museum and Japan Society.

Fine example of a Jomon Period Dogu, the earliest known Japanese figure. This figure was purchased in Japan and belonged to the renowned Japanese art historian, Shirley Day. The Dogu acted as effigies of people. They manifested some kind of sympathetic magic. For example, it may have been believed that illnesses could be transferred into the Dogu, then destroyed, clearing the illness, or any other misfortune. Because of the ritual destruction of Dogu, they are quite rare...

An early pair of Japanese Kutani Porcelain Shishi (Foo Dogs). These unique porcelains have a rich brown glaze with black and white under glaze. They have a wonderful mythological presence. 7 x 4.5 inches, 18 x 11.5 cm each. Excellent Condition. From a prominent and widely exhibited collection.

Cranes cut on the frosted surface rise from ice blue, their necks curling out as handles as they preen. A quintessentially Japanese subject executed with impeccable Japanese craftsmanship. The vase is 11 inches (28 cm) tall, 6-1/2 inches (16.5 cm) diameter and in perfect condition; enclosed in a covered wooden box.

Fine example of a Jomon Period (13,000-300BC) Dogu, the earliest known Japanese figure. This figure was purchased at a Parke Bernet auction by a renowned author on and collector of Asian art. The Dogu acted as effigies of people. They manifested some kind of sympathetic magic. For example, it may have been believed that illnesses could be transferred into the Dogu, then destroyed, clearing the illness, or any other misfortune. Because of the ritual destruction of Dogu, they are quite rare...

Fine example of a Jomon Period (13,000-300BC) Dogu, the earliest known Japanese figure. This figure was purchased at a Parke Bernet auction by a renowned author on and collector of Asian art. The Dogu acted as effigies of people. They manifested some kind of sympathetic magic. For example, it may have been believed that illnesses could be transferred into the Dogu, then destroyed, clearing the illness, or any other misfortune. Because of the ritual destruction of Dogu, they are quite rare...

Fine example of a Jomon Period (13,000-300BC) Dogu Head, the earliest known Japanese figure. This figure was purchased in Japan in 1962 by a renowned author on and collector of Asian art. The Dogu acted as effigies of people. They manifested some kind of sympathetic magic. For example, it may have been believed that illnesses could be transferred into the Dogu, then destroyed, clearing the illness, or any other misfortune. Because of the ritual destruction of Dogu, they are quite rare...

A very rare and fine example of a Jomon Period (13,000-300BC) Terracotta Plaque of a Dogu, the earliest known Japanese figure. This figure was purchased from the H. Taneguchi Gallery of Kyoto in 1985 by a renowned author on and collector of Asian art. The Dogu acted as effigies of people. They manifested some kind of sympathetic magic. For example, it may have been believed that illnesses could be transferred into the Dogu, then destroyed, clearing the illness, or any other misfortune...

Very Rare Japanese Jomon Period (13,000-300BC) Terracotta torso (broken off at waist) in the form of a female figure with a bird head. Overall incised decoration. Accompanied by a small terracotta disc found in the same grave lot. Figure: 4.5 x 4 inches, 11.5 x 10 cm; Disc: 2.25 x 1.5 inches, 5.75 x 4 cm. Very Good Condition.

Early Meiji Maneki Neko (Beckoning Cat), believed to bring wealth and good luck, from the collection of a renowned author on and collector of Asian art. The fur is white with random black and orange patches. This tri-coloring is considered especially lucky. This belief may be related to the rarity of this coloring in the Japanese bobtail cats, after which the Maneki Neko is modeled. This coloring is called Mi-ke in Japanese, meaning three-fur. 10 inches, 25.5 cm tall.

Early Meiji Maneki Neko (Beckoning Cat), believed to bring wealth and good luck, from the collection of a renowned author on and collector of Asian art. The fur is white with random black and orange patches. This tri-coloring is considered especially lucky. This belief may be related to the rarity of this coloring in the Japanese bobtail cats, after which the Maneki Neko is modeled. This coloring is called Mi-ke in Japanese, meaning three-fur. 7.5 inches, 19 cm tall.

Landscape Oil Painting by Ryonosuke Fukui (1923-1986), purchased directly from the artist in Japan in 1962. Excellent Condition. 16.5 x 13 inches, 42 x 33 cm.

Maquette (scale model) of Faun Sculpture by Yasuhide Kobashi (born 1931), commissioned by Lincoln Kirstein for the Lincoln Center for the Performing Arts in its opening years. Purchased directly from the artist at the time the sculpture was first displayed in Lincoln Center in the 1960s. Signed on the Bottom of the mount...

White Rabbit Ceramic Sculpture by Takegawa Chikusai (1809-1882), created in his final year, 1882. Takegawa Chikusai was responsible for putting Banko Yaki, and the Banko-gama kiln (established 1829) and its home of Yokkaichi City in Mie-ken back on its feet and on the map...

Worn gilt over thick copper pair of Buddhist ritual vessels, one with a single spout and movable handle, the other with double spouts and a long footed handle bisecting the middle opening of the container, the design has etched bamboo, pine, cranes and turtle on body, the handle has scrolling vines done with impressed dots, the traditional stylized crane of the Nichiren sect is on the medallion. Edo Period, (1604-1868). Size A: 8.5"H 5.75"D 8.5"L Size B: 4.5"H 10.5"D 18"L

Pair of Inari Foxes of sculptured and fired clay with luminescent powered white glaze. In traditional Japanese art, a pair of foxes typically flank the deity Inari’s shrine image. But in modern times, images of Inari have all but disappeared, replaced instead by images of Oinari’s messenger, the magical shape-shifting fox (kitsune 狐). Here the symbolism is two-fold. First, rice is sacred in Japan, closely associated with fertility (the pregnant earth) and with sustaining life. Inari ...

Fine early example of a Jomon Period Dogu Clay Figure, the earliest known Japanese figures. The Dogu acted as effigies of people. They manifested some kind of sympathetic magic. For example, it may have been believed that illnesses could be transferred into the Dogu, and then destroyed, clearing the illness, or any other misfortune. Because of the ritual destruction of Dogu, they are quite rare. This primitive abstract fertility figure has a futuristic look. There are fun theories that st...