A Fukagawa five 7/8 inch bread plate. Iris decoration from Chuji Fukagawa's own 19th century design book. Blue underglaze and red, yellow and gold overglaze enamel decoration. Mt Fuji mark in underglaze blue inside the foot ring. Late Meiji or early Taisho. Good condition. Priced for each bread plate, there were six available when listed. We are happy to quote a group price or entertain an offer for all available pieces we have in this pattern.

An unusual and interesting polychrome enameled studio porcelain mug signed by the Japanese artist - Fukako Sei. Decoration borrows from traditional Nabeshima and Kakiemon iro-e examples with blue underglaze partial decoration filled in with red, yellow-green, turquoise and magenta enamel depicting prunus and peonies (Spring flora.) The mug with a slight taper toward the rim and a loop handle. I am, being both a coffee drinker and a ceramics collector, tempted to keep this...

Bizen ware hexogonal vase with engravings of orchids on the side of the vase. The patina and color of the vase is very similar to those seen from the late Edo and early Meiji period. Interestingly, during this period elaborate decorations and moulding were created which was popular during this time. However, the vase does not contain the elaborate decorations and resembles more of tokoname wares emulating the Chinese yixing potteries. Age: Late Edo or early Meiji Period...

Influenced by the Chinese Transitional porcelain this dish shows in the center a bridge with a farmer and two cows. On the back a single spur mark. Condition: fine, little wear, foot rim with a small loss (production flaw). Dimension: diameter: 21.3 cm, weight: 396 g. Without wooden stand.

A small Japanese porcelain jar and dish with the Fuji Mountain Fukagawa mark and the N.Y.K Steam Ship Line mark. Such jars and dishes were given to passengers as a voyage souvenir. The jar measures 3" high x 2 1/2" in diameter, and the dish measures 5 1/2" in diameter. Both pieces date to the early 20th Century. Condition: The condition is excellent/perfect. Free shipping within the USA.

A rare Kotou ware vase with meticulous painting done on the surface with an image of herons and reeds on one side, and a late spring flower bouquet still life. The Koto ware was established in 1829 by Kinuya Hanbei who invited an artisan trained in producing imari wares. The kilns continued production until 1842 where the Hikone clan took over and made the kilns part of the clan. The kilns declined after the assassination of Ii Naosuke in 1860 and the last existing kiln closed in 1895...

This piece is almost identical to the work submitted by the artist to the 7th Nihon Dento Kogei Ten in 1983 (featured as item number 116 in the catalog for that year) and indeed, shares the title Hi-iro In-mon Tsubo (Flame-Colored Stamp-Patterned Tsubo). It measures 34 cm (13-1/2 inches) diameter, 29.5 cm (12 inches) tall and is in excellent condition.
Kanzaki Muneaki (b 1949) is the fourth generation head of the traditional Mokusen Kiln in Koga, Shigaraki...

A striking Bizen Chawan of mixed clay by young artist Yokoyama Naoki enclosed in the original signed wooden box. The mixed earth is pulled and twisted out of shape; one can sense the plasticity with your eyes. The stretched earth is burnt red where it has been licked by flame, yet remains pale from the shadows of the kiln. The bowl is just less than 5 inches (12 cm) diameter, 3-1/2 inches (8.5 cm) tall and in fine condition...

Japanese Satsuma Phoenix Vase by Kinkozan V, an important and renowned Satsuma artist. It features stylized figures and flowers in under glaze red, yellow, green and blue on a rich black ground. This kind of design was very influential on Art Deco. 9 inches, 23 cm.

Japanese Satsuma Phoenix Vase by Kinkozan V, an important and renowned Satsuma artist. It features a stylized phoenix of under glaze red, yellow, green, and blue on a rich black ground. This kind of design was very influential on Art Deco. 9 inches, 23 cm.

Japanese Satsuma Porcelain of a Baby Boy in a Beautiful Bib Holding a Whistle Bird. A charming sculpture with a wonderful presence. 8 inches, 20.5 cm.

Who says the work of a woman potter is feminine? This is a powerful Iga work by Watanabe Aiko enclosed in the original signed wooden box. There is nothing sedate about this work, charred and dripping with glassy green glaze, freckled with flying ash; the heavy lug handles jutting from the side slightly off kilter. The vessel is 7 inches (17 cm) tall, roughly the same diameter and in excellent condition...

This is Japanese shallow bowl from the great porcelain factory, Fukagawa. It is beautifully decorated throughout with an intense boarder of hand painting and gold work on the scalloped edge. It is in excellent condition. The bowl measures 9 3/4 across and is 2 inches deep.

A stunning Globular Bizen vase like burnished bronze covered by a dusting of ash by living National Treasure Yamamoto Toshu enclosed in an artist signed wooden box. The style is called Sangiri, and Toshu has pulled it off to perfection here, the keen characteristic suiting this artists work. It is likely an older (pre-war) work boxed later. The vase is 7 inches (17 cm) diameter, roughly the same height...

Encrusted in blue glass, this Iga Tokkuri by Furutani Kazuya is a pleasure to see and hold. It is 5 inches (12. Cm) tall, 3 inches (8.5 cm) diameter and in perfect condition, enclosed in the original signed wooden box.
Kazuya (b. 1976) is one of Japan’s most promising young stars. He graduated the Yamaguchi College of Art in 1997, and spent a year at the ceramics research facility in Kyoto before returning to work under his father, Furutani Michio, in Shigaraki...

A pair of Japanese dishes or plates, Edo, probably 18th century. Over-glaze decoration in iron red, aubergine, black, green and gilt of scholars in a landscape of rocks and banana trees. In the centre Kirin, the mythical animal, in under-glaze blue. The back with auspicious symbols. Diameter "8½/ 21,5 cm (both plates). Condition: both dishes with some wear to the decoration, one with a chip to underside of rim (cf. pictures).

Three Shishi lions or “Foo dogs”, the guardian animals that used to be placed outside temples and imperial buildings. Two of the three originally formed the knobs of urn lids, the third and smallest is a lid from a miniature incense vessel or urn. Two with aubergine and green/turquoise glaze, the third in crackle-glaze gilt. Height of biggest Foo dog "2¾/ 7 cm, of smallest "1/ 2,5 cm. Condition: the angry, middle-sized dog has got his right back leg restored.

Gold invites the cool drink covered in a yellow glaze on this fine tokkuri by Ono Hakuko enclosed in the original signed wooden box. It is 5 inches (13 cm) tall, 3-1/2 inches (9 cm) diameter and in excellent condition.
From Aichi prefecture, Hakuko was trained by her father initially in the ceramic arts. However she was most strongly influenced by the great experimentive artist Kato Hajime (1901-1968) and his work with gold...