A six panel gold screen decorated in a style harkening to the first half of the Edo featuring angular trees interspersed with blossoming cherries, a torrent splashing angrily through the right quarter topped with moriage gold clouds. Many repairs and losses to the heavy pigments attest to the great age of the painting. Excellent size for wall mounting, it is 62 x 138 inches (157.5 x 350 cm). The border is from a later mounting. Due to size the cost of shipping is to be accrued separately.

A set of two 18th century screens showing through an assortment of amicable characters, the traditional production of silk. Depicted with ink and light color on paper, every aspect of the process is visible in high detail from the sorting of the worms to spinning, dying, weaving, and the selling of thread and bolts of cloth. An exciting screen both from the quality of the art and from the historical narrative contained. Each screen is 67-1/2 inches by 12 feet (171 x 378 cm)...

18th Century Japanese Two Panel painted Screen of a Pine Tree and Landscape, set in gold painted clouds floating in the image. An exceptional classic Japanese masterpiece. The presence of this image changes with the light of the room. The painting techniques are sumptuous, giving the image a heightened realistic experience. A similar screen was sold by Liza Hyde to the Rockefeller collection. Height: 74.75 inches, 190 cm; Width: 67.25 inches, 171 cm.

Exceptional Edo p. Japanese Screen, Demon War An exceedingly rare set of four dramatic paintings divided into segments depicting a variety of battle scenes and supernatural phenomena, each heavy pigment on paper canvas mounted on one of four panels of a gold screen bordered in mulberry. The scenes appear to comprise a fragment of the tale of Daikozan (Oeyama), a Kyoto tale where in a powerful demon was lured to drink, then cut to pieces in his stupor...

Golden mist shrouds the aged pines draped with wisteria growing about the crashing falls on this anonymous early Edo period gold screen. A rare scene to find, rigid lines and the lavish use of gold are typical of the first half of the Edo era. The screen features a colorful brocade border with vermilion lacquer frame and has been fully remounted without re-painting. It measures 68-1/2 x 63-1/2 inches (174 x 162 cm) and is in fine condition, showing some old repairs.

A fantastic two-panel painted Japanese screen with a colorful floral design all on silver leaf mounted on wood with wood frame. 50w x 48h inches, 127w x 122h cm.

Early 18th Century Japanese Two Panel Screen Painting featuring a spectacular Phoenix. Exquisitely painted with silver leaf on paper. Original brocade borders. Screens this early are very rare, and screens of these proportions are rarely seen. 28 inches (71 cm)w x 24 inches 61 cm)h. Good Condition. From a prominent and widely exhibited collection.

Majestic Black-tailed cranes soar over the crisp white-caps of Japans Northern waters on this expansive screen painted by 20th century artist Okada Renseki (1904-1995). The artist has given the mysterious creatures a dramatic sense of movement, rising ever upward across the expanse of shimmering sea. Very rarely seen, the magnificent birds have long held a special place of reverence in the hearts of the Japanese people, reflected in many centuries of art...

Japanese Late Edo Period 19th Century Silver Rimpa Flower Screen, a fine masterpiece. Rimpa School represents the highest standard of decorative painting of all schools of Japanese painting. The flowers and other elements are raised by the use of Gofun (oyster shell lacquer). The flowers seem to jump from the silver field. This finely painted masterpiece features wonderful color on silver leaf...

Finely Painted Six-Panel Crane Screen, in various poses with leaves and flowers on a charcoal silver background. A highly styled creation of the Taisho Period. Taisho screens are very much sort after today for their unique beauty and the way that they complement a contemporary setting. Each Panel: 30h x 13w inches, 76h x 33w cm; total Dimensions: 30h x 80w inches, 76h x 203 cm.

The size of Screen: 277cm Wide x 138 cm High (109 " x 54 3/8")
The both side Left/Right Panel size: 47.2 cm x 138 cm (18 1/2" x 54 3/8")
4 panels in between size: 45.5 cm x 138 cm (17 7/8" x 54 3/8")
Each Fan design size: 55 cm (21 5/8") wide.

This is wonderful 6 panels Japanese Byobu screen from 1750's middle 18th Century with 21 Ougi (fans) design with gold leaf background. This type of painting properly called, "Senmenga" with fan design Byobu called "Senmen Byobu"...

Japanese two panel painted byobu (screen) depicting a winters evening with resting pair of mandarin ducks siting amongst the late blooming roses at waters edge. A pair of song birds sitting within the white hydrangeas...

Sennin, Daoist immortals, relax, Gamma with his three legged toad looking shocked upon his shoulder, Tekkai sending his spirit forth, the essential equipment of the Daoist life scattered about them. The painting is dated 1912 and signed Kodo. The artist has chosen a very humorous stance from which to depict his subjects. The silk image is mounted on a panel of applied gold flake and framed in striped Ebony,. The frame is 142 x 48 cm (58 x 19 inches)...

Children gathering Sansai mountain vegetables, a stunning Taisho period silk painting by Nishikubo Kunko. Three young girls wear indigo dyed country kimono, their forearms and shins protected from the grass and brush and heads covered in white scarves, straw sandals on their feet. They carry voluminous bamboo baskets as they move along the reed covered water’s edge, perhaps in search of fuki (Butterbur). The scene is performed with heavy pigment on silk, in completely original condition...

Birds chatter, perhaps excited by the promise of Spring from the plum blossoms peeking out of a bamboo grove, winters snow melts and trickles through the stones in the stream belwo. A two panel screen, ink and light color on gold by Mizuta Chikuho (1883-1958). An excellent example of this artists Nanga style, the subject and rich wet lines of the bamboo crisp and direct, fading to washes of gray in the shadows. The screen measures 68 x 68 inches (172 x 173 cm) and is in fine condition...

A male peacock struts proudly before a gorgeous plume of color on this mid 20th century hand painted screen signed and stamped Yushin. The colors are slightly muted, in a typical Japanese way, the background awash in mottled silver-gray, presenting the brilliant greens and blues of the birds fabulous attraction. It is bordered in a wooden frame covered in Negoro lacquer, unusual green over red, matching the painting perfectly...

A hermitage lost in the early blossoms of the plum forest, ink and light color inside a wide gold border and mulberry frame typical of the Taisho era. Gold powder has been liberally applied intimating a shimmering mist throughout, creating an ethereal quality...

Texture has been applied to joined silk panels intimating waves and frothing sea salt which has then been gilded with genuine silver by Imai Toshimitsu signed and dated 2000. Each panel is 67 x 183 cm (31 x 72 inches) and the screen is in excellent condition.
Toshimitsu Imai was born in Kyoto in 1928. After finishing school in 1948, he trained at the Tokyo State Art Academy. Throughout Imai's career his work was distinguished by an acute sensitivity to color. In 1951 Imai was awarded the ...